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The Best Canon RF Mirrorless Lenses for 2025

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon, one of the most trusted brands in SLRs, is all-in on mirrorless. Its EOS R digital cameras drop optical viewfinders for electronic viewfinders (EVFs) and work with a relatively new RF lens system. These lenses use distinct optical formulas and a different mount compared with the EF lenses for Canon's popular SLR camera line. PCMag has tested lenses for the EOS R system since it debuted and covered the vast majority of releases, so you can trust our recommendations are worthy of your money. Whether you want a bright standard zoom for events, a telephoto prime for wildlife, or a macro lens for close-ups, you will surely find something that appeals in our list of the best options below. Make sure to click through to our comprehensive reviews to get the full details on each.


What Cameras Use Canon RF Lenses?

The EOS R cameras use RF lenses, which are distinct from the EF lenses for Canon's end-of-life SLR system. Adapters are available to make it a little easier to swap your trusty EOS 5D Mark IV for a newer entry. But not everyone is coming in from a Canon SLR, and there are valid reasons to pick a made-for-R lens over using one with an adapter. Telephotos especially benefit from hybrid optical and in-body stabilization, a feature exclusive to RF lenses.

Canon sells R cameras with full-frame sensors (EOS R, RP, R1, R3, R5, R6, and R8 series) and with smaller APS-C chips (EOS R7, R10, R50, R100). Full-frame lenses are named with RF designations, while APS-C glass uses RF-S.

Canon is several years into the development of the system, enough time to bring bread-and-butter options like f/2.8 zooms, bright primes, and long telephoto glass to market, as well as some exotic and downright experimental lenses. Even so, if you're buying a full-frame EOS R camera, you'll be restricted to using Canon lenses. The brand hasn't yet allowed third parties to make autofocusing optics for its full-frame R cameras.

The APS-C line is a different story. Canon makes a handful of RF-S lenses, and a good number of its small, low-cost full-frame optics are sensible for use with an APS-C body. However, its RF-S zoom lenses tend to be basic with middling f-stops, and no extra-bright f/1.4 primes are available. To compensate, both Sigma and Tamron market some bright-aperture APS-C zooms and primes for the platform.

You may also turn to third-party SLR lenses with the same adapters as Canon EF glass. If you're open to manual focus, you can use virtually any vintage lens; it's just a matter of finding the right adapter.


Should You Choose Full-Frame or APS-C Lenses?

Canon includes both full-frame and APS-C models in its R camera lineup. Lenses that cover the bigger full-frame sensor are designated as RF, while the RF-S badge indicates a lens covers only the smaller confines of an APS-C sensor.

Photographers who use an APS-C model like the EOS R10 or R7 can use RF lenses on their cameras, too. The smaller sensor format means that the same lens will show a narrower angle of view than on a full-frame camera, as expected.

Full-frame photographers can also attach the made-for-APS RF-S lenses to their cameras. In that uncommon situation, the camera crops its active sensor area and cuts resolution down to compensate for the lens' lack of full-frame coverage. An RF-S lens on the 45MP EOS R5, for example, nets 18MP images from the center of the sensor.

Remember that while EF SLR lenses can be adapted to EOS R cameras, there is no way to use lenses from Canon's EOS EF-M mirrorless system with an R camera.

As for variety, there are affordable lenses for entry-level shoppers, a good fit for customers jumping in with the $1,000 EOS RP or EOS R10. On the high end, the Canon L series continues. These premium lenses are built to the standards Canon pros have come to expect.

Canon RF 28-70mm F2 L USM

Canon RF 28-70mm f/2L USM

4.5 Outstanding
The Canon RF 28-70mm F2 L USM is a one-of-a-kind zoom lens, combining an aperture typically reserved for primes and a 2.5x zoom range, without sacrificing image quality.

