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Canon EF-M 28mm f/3.5 Macro IS STM Review

 & Jim Fisher Principal Writer, Cameras

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Canon EF-M 28mm f/3.5 Macro IS STM Review - Lenses
4.5 Outstanding

The Bottom Line

The Canon EF-M 28mm f/3.5 Macro IS STM lens is a small, inexpensive macro gem, delivering crisp images and featuring an integrated LED to shed light on subjects.
Best Deal£600.37

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£600.37

Pros & Cons

    • Edge-to-edge sharpness.
    • 1.2x magnification.
    • Integrated LED light.
    • Smooth, silent focus.
    • Image stabilization.
    • Minimal distortion.
    • Compact.
    • Inexpensive.
    • Dim corners when shooting Raw.
    • Narrow maximum aperture.
    • Plastic lens mount.

Canon EF-M 28mm f/3.5 Macro IS STM Specs

35mm Equivalent (Wide) 45
Dimensions 1.8 by 2.4 inches
Lens Mount Canon EF-M
Stabilization In-Lens
Type Lens
Weight 4.6

Mirrorless cameras are popular for photographers who want the image quality of an SLR without the bulk. But lenses aren't always small, with some systems featuring glass that's quite large compared with the body. The Canon EF-M 28mm f/3.5 Macro IS STM ($299.99) is delightfully tiny, matching well with EOS M bodies. Images are crisp from edge to edge, and macro shooters will love its high-magnification design and integrated LED light. If you've got a Canon mirrorless camera, this is a lens to get, and easy to call an Editors' Choice.

Design

The EF-M 28mm ($299.00 at Amazon) measures 1.8 by 2.4 inches (HD) and weighs just 4.6 ounces. It's a collapsible lens, which means those measurements are logged at its smallest position. You'll need to twist the barrel while holding the unlock switch in order to telescope the center out a bit, adding about a half-inch of height. The small size is helped by a rather narrow maximum aperture, f/3.5, which makes the lens a bit less versatile as an all-around prime. For indoor and low-light shooting, the EF-M 22mm f/2 STM is a stronger option.

Canon EF-M 28mm f/3.5 Macro IS STM : Sample Image

There's a small metal lens hood with a thread that accepts 43mm filters. You'll need to unscrew the hood to use the integrated LED light. It's controlled by a button on the side of the lens. The light is broken into two halves, to the left and right of the lens, each lit by an adjustable LED with two levels of brightness. Use the button to change power or, with a long press, switch between the left, right, or both lights simultaneously.

The 28mm features an STM motor, which is smooth and silent. It's especially handy for video, as it allows for slow, steady racks in focus between subjects. Image stabilization is built in, which is a big plus for video use, and also makes it easier to shoot macro shots handheld, as the high level of magnification would otherwise require a steady hand for crisp results.

Canon EF-M 28mm f/3.5 Macro IS STM : Sample Image

In its standard focus range, the lens locks on to subjects as close as 3.80 inches from the sensor, which gives it a very solid macro capability with 1:1 life-size magnification. Twist the barrel slightly to put it in Super Macro capability if you want to work even closer, 3.66 inches, which projects images onto the sensor at larger than life-size, 1.2:1. The light comes in handy here, as when you're working that close the front element of the lens is almost touching your subject and casts a shadow. In the image of a MacBook Pro keyboard above, the left half shows 1:1 magnification and the right 1.2:1.

Image Quality

I used Imatest to test the EF 28mm along with the 24MP EOS M6. At its maximum aperture, f/3.5, the lens scores 2,394 lines per picture height. The score is calculated using a center-weighted average, but image quality is almost as strong at the edges (2,280 lines) as it is at the mid parts (2,315 lines) and center (2,507 lines) of the frame. It's well above the 1,800 lines we look for at minimum in a photo.

Canon EF-M 28mm f/3.5 Macro IS STM : Sample Image

Image quality is just about the same at f/4, and you get the sharpest images at f/5.6 (2,643 lines). There's a modest drop at f/8 (2,567 lines) and f/11 (2,366 lines), with a more noticeable dip at f/16 (2,073) and the minimum f/22 aperture (1,586 lines).

Related Story See How We Test Digital Cameras

There's no visible distortion in images. You do get some corner dimness when shooting Raw, about -3.4EV at f/3.5, -2.5EV at f/4, and -1.7EV at f/5.6. At narrower apertures illumination is quite even from edge to edge. It's easy to brighten corners with a Raw converter—Adobe Lightroom has a lens profile to correct the issue automatically.

Canon EF-M 28mm f/3.5 Macro IS STM : Sample Image

If you shoot JPGs, your camera automatically brightens corners to make them closer to the center. An f/3.5 JPG shows -1.2EV illumination at the corners, which is just outside our -1EV tolerance. It's a nonissue at narrower settings when shooting JPGs.

Conclusions

I have almost no complaints about the EF-M 28mm f/3.5 Macro IS STM. It's small, inexpensive, sharp, and focuses almost right up to the front element. I can nitpick and say it's not an f/2.8 or f/2 lens, but it's tough to combine wide apertures with macro capability, and the high ISO capabilities of modern cameras make the half-stop difference between f/2.8 and f/3.5 fairly academic.

The current generation of Canon's mirrorless cameras are a step behind the competition, but I expect them to catch up, and lenses like this make a compelling argument as mirrorless being a better option for many consumers compared with SLR. If you've already invested in the EOS M system and want a lens that's going to deliver better image quality and closer focus than the standard zoom that came with your camera, the EF-M 28mm should be an easy purchase decision, especially at under $300. It's an easy pick as Editors' Choice.

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Further Reading

Final Thoughts

Canon EF-M 28mm f/3.5 Macro IS STM Review - Lenses

Canon EF-M 28mm f/3.5 Macro IS STM Review

4.5 Outstanding

The Canon EF-M 28mm f/3.5 Macro IS STM lens is a small, inexpensive macro gem, delivering crisp images and featuring an integrated LED to shed light on subjects.

Get It Now
Best Deal£600.37

Buy It Now

£600.37

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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