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Lensbaby Sol 45 Review

 & Jim Fisher Principal Writer, Cameras

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Lensbaby Sol 45 Review - Lensbaby Sol 45
4.0 Excellent

The Bottom Line

The Lensbaby Sol 45 is an affordable art lens that draws images with a small, sharp area of focus, surrounded by blur, with adjustable blades to add texture.

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Pros & Cons

    • Sweet spot Lensbaby effect.
    • Tilt adjusts sharp area of photo.
    • Bokeh Blades add texture to backgrounds.
    • Compact, lightweight design.
    • Compatible with multiple camera systems.
    • Focus ring is a little narrow.
    • Bokeh Blades effect reduced when capturing distant subjects.

Lensbaby Sol 45 Specs

Dimensions 1.5 by 2.9 inches
Full-Frame Equivalent (Wide) 45
Mount Canon EF
Mount Fujifilm X
Mount Nikon F
Mount Pentax K
Mount Sony A
Mount Sony E
Optical Stabilization None
Weight 5.3

There's a new budget-friendly art lens from Lensbaby. The Sol 45 ($199.95) slides in between the entry-level Spark and the premium Composer Pro II in both price and features. The Sol 45 delivers the classic Lensbaby look—a sharp central area surrounded by blur—and is compatible with a multitude of full-frame and APS-C camera systems. Add in a pair of Bokeh Blades, which add texture to background blur when focusing close, and you've got a really fun lens at half the price of the Composer Pro II. The Sol 45 isn't quite as versatile, but it's a better fit if you don't need the flexibility that the Composer's optic swap system provides. Like its premium sibling, the Sol 45 is an Editors' Choice.

Editors' Note: This review has been updated to reflect additional camera systems with which this lens is compatible. It was originally published on August 7, 2018.

Slim, Solid Construction

The size of the Sol 45 depends on which camera system you use. If you have an SLR you'll find it to be a near pancake lens, measuring 1.5 by 2.9 inches (HD) and adding just 5.3 ounces to your camera. The mirrorless version is a bit bulkier, at 2.5 by 2.9 inches and 9.6 ounces, as it has to have the same difference between the glass and sensor as the SLR model.

Lensbaby Sol 45 : Sample Image

Both versions support 46mm front filters, although you won't be able to adjust the Bokeh Blades when you use a filter. Still, if you plan on using the Sol 45 for video, adding neutral density to maintain proper shutter angles under bright light is a necessity.

Lensbaby sells the Sol 45 for Canon EF and Nikon F SLRs, as well as for Canon RF, Fujifilm X, Nikon Z, and Sony mirrorless cameras. Micro Four Thirds shooters can certainly adapt an SLR version with ease, but are better off with the Sol 22 ($199.95), which is designed specifically for the M43 sensor size.

Lensbaby Sol 45 : Sample Image

The Sol 45 is finished in matte black, and has an all-metal barrel. It's a pure manual focus optic. The focus ring is knurled, so you can find it by feel, and it sits at the front of the lens, jutting out from the wider base by a quarter-inch or so when set to infinity focus—it extends out from the barrel as you focus closer. The short extension makes it a bit uncomfortable to grip and turn. I wish it extended just a little bit further. It doesn't prevent you from focusing, but it's not quite as comfortable to adjust focus as it should be.

As with the Composer Pro II and the Spark, you can tilt the Sol 45 to adjust the plane of focus. The mechanism used to do so is quite nice to use. Twist the base clockwise to unlock it, and then you can tilt it in any direction. Tilting the lens changes the position of the sharp area of focus in your image. You can also center and lock the tilt adjustment by twisting the lens counterclockwise.

Lensbaby Sol 45 : Bokeh Blades

And then there are the Bokeh Blades, shown above. New to the Sol series, two plastic arms sit inside the lens and can be swung toward the edges so they don't affect your images, or moved in over the glass to add some interesting texture to photos. One blade is larger than the other, so you can opt to use them independently to change the look of your shot, or put both over the front element for a more pronounced effect. The blades can be rotated, so you can change the orientation of the texture they produce.

Bokeh Blades Add Texture

The Sol 45 goes back to Lensbaby's roots, echoing the look of early models and its current Sweet 35, Sweet 50, and Sweet 80 optics, all of which are compatible with the Composer Pro II and capture images with a small central area of sharpness that quickly gives way to blur.

Lensbaby Sol 45 : Sample Image

But unlike the Composer, you can't change out the Sol 45's optical group—it's a fixed 45mm f/3.5 design. There's no adjustable aperture either. You lose a bit in versatility, but you also save some money and get an overall smaller lens. The Composer Pro II ranges in price from $300 to $400, depending on which Lensbaby optic you opt to purchase with it. In addition to the Sweet series, you can get Edge lenses for the Composer. The Edge lenses have a very different look, one that is sharp all across the frame but are more expensive; the Edge 50 costs more than the Sol 45, and that's not taking the price of the Composer housing into account.

Related StorySee How We Test Digital Cameras

Aside from the effects of the Bokeh Blades, the Sol 45 is very similar to the Sweet 50 in look. The focal length is very slightly wider, and the aperture is a bit narrower, at f/3.5 versus f/2.5. So what do the blades bring to the table?

Lensbaby Sol 45 : Sample Image

The answer is texture in the blurred area of your images—in some cases. Use them when focusing on a distant subject and you aren't likely to see anything different in a shot. But when working close, the effect is very pronounced. Take a look at the comparison above—the image on the left was shot without the blades engaged, while the one on the right uses both to change the look of the background.

An Affordable Sweet Spot Lens

The Sol 45 isn't the most entry-level Lensbaby lens—that honor goes to the $90 Spark. But for an extra $100 and change it's an excellent choice for photographers who feel that the Spark is a little bit too basic. The Sol 45 is smaller and allows you to set the amount of tilt, while you need to physically hold the Spark in place while making an image.

Lensbaby Sol 45 : Sample Image

We're awarding the Sol 45 our Editors' Choice for special effects and art lenses. For $200 it allows you to make photos with the signature Lensbaby look, a useful effect for isolating your subject from the rest of the world. The Composer Pro II is still our pick for photographers with a bigger budget—but it costs $300 and up, and its price can grow further if you decide to purchase additional optics. You don't get that option with the Sol 45, but photographers who don't want to go whole hog into the world of Lensbaby will appreciate its more basic approach.

Best Lens Picks

Further Reading

Final Thoughts

Lensbaby Sol 45 Review - Lensbaby Sol 45

Lensbaby Sol 45 Review

4.0 Excellent

The Lensbaby Sol 45 is an affordable art lens that draws images with a small, sharp area of focus, surrounded by blur, with adjustable blades to add texture.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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