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The Best Pentax SLR Lenses for 2026

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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65 EXPERTS
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(Credit: Jim Fisher)

Most photographers in the market for an SLR go with a Canon or a Nikon camera. But, despite their market share, the big two aren't the only game in town. Besides, both companies are winding down their optical viewfinder SLR cameras in favor of mirrorless models with electronic viewfinders. The Pentax brand has been around for a long time and, if you learned photography in the 70s or 80s, you probably picked up the classic manual focus K1000 SLR at some point. And, importantly for optical viewfinder purists, Pentax is sticking with SLRs, while the rest of the photo world moves to mirrorless systems.

In the digital world, Pentax SLRs set themselves apart from the competition by concentrating on build quality rather than bells and whistles. Even the budget-friendly K-70 ($649.95) has a glass pentaprism viewfinder, a stabilized image sensor, and extensive weather sealing—features that are typically only available in bodies that cost over $1,000 for other systems.

On the high end, the K-3 Mark III ($1,999.95) includes the best autofocus and video capabilities of any Pentax camera yet. It can focus and track subjects quickly, plus records in 4K. It costs as much as some cameras with full-frame sensors at around $2,000, but long-time Pentaxians finally have access to a camera that goes toe-to-toe with bigger brands for capturing subjects in motion.

Pentax K-3 Mark III
Pentax K-3 Mark III

Like most entry-level models from Nikon and Canon, most Pentax SLRs use the APS-C sensor size. There is one full-frame model available, the 36MP K-1 Mark II ($1,999.95). You can use APS-C lenses with it—we've tested some and found that a few cover the whole sensor and are decent performers—but, for the best results, look for lenses marked as FA or D FA if you shoot with the K-1.

Pentax doesn't offer nearly as many lenses for its system as other manufacturers do for theirs and third parties don't support it quite as extensively, either. Sigma released a handful of its Art and Contemporary K-mount lenses, but many have gone out of production; you can still get the 30mm F1.4 Art for APS-C and 35mm F1.4 Art for full-frame, but that's it. Tamron doesn't offer any of its current lenses for the system but does license out some of its designs under the Pentax banner.

That said, all the basics are available. You might just have one or two options for a particular type in the mount, and some options might seem a bit outdated compared with lenses from other systems. For instance, whereas Pentax still relies on screw-driven focus for many lenses, most other systems go for quieter in-lens focus motors. That said, you won't find a match for some Pentax-exclusive lenses on competing mounts. The svelte DA Limited series, a line of compact lenses with metal construction, has obtained an almost cult-like following, for example.

Pentax HD DA 35mm F2.8 Macro Limited

4.5 Outstanding
The Pentax HD DA 35mm F2.8 Macro Limited lens is as well-built as it is sharp, housing crisp optics in a compact, premium all-metal barrel.
Pentax HD DA 35mm F2.8 Macro Limited review

Pentax HD DA 15mm F4 ED AL Limited

4.0 Excellent
The Pentax HD DA 15mm F4 ED AL Limited is an impressively sharp wide-angle lens with minimal distortion.
Pentax HD DA 15mm F4 ED AL Limited review

Pentax HD DA 40mm F2.8 Limited

4.0 Excellent
The slim Pentax HD DA 40mm F2.8 Limited is one of the smallest lenses you'll find, and it doesn't skimp on image quality to get there.
Pentax HD DA 40mm F2.8 Limited review

Pentax HD DA 70mm F2.4 Limited

4.0 Excellent
The Pentax HD DA 70mm F2.4 Limited is a sharp, compact lens that's great for portraiture.
Pentax HD DA 70mm F2.4 Limited review

Pentax HD DA 20-40mm F2.8-4 ED Limited DC WR

3.5 Good
The Pentax HD DA 20-40mm F2.8-4 ED Limited DC WR is a compact, weather-sealed zoom lens, but its range is limited and it's priced on the high side.
Pentax HD DA 20-40mm F2.8-4 ED Limited DC WR review

Pentax HD FA 31mm F1.8 Limited

4.5 Outstanding
The Pentax HD FA 31mm F1.8 Limited's metal construction, exquisite wide-angle optics, and unique character make it a lens you'll love to use for years to come.
Pentax HD FA 31mm F1.8 Limited review

Pentax HD FA 43mm F1.9 Limited

4.0 Excellent
The Pentax HD FA 43mm F1.9 Limited introduces some small, but thoughtful, upgrades to one of photography's timeless lenses.
Pentax HD FA 43mm F1.9 Limited review

Pentax HD Pentax-D FA* 50mm F1.4 SDM AW

4.0 Excellent
The HD Pentax-D FA* 50mm F1.4 SDM AW costs more than similar lenses for other systems, but it's the best fast-fifty you can get for K-mount cameras.

Pentax HD D FA 21mm F2.4 ED Limited DC WR

4.0 Excellent
The Pentax HD D FA 21mm F2.4 ED Limited DC WR lens is a worthy splurge with all the trappings of the FA Limited family, including unique optics, metal construction, and a size-conscious form.
Pentax HD D FA 21mm F2.4 ED Limited DC WR review

Pentax HD-D FA 15-30mm F2.8 ED SDM WR

4.0 Excellent
The Pentax HD D FA 15-30mm F2.8 ED SDM WR is a huge lens, but one that covers an ultra-wide field of view with excellent sharpness, even at f/2.8.

Pentax HD FA 77mm F1.8 Limited

4.0 Excellent
The Pentax HD FA 77mm F1.8 Limited lens packages bright, background-blurring optics into a palm-sized package with a metal finish and broad compatibility.
Pentax HD FA 77mm F1.8 Limited review

Peak Design Travel Tripod (Carbon Fiber)

4.5 Outstanding
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

Pentax SMC D-FA Macro 50mm F2.8

4.0 Excellent
The Pentax SMC D-FA Macro 50mm F2.8 lens delivers strong image quality and full-size macro magnification.
Pentax SMC D-FA Macro 50mm F2.8 review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

Pentax HD D FA 28-105mm F3.5-5.6ED DC WR

3.5 Good
The Pentax HD D FA 28-105mm F3.5-5.6ED DC WR is a solid full-frame starter zoom, but it makes the compromises you expect from a kit lens.

Flashpoint Xplor 100 Pro TTL R2

4.0 Excellent
The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.
Flashpoint Xplor 100 Pro TTL R2 review

Pentax HD D FA 24-70mm F2.8 ED SDM WR

3.5 Good
The Pentax HD D FA 24-70mm F2.8 ED SDM WR lens sports a pro build, full-frame coverage, and is priced very affordably.
Pentax HD D FA 24-70mm F2.8 ED SDM WR review

Pentax HD D FA Macro 100mm F2.8 ED AW

3.5 Good
The Pentax HD D FA Macro 100mm F2.8 ED AW lens benefits from a refreshed optical formula that works better with high-pixel digital cameras, but Pentax didn't bother to make other changes to an outdated design.
Pentax HD D FA Macro 100mm F2.8 ED AW review

MonsterAdapter Pentax Adapter LA-KE1

3.5 Good
The MonsterAdapter Pentax Adapter LA-KE1 makes it possible to use many Pentax SLR lenses with Sony's mirrorless camera system with autofocus, but compatibility isn't universal.
MonsterAdapter Pentax Adapter LA-KE1 review

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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