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How to Buy the Best DSLR and Mirrorless Camera Lenses for 2023

You've got an interchangeable lens camera, so take advantage of it and change your lens! Upgrade the starter lens you got with your camera or supplement it with something completely different. Here's what you need to know.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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If you use an SLR or mirrorless camera to make photos but haven't yet moved beyond the starter lens, you're missing out. Yes, bundled lenses, often referred to as kit zooms, cover the angles you use for most images and deliver very good quality. But they've still got some limitations. For instance, most don't gather a lot of light, so you need to use a flash to avoid grainy images in dim light.

There are different ways to go when shopping for a new lens, though, and you need to take a bit of care to get one that fits your camera. We're here to help.


How to Ensure Your Lens Fits

Each camera system has a specific lens mount, so there's no cross-compatibility. It's not a simple matter of matching the brand name, either. For example, Canon sells cameras with three separate lens mounts and you can't freely swap lenses between them. Conversely, multiple brands make Micro Four Thirds cameras, so you can use an OM System M.Zuiko lens on a Panasonic Lumix camera if you please.

Nikon Z Camera and Lens
Nikon Z camera with 24-50mm zoom

We've put together guides for many mirrorless and SLR systems. If you're not sure of your camera's lens mount, a quick look at the user manual or web search should help you answer the question. We list the lens mount in our review specs, so you can check there too.

Our guides cover the following systems:

There are still some wrinkles to note. Third-party lens makers, brands like Sigma, Tamron, and Venus Optics to name a few, typically offer lenses for multiple systems. It's important to take a little extra time and make sure you're adding the right one to your shopping cart.


What Are the Basic Types of Lenses?

Canon R camera with 24-105mm zoom
Canon R camera with 24-105mm zoom

Most bundled lenses are standard zoom designs. They cover the angles of view most useful for day-to-day photography. The exact focal length varies based on image sensor size, but you enjoy similar views from the starter zoom for Micro Four Thirds (14-42mm), APS-C (18-55mm), or full-frame (24-70mm).

To get more of the world in one shot, you need a wide-angle zoom. These lenses have smaller focal lengths, a characteristic that nets a broader angle of view. Most wide lenses use rectilinear optics to draw the world with as little distortion as possible, but you can also get fish-eye lenses if you want an extremely wide, curved view of the world.

The world through the Lensbaby Circular Fish-Eye lens
The world through the Lensbaby Circular Fish-Eye lens

Telephoto lenses have long focal lengths and net narrower angles of view. They're useful for snapping shots of subjects when you just can't get close. If you're interested in photographing wildlife or team sports, a telezoom is the right tool for the job.

For photographs in low light or with a blurred-background look, you need a prime lens. These lenses don't zoom, instead offering a fixed angle of view and (typically) brighter optics. You can get plenty of background blur from an F1.4, F1.8, or F2.0 prime.

Canon EF 35mm F2 lens and Rebel camera
Canon EF 35mm F2 lens and Rebel camera

Other lenses fall into specialty categories. Macro lenses focus very close—they're what you want to get detailed shots of flowers, ice crystals, and other natural phenomena. You can also buy tilt-shift lenses for art and architecture, or a soft focus lens for portraiture.


What Lens Features Should You Prioritize?

There are some things you should look for when shopping for a lens, regardless of which system you use.

Build quality is one, and it's something you always pay for. We've seen a move toward quality polycarbonates—plastics that don't feel plasticky—across the board. The upgraded features to look for are dust and splash protection, as well as anti-smudge fluorine protection on the exposed glass.

Sony G lens with dust and splash protection
Sony G lens with dust and splash protection

Any lens you buy should include a rear and front cap. Most include a hood as well, a protective shield that attaches to the front. I always recommend using a hood when you can—they cut down on off-angle light, and they make it harder to accidentally fingerprint the front glass. You may want to use a protective glass filter, too; if you do, make sure to get one that's multicoated for the best results.

Optical stabilization moves lens elements to compensate for any motion, a useful feature for getting sharper handheld photos. Not every lens has it (or needs it), but you should definitely look for it in telephotos. Vloggers should pick a stabilized wide angle for smooth walk-and-talk footage.

Premium lenses often include control buttons and toggle switches. Some add a control ring to set the aperture or adjust other camera settings. These aren't required features for photography, but enthusiasts appreciate them.


What Other Photography Accessories Should You Buy?

Lensbaby Omni filter wands
Lensbaby Omni filter wands

If you're perfectly happy with your lens but are looking for some ways to do new things with your camera, there are other add-ons to consider. We like the Lensbaby Omni filter set, for instance, one that uses magnetic wands to split and filter light in interesting ways.

You can also look to add a quality tripod for long exposure work, an off-camera flash to take control of lighting, or a better microphone for video work.

We've put together some photo tips for beginners and enthusiasts, as well as a guide for using old-school manual lenses on 21st-century mirrorless cameras.

And, if you're mulling a new camera, or just dipping your toes into the world of photography, make sure to peruse our list of the best cameras for beginning photographers.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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