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The Best Nikon Z Mirrorless Lenses for 2026

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Editors' Note, December 13, 2025: With this update, we added the Nikkor Z 180-600mm, DX 12-28mm, and DX 24mm to our list of recommended Nikon Z-mount lenses. The remaining picks have been vetted for currency and availability. Since our last update, we reviewed and evaluated three Nikon Z lenses.

Nikon is likely one of the first brands that comes to mind when you think of cameras. Its SLRs were the darlings of hobbyists and professional photographers in both the film and digital eras, and its current line of Z series mirrorless cameras is includes Editors' Choice winners like the Z6 III and the Z 8. But a camera is only as good as its lens, so we've picked out some of our favorite lenses for Nikon Z cameras to help you find the right one to get the best pictures from your Nikon.


Made for Mirrorless Lenses

With half a decade in the market, Nikon's Z lens series is well established. It covers the basics—you can get wide, standard, or telephoto zooms, as well as bright primes and macro lenses. Nikon includes some unique telephoto options as well, leaning into its expertise with phase fresnel optics to realize lightweight, affordable primes like the 600mm F6.3 VR S.

Z cameras also work with Nikon SLR lenses via an adapter. That's important for photographers who have been working with Nikon cameras and lenses for years and don't want to buy all-new glass.

Nikon Z 6 II with 14-24mm

Most of the available lenses are for full-frame sensors—Nikon refers to this 24-by-36mm format as FX. It's also released a few for DX models—Nikon's branding for the 18-by-24mm APS-C format. If you own a full-frame Z, you should skip shopping for these DX lenses, but remember, you can always use a full-frame lens on a DX Nikon.


What's Special About Nikon's S Line?

You know a lens is protected from dust and splashes if it has an S designation at the end of its name. The S Line lenses use the best construction materials and optics.

Nikon Nikkor Z 50mm F1.2 S

It's not an exclusive club, however, as the bulk of the available Z lenses bear the S Line designation. That doesn't mean budget shoppers are left out in the cold entirely, but the lack of robust third-party support means that there are fewer value options to choose from. Even so, Nikon includes a handful of low-cost primes and a 24-50mm starter zoom in its catalog.

The Z system continues to grow, and we expect Nikon to round out its offerings in time. It has already released a couple of exotic optics that other systems can't match—the $14,000 Nikkor Z 400mm F2.8 with a built-in teleconverter, the ultra-fast Noct-Nikkor 58mm F0.95 manual focus prime, and the ultra-light 800mm F6.3 stand out from the crowd.

Third parties also make lenses for the system. Tamron has released a couple of zooms in Z mount, including the 35-150mm and 70-300mm F4.5-6.3. Autofocus primes are also available from Sigma, TTArtisan, and Viltrox, among others.

Nikon Z 7 II with 24-70mm F4

If you can't find the lens you're looking for or are upgrading to a Z camera from a Nikon SLR, you can go beyond native lenses with the FTZ or FTZ II adapter. They fully support AF-S Nikkor SLR lenses with internal focus motors, though any lenses that rely on an in-camera motor will lose their ability to autofocus.

If you're happy with manual focus, you can reach for other adapters, too. You can use pretty much any vintage mechanical lens with the right adapter; we have a guide if you're interested in going down that rabbit hole.

Nikon Nikkor Z 24-120mm F4 S

4.5 Outstanding
The Nikon Nikkor Z 24-120mm F4 S provides excellent optical performance for detailed images with defocused backgrounds and focused close-ups for macros. It's among the best zoom lenses you can get for a Nikon Z camera.
Nikon Nikkor Z 24-120mm F4 S review

Nikon Nikkor Z 24-70mm F2.8 S

Nikon Nikkor Z 24-70mm f/2.8 S

4.5 Outstanding
The Nikon Nikkor Z 24-70mm f/2.8 S is a standard zoom with lens outstanding optical performance and a pro-grade build.

Nikon Nikkor Z 24-200mm F4-6.3 VR

4.0 Excellent
The Nikkor Z 24-200mm F4-6.3 VR is built well, covers a wide range of angles, and nets sharp photos. It isn't a low-light wonder, but it's still a superzoom lens worth buying.
Nikon Nikkor Z 24-200mm F4-6.3 VR review

Nikon Nikkor Z 14-30mm F4 S

Nikon Nikkor Z 14-30mm f/4 S

4.0 Excellent
The Nikon Nikkor Z 14-30mm f/4 S lens captures epic wide-angle views with crisp details and minimal distortion.
Nikon Nikkor Z 14-30mm f/4 S review

Nikon Nikkor Z 17-28mm F2.8

4.0 Excellent
The Nikon Nikkor Z 17-28mm F2.8 lens captures wide views, takes pleasing photos in dim light, and proves durable enough for outdoor work.
Nikon Nikkor Z 17-28mm F2.8 review

Nikon Nikkor Z 14-24mm F2.8 S

4.0 Excellent
The Nikkor Z 14-24mm F2.8 S is smaller and lighter than similar lenses for other systems, but it has to compete with Nikon's more affordable Z 14-30mm F4 S.
Nikon Nikkor Z 14-24mm F2.8 S review