Canon RF 24-70mm F2.8 L IS USM

4.0 Excellent
The Canon RF 24-70mm F2.8 L IS USM is the lens that pros and serious shutterbugs will want for their full-frame camera.
Canon RF 24-70mm F2.8 L IS USM review

Canon RF 24-105mm F4-7.1 IS STM

4.0 Excellent
The Canon RF 24-105mm F4-7.1 IS STM is the most affordable zoom lens for the R system, and one of the smallest and lightest full-frame zooms you can get for any camera.
Canon RF 24-105mm F4-7.1 IS STM review

Canon RF 24-105mm F4 L IS UM

Canon RF 24-105mm f/4L IS USM

4.0 Excellent
The Canon RF 24-105mm F4 L IS USM zooms a bit further than the 24-70mm F2.8, and while it gathers less light, it's a fine choice for photographers who prefer a bit extra zoom power.
Canon RF 24-105mm f/4L IS USM review

Sigma 18-50mm F2.8 DC DN Contemporary

4.0 Excellent
The Sigma 18-50mm F2.8 DC DN Contemporary is an affordable and very capable standard zoom for beginner photographers, with sharp, background-blurring optics and decent macro capabilities.
Sigma 18-50mm F2.8 DC DN Contemporary review

Sigma 10-18mm F2.8 DC DN Contemporary

4.0 Excellent
The Sigma 10-18mm F2.8 DC DN Contemporary zoom lens snaps crisp wide-angle photos, works well for vlogging, and costs less than competitors.
Sigma 10-18mm F2.8 DC DN Contemporary review

Canon RF 24-240mm F4-6.3 IS USM

Canon RF 24-240mm f/4-6.3 IS USM

3.5 Good
The Canon RF 24-240mm F4-6.3 IS USM covers a bigger zoom range than any other lens for the system, but it makes some sacrifices to get there.
Canon RF 24-240mm f/4-6.3 IS USM review

Canon RF 70-200mm F4 L IS USM

4.0 Excellent
The Canon RF 70-200mm F4 L IS USM is a compact zoom with quick focus and exquisite optics. Pros may still want a F2.8 zoom, but this is more than enough lens for most photographers.
Canon RF 70-200mm F4 L IS USM review

Canon RF 70-200mm F2.8 L IS USM

4.0 Excellent
The Canon RF 70-200mm F2.8 L IS USM is the smallest telezoom of its type, but it's priced at a premium.
Canon RF 70-200mm F2.8 L IS USM review

Canon RF 10-20mm F4 L IS STM

4.0 Excellent
The Canon RF 10-20mm F4 L IS STM captures more of the world in view than any other autofocusing zoom lens and is amazingly small among its closest peers.
Canon RF 10-20mm F4 L IS STM review

Canon RF 100-400mm F5.6-8 IS USM

4.0 Excellent
The Canon RF 100-400mm F5.6-8 IS USM is one of the more affordable telezooms available, but its relatively dim maximum aperture makes it a better choice for use outdoors than under artificial light.
Canon RF 100-400mm F5.6-8 IS USM review

Canon RF 100-500mm F4.5-7.1 L IS USM

4.0 Excellent
The Canon RF 100-500mm F4.5-7.1 L IS USM brings big zoom power for sports and nature photographers in the RF system, but does its best work in brighter light.
Canon RF 100-500mm F4.5-7.1 L IS USM review

Canon RF 600mm F11 IS STM

4.0 Excellent
The Canon RF 600mm F11 IS STM has a long focal length to bring distant subjects into close view, and is priced low enough for hobbyists to afford.
Canon RF 600mm F11 IS STM review

Canon RF 85mm F1.2 L USM DS

4.5 Outstanding
The Canon RF 85mm F1.2 L USM DS is a big, gorgeous prime lens with absolutely impeccable optics and an internal filter that for softer, more pleasing bokeh.
Canon RF 85mm F1.2 L USM DS review

Canon RF 50mm F1.2 L USM

4.5 Outstanding
The RF 50mm F1.2 L USM is a modern take on one of Canon's classic lenses, with stunningly shallow depth of field thanks to its extra-bright f/1.2 design.

Canon Mount Adapter EF-EOS R

4.0 Excellent
The Canon Mount Adapter EF-EOS R is the most affordable adapter to use Canon EF and EF-S SLR lenses with its RF mirrorless system.

Canon Control Ring Mount Adapter EF-EOS R

3.5 Good
The Canon Control Ring Mount Adapter EF-EOS R allows you to use EF and EF-S SLR lenses with Canon RF mirrorless bodies with control ring functionality, but costs twice as much as the basic adapter.

