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The Best Canon EF-M Mirrorless Lenses

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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One of the big reasons to pick a camera with a removable lens is the ability to change your perspective, swapping the starter zoom out for a wide, telephoto, or fast aperture lens, all of which offer different creative effects.

Canon has taken an interesting approach with its mirrorless camera development, splitting its efforts across two separate, incompatible systems. This guide covers the EF-M lenses that work with EOS M cameras. If you have an EOS R mirrorless camera, you'll use different lenses, those with RF mount. We've put together a separate guide for Canon R photographers.


Canon's Compact Camera System

Canon opted for the APS-C sensor size for its EOS M cameras. The format is common among consumer models—it's the same one Canon uses in its popular Rebel SLR line. It makes for a generally smaller, lighter kit than you can get with full-frame cameras.

The company has held true to the compact philosophy with M cameras and the EF-M lenses that go with them. You won't find big zooms with F2.8 apertures or F1.2 primes like you can get for EOS R mirrorless or Canon SLRs.

Canon EOS M6 Mark II
Canon EOS M6 Mark II

You can still use SLR lenses with the system. Canon sells its EF-EOS M adapter for around $200. Autofocus performance was an issue with the first-generation models from 2012, but more recent entries offer speedy focus with adapted lenses.

You may find adapted lenses to be useful. Canon has covered the basics with its EF-M lenses, but only offers eight choices so far. Sigma has added a handful of F1.4 primes with autofocus to bolster the library. Other third parties, including Venus Laowa and 7artisans, make manual focus glass for the system.

Canon EF-M 11-22mm F4.5-5.6 IS STM

Canon EF-M 11-22mm f/4.5-5.6 IS STM

4.0 Excellent
The Canon EF-M 11-22mm f/4-5.6 IS STM for EOS M cameras is an excellent choice if you love wide-angle photography.
Canon EF-M 11-22mm f/4.5-5.6 IS STM review

Canon EF-M 15-45mm F3.5-6.3 IS STM

Canon EF-M 15-45mm f/3.5-6.3 IS STM

3.5 Good
The Canon EF-M 15-45mm f/3.5-6.3 IS STM is a solid starter lens, but don't pay full price for it.
Canon EF-M 15-45mm f/3.5-6.3 IS STM review

Canon EF-M 18-150mm F3.5-6.3 IS STM

Canon EF-M 18-150mm f/3.5-6.3 IS STM

4.0 Excellent
The EF-M 18-150mm f/3.5-6.3 IS STM is a small lens that covers a big zoom range, and a solid choice for Canon mirrorless shooters who don't want to fiddle with frequent lens changes.
Canon EF-M 18-150mm f/3.5-6.3 IS STM review

Canon EF-M 55-200mm F4.5-6.3 IS STM

Canon EF-M 55-200mm f/4.5-6.3 IS STM

3.5 Good
The Canon EF-M 55-200mm f/4.5-6.3 IS STM is small and light, but it doesn't capture as much light as similar lenses for SLRs.
Canon EF-M 55-200mm f/4.5-6.3 IS STM review

Sigma 16mm F1.4 DC DN Contemporary

4.5 Outstanding
The Sigma 16mm F1.4 DC DN Contemporary lens, available for Micro Four Thirds and Sony APS-C mirrorless cameras, delivers tack sharp photos, even when shot at f/1.4.

Canon EF-M 22mm F2 STM

Canon EF-M 22mm f/2 STM

4.0 Excellent
The Canon EF-M 22mm f/2 STM, the standard prime lens for the EOS M, is compact, fast, and sharp.
Canon EF-M 22mm f/2 STM review

Canon EF-M 28mm F3.5 Macro IS STM

Canon EF-M 28mm f/3.5 Macro IS STM

4.5 Outstanding
The Canon EF-M 28mm f/3.5 Macro IS STM lens is a small, inexpensive macro gem, delivering crisp images and featuring an integrated LED to shed light on subjects.
Canon EF-M 28mm f/3.5 Macro IS STM review

Sigma 30mm F1.4 DC DN Contemporary

4.0 Excellent
The Sigma 30mm F1.4 DC DN Contemporary is a bright, crisp, standard-angle lens for Sony and Micro Four Thirds mirrorless cameras.

Canon EF-M 32mm F1.4 STM

The EF-M 32mm F1.4 STM matches the angle of a 50mm full-frame lens and its F1.4 optics snap shots with soft, defocused backgrounds. It's the closest thing Canon has to a nifty-fifty for the EOS M system.

Sigma 56mm F1.4 DC DN Contemporary

4.0 Excellent
Sigma's 56mm F1.4 DC DN Contemporary lens captures crisp images with a shallow depth of field, and is a solid addition to your camera kit.
Sigma 56mm F1.4 DC DN Contemporary review

Venus Laowa 9mm f/2.8 Zero-D

4.0 Excellent
The Venus Laowa 9mm f/2.8 Zero-D is a compact, sharp, ultra-wide lens for mirrorless cameras. It does a great job curbing barrel distortion, even if it's not truly Zero-D as advertised.
Venus Laowa 9mm f/2.8 Zero-D review

Canon Speedlite 90EX

3.5 Good
The Canon Speedlite 90EX is an impressively compact flash. It pairs well with the compact EOS M, but can be used with any Canon camera that supports Speedlites.
Canon Speedlite 90EX review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

Flashpoint Xplor 100 Pro TTL R2

4.0 Excellent
The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.
Flashpoint Xplor 100 Pro TTL R2 review

Peak Design Travel Tripod (Carbon Fiber)

4.5 Outstanding
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

DJI RSC 2

4.5 Outstanding
The DJI RSC 2 is a compact gimbal for mirrorless cameras with a smart, folding design and superbly smooth stabilization.
DJI RSC 2 review

Sennheiser MKE 200

4.0 Excellent
The easy-to-use Sennheiser MKE 200 microphone delivers a clear, crisp directional signal for cameras and mobile devices.
Sennheiser MKE 200 review

Rode Wireless Go II

4.0 Excellent
The unique Rode Wireless Go II allows for easy two-mic wireless recording on the go, and works with cameras, smartphones, and tablets.
Rode Wireless Go II review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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