Venus Laowa 15mm F2 Zero-D

Venus Laowa 15mm f/2 Zero-D

3.5 Good
The Venus Optics Laowa 15mm f/2 Zero-D is an ultra-wide lens with an especially bright aperture and almost no barrel distortion.
Venus Laowa 15mm f/2 Zero-D review

Venus Laowa 10-18mm F4.5-5.6

Venus Laowa 10-18mm f/4.5-5.6

3.5 Good
The Venus Laowa 10-18mm F4.5-5.6 lens has the widest angle of view of any rectilinear full-frame zoom, but it doesn't offer autofocus.
Venus Laowa 10-18mm f/4.5-5.6 review

Nikon Nikkor Z 180-600mm F5.6-6.3 VR

4.5 Outstanding
The Nikkor Z 180-600mm F5.6-6.3 VR is the best big zoom lens for photographing wildlife, field sports, and other distant scenes with a Nikon Z camera.
Nikon Nikkor Z 180-600mm F5.6-6.3 VR review

Nikon Nikkor Z 400mm F4.5 VR S

4.5 Outstanding
The Nikkor Z 400mm F4.5 VR S is a standout telephoto lens that puts exemplary optics in a lightweight frame for a very reasonable price.
Nikon Nikkor Z 400mm F4.5 VR S review

Nikon Nikkor Z 50mm F1.8 S

Nikon Nikkor Z 50mm f/1.8 S

4.0 Excellent
The Nikon Nikkor Z 50mm f/1.8 S is a bright, sharp, fast-focusing standard prime lens for Z mirrorless cameras, and a serious value for the price.

Nikon Nikkor Z 24mm F1.8 S

Nikon Nikkor Z 24mm f/1.8 S

4.0 Excellent
The Nikon Nikkor Z 24mm f/1.8 S is a quality prime lens, with speedy autofocus, excellent optical performance, and sturdy construction.
Nikon Nikkor Z 24mm f/1.8 S review

Viltrox AF 40mm F2.5

4.0 Excellent
The Viltrox AF 40mm F2.5 is among the most affordable autofocusing lenses you can get for a full-frame camera, and while it omits some creature comforts, it offers impressive picture quality for the price.
Viltrox AF 40mm F2.5 review

Nikon Nikkor Z 26mm F2.8

4.0 Excellent
Nikon's svelte, durable Nikkor Z 26mm F2.8 lens pairs a wide focal length with background-blurring optics, making it a versatile choice for everyday photography.
Nikon Nikkor Z 26mm F2.8 review

Lensbaby Composer Pro II

4.0 Excellent
Lensbaby's Composer Pro II lens features a better build than the original and can be bought along with your choice of lens.
Lensbaby Composer Pro II review

Lensbaby Sol 45

4.0 Excellent
The Lensbaby Sol 45 is an affordable art lens that draws images with a small, sharp area of focus, surrounded by blur, with adjustable blades to add texture.
Lensbaby Sol 45 review

Lensbaby Velvet 85

4.0 Excellent
The Lensbaby Velvet 85 is an old-school manual lens with a soft focus look that's lovely for portraits and macro shots, but isn't for everyone.
Lensbaby Velvet 85 review

Nikon Nikkor Z DX 50-250mm F4.5-6.3 VR

4.0 Excellent
The Nikon Nikkor Z DX 50-250mm F4.5-6.3 VR lens delivers better picture quality than you'd expect from a budget-friendly telezoom.
Nikon Nikkor Z DX 50-250mm F4.5-6.3 VR review

Nikon Mount Adapter FTZ

3.5 Good
With the Nikon FTZ Adapter, your Nikkor SLR lenses work just as well with a Z 7 as they do with a D850, though its design could be a little better thought out.

Sigma 16mm F1.4 DC DN Contemporary

4.5 Outstanding
The Sigma 16mm F1.4 DC DN Contemporary lens, available for Micro Four Thirds and Sony APS-C mirrorless cameras, delivers tack sharp photos, even when shot at f/1.4.

Megadap EFTZ21 Canon EF to Nikon Z Autofocus Adapter

4.0 Excellent
The Megadap EFTZ21 adapter makes it simple to use Canon EF SLR lenses with Nikon Z mirrorless bodies, easing the financial outlay that typically comes with switching camera systems.
Megadap EFTZ21 Canon EF to Nikon Z Autofocus Adapter review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

DJI RS 4

4.5 Outstanding
The DJI RS 4 gimbal provides amazing stabilization for handheld recording and is easy to operate, making it an indispensable tool for vlogging and serious video work with midsize cameras.
DJI RS 4 review

Peak Design Travel Tripod (Carbon Fiber)

4.5 Outstanding
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

Nikon Nikkor Z MC 105mm F2.8 VR S

4.0 Excellent
The Nikon Nikkor Z MC 105mm F2.8 VR S is an exceptionally sharp macro lens, with the added benefit of optical stabilization for better handheld results.
Nikon Nikkor Z MC 105mm F2.8 VR S review