Peak Design Travel Tripod (Carbon Fiber)

4.5 Outstanding
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

Flashpoint Xplor 100 Pro TTL R2

4.0 Excellent
The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.
Flashpoint Xplor 100 Pro TTL R2 review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

DJI Mic 2

4.0 Excellent
The DJI Mic 2 mic system produces clean wireless audio from up to two sources, comes with lots of useful accessories, and works well with just about any recording device you might use.
DJI Mic 2 review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

Sennheiser MKE 200

4.0 Excellent
The easy-to-use Sennheiser MKE 200 microphone delivers a clear, crisp directional signal for cameras and mobile devices.
Sennheiser MKE 200 review

DJI RS 3 Mini

4.0 Excellent
The DJI RS 3 Mini is an easy-to-use stabilizer for video creators. It handles full-frame cameras and can go vertical for social, but isn't quite as capable as the regular RS 3.
DJI RS 3 Mini review

Canon RF 135mm F1.8 L IS USM

4.5 Outstanding
The Canon RF 135mm F1.8 L IS USM lens captures stunning portraits with perfectly blurred backgrounds thanks to its bright aperture, mid-telephoto focal length, and effective image stabilization.
Canon RF 135mm F1.8 L IS USM review

Sigma 16mm F1.4 DC DN Contemporary

4.5 Outstanding
The Sigma 16mm F1.4 DC DN Contemporary lens, available for Micro Four Thirds and Sony APS-C mirrorless cameras, delivers tack sharp photos, even when shot at f/1.4.

Canon RF 15-35mm F2.8 L IS USM

4.0 Excellent
The Canon RF 15-35mm F2.8 L IS USM is an ultra-wide zoom lens that's built to high standards, and includes both optical stabilization and an f/2.8 aperture—a rare combination among its peers.
Canon RF 15-35mm F2.8 L IS USM review

Canon RF 16mm F2.8 STM

4.0 Excellent
The Canon RF 16mm F2.8 STM opens up wide-angle imaging to more photographers thanks to its $300 price, and delivers more than you'd expect from a low-cost lens.
Canon RF 16mm F2.8 STM review

Canon RF 200-800mm F6.3-9 IS USM

3.5 Good
The Canon RF 200-800mm F6.3-9 IS USM is an attractive lens for wildlife and sports photographers due to its long reach, though focus accuracy issues make it less reliable than alternatives.
Canon RF 200-800mm F6.3-9 IS USM review

Tamron 11-20mm F2.8 Di III-A RXD

4.0 Excellent
Tamron's 11-20mm F2.8 Di III-A RXD lens is a wide, weather-protected zoom lens for Fuji X and Sony E mirrorless cameras with sharp, but not stabilized, optics.
Tamron 11-20mm F2.8 Di III-A RXD review

Canon RF 28mm F2.8 STM

4.0 Excellent
The incredibly small Canon RF 28mm F2.8 STM is a must-have lens that’s at home on any EOS R series camera thanks to its versatile angle, modest price, and quality optics.
Canon RF 28mm F2.8 STM review

Sigma 23mm F1.4 DC DN Contemporary

4.0 Excellent
The Sigma 23mm F1.4 DC DN Contemporary lens for APS-C cameras snaps exceptionally sharp photos and easily blurs backgrounds.
Sigma 23mm F1.4 DC DN Contemporary review

Sigma 56mm F1.4 DC DN Contemporary

4.0 Excellent
Sigma's 56mm F1.4 DC DN Contemporary lens captures crisp images with a shallow depth of field and is a solid addition to your camera kit.
Sigma 56mm F1.4 DC DN Contemporary review

Canon RF 24mm F1.8 Macro IS STM

4.0 Excellent
The Canon RF 24mm F1.8 Macro IS STM is a useful lens for many types of photography thanks to its wide angle of view, macro focus, and background-blurring aperture.
Canon RF 24mm F1.8 Macro IS STM review

Canon RF 35mm F1.4 L VCM

4.0 Excellent
The Canon RF 35mm F1.4 L VCM lens focuses fast, blurs backgrounds easily, and isn't too heavy to carry. Its only weaknesses are false color and flare.
Canon RF 35mm F1.4 L VCM review

Canon RF 50mm F1.8 STM

3.5 Good
Canon's affordable RF 50mm F1.8 STM mirrorless prime is a fine choice for photographers just starting out, but hobbyists may want a bit more from an everyday lens.
Canon RF 50mm F1.8 STM review

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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