Nikon Nikkor Z 35mm F1.4

4.0 Excellent
The Nikkor Z 35mm F1.4 snaps pictures with ample background blur and characterful bokeh while offering dust and splash protection, an uncommon feature among affordable full-frame lenses.
Nikon Nikkor Z 35mm F1.4 review

Tamron 90mm F2.8 Di III VXD Macro

4.0 Excellent
The Tamron 90mm F2.8 Di III VXD Macro is a well-made macro lens with sound optics, 1:1 focus, and full weather protection.
Tamron 90mm F2.8 Di III VXD Macro review

Viltrox 27mm F1.2 Pro

4.0 Excellent
With excellent construction quality and sharp optics, the Viltrox AF 27mm F1.2 Pro brings the full-frame bokeh look to APS-C cameras.
Viltrox 27mm F1.2 Pro review

Nikon Nikkor Z 20mm F1.8 S

3.5 Good
The Nikon Nikkor Z 20mm F1.8 S lens is a bright prime with an extra-wide view, making it a good fit for astro, landscape, and architectural specialists.
Nikon Nikkor Z 20mm F1.8 S review

Nikon Nikkor Z 70-200mm F2.8 VR S

4.0 Excellent
Pro photographers using the Nikon Z mirrorless system will be happy with the Nikkor Z 70-200mm F2.8 VR S lens, but will pay a premium for the privilege.
Nikon Nikkor Z 70-200mm F2.8 VR S review

Nikon Nikkor Z 50mm F1.2 S

4.0 Excellent
The Nikon Nikkor Z 50mm F1.2 S gathers more light than most lenses, netting shots with exceptionally shallow depth of field.
Nikon Nikkor Z 50mm F1.2 S review

Tamron 28-75mm F2.8 Di III VXD G2

4.0 Excellent
Tamron's 28-75mm F2.8 Di III VXD G2 lens doesn't cover the 24mm focal length like other standard zooms, but its f/2.8 optics, fast focus, and moisture-resistant construction make it a strong value.
Tamron 28-75mm F2.8 Di III VXD G2 review

Nikon Nikkor Z 28-400mm F4

3.5 Good
The Nikon Nikkor Z 28-400mm F4-8 VR travel zoom is wide enough for landscapes and long enough for wildlife, though its optical formula limits low-light photo ops.
Nikon Nikkor Z 28-400mm F4 review

Nikon Nikkor Z 100-400mm F4.5-5.6 VR S

4.0 Excellent
The Nikon Nikkor Z 100-400mm F4.5-5.6 VR S brings far-off subjects into close view, supports teleconverters, and works well for macro subjects. It's a big lens to carry, but you won't quibble with its results.
Nikon Nikkor Z 100-400mm F4.5-5.6 VR S review

Nikon Nikkor Z 600mm F6.3 VR S

4.0 Excellent
The Nikkor Z 600mm F6.3 VR S is a big telephoto lens you won't mind carrying thanks to its featherweight optical elements.
Nikon Nikkor Z 600mm F6.3 VR S review

Nikon Nikkor Z 800mm F6,3 VR S

4.0 Excellent
The Nikon Nikkor Z 800mm F6.3 VR S lens uses phase fresnel optics to realize an ultra telephoto view, while costing and weighing less than competitors.
Nikon Nikkor Z 800mm F6,3 VR S review

Nikon Nikkor Z 85mm F1.8 S

Nikon Nikkor Z 85mm f/1.8 S

4.0 Excellent
The Nikon Nikkor Z 85mm f/1.8 S is yet another excellent prime lens for the Z mirrorless system.
Nikon Nikkor Z 85mm f/1.8 S review

Nikon Nikkor Z MC 50mm F2.8

3.5 Good
The Nikon Nikkor Z MC 50mm F2.8 is a capable prime lens for close-ups and macros, but it's not a standout optic like the Nikkor 105mm MC.
Nikon Nikkor Z MC 50mm F2.8 review

Nikon Nikkor Z DX 12-28mm F3.5-5.6 PZ VR

4.0 Excellent
The Nikon Nikkor Z DX 12-28mm F3.5-5.6 PZ VR is a useful wide-angle zoom lens for photographers and vloggers who want to fit more of the world in a single frame.
Nikon Nikkor Z DX 12-28mm F3.5-5.6 PZ VR review

Sennheiser MKE 200

4.0 Excellent
The easy-to-use Sennheiser MKE 200 microphone delivers a clear, crisp directional signal for cameras and mobile devices.
Sennheiser MKE 200 review

Tamron 150-500mm F5-6.7 Di III VXD

4.0 Excellent
The Tamron 150-500mm F5-6.7 Di III VC VXD lens has the zoom power you'll want for sports and wildlife imaging, as well as a sturdy build to handle location work.
Tamron 150-500mm F5-6.7 Di III VXD review

Nikon Nikkor Z DX 24mm F1.7

4.0 Excellent
The Nikon Nikkor Z DX 24mm F1.7 is a small prime lens that captures a ton of light to get better-looking pictures in dim conditions and more noticeable blurred backgrounds than your camera's bundled zoom.
Nikon Nikkor Z DX 24mm F1.7 review

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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