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Tamron Details Affordable 70-180mm F2.8 Zoom Lens

The Tamron 70-180mm f/2.8 Di III VXD works with Sony mirrorless cameras and serves as a low-cost alternative to the pricey Sony 70-200mm F2.8 GM OSS.

 & Jim Fisher Principal Writer, Cameras

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Tamron's trio of compact, affordable f/2.8 zooms for the Sony mirrorless system is now complete with the formal introduction of the 70-180mm f/2.8 Di III VXD. At $1,200, it's about half the price of Sony's 70-200mm F2.8 GM OSS, but as as you can tell from its focal range, it doesn't offer quite the same level of zoom power.

It's a design concept shared by others in the series. The Tamron 17-28mm competes with first-party 16-35mm lenses, and its 28-75mm loses some wide-angle coverage when compared with competing 24-70mm zooms. Both earned high marks from this photographer, largely due to their value and optical quality. The 70-180mm is as of yet untested as for quality, but we have high hopes given its pedigree.

It's not just less expensive than Sony's 70-200mm F2.8, it's also a bit smaller and lighter. It's 5.9 inches long at the 70mm setting—the barrel telescopes when zoomed to longer settings—with a diameter of about 3.2 inches. It weighs 1.8 pounds, versus 3.3 pounds for the Sony.

Front filters are supported; the lens uses the same 67mm thread pitch as the 17-28mm and 28-75mm, as well as Tamron's inexpensive f/2.8 primes for the Sony system, so you won't have to double up on neutral density, circular polarization, and similar filters.


Sample Image Provided by Tamron Sample Image Provided by Tamron

Tamron doesn't bill the lens as a macro, but it has a decent 1:4.6 magnification rating when using autofocus. It's not enough to capture close-up shots of insects and other minutiae, but is fine for everyday photography and portraits. At 70mm you can switch to manual focus and lock in a bit closer, as close as 10.2 inches from the front element, increasing the magnification rating to 1:2. Tamron states that it reduces resolution, though, especially off-center.

Dust and splash protection is included in the design, and the front element is protected with fluorine, an oil-repellant compound that makes it easy to wipe away fingerprint smudges and raindrops. Front and rear caps, as well as a petal-style lens hood are included.


Sample Image Provided by Tamron Sample Image Provided by Tamron

These are premium features on a very budget-friendly lens. Tamron also promises superior autofocus performance. Dual linear motors drive the focusing elements quickly and quietly. They promise to deliver focus precision at 0.0002-inch, a bafflingly minute figure.

The shorter zoom range isn't the only differentiating factor versus the Sony 70-200mm. Sony includes optical stabilization in its premium lens; Tamron doesn't. All but the first generation of Sony full-frame cameras offer in-body stabilization, but the technology tends to be less effective at telephoto focal lengths.



Some claims have to be backed up by testing, of course. We don't know how good the optics are, if focus precision lives up to Tamron's claims, and how effective in-body image stabilization will be on its own. We'll report back with a full review when we've had a chance to test the 70-180mm in the lab and in the field.

Tamron expects shipments to start on May 14, but does warn that the COVID-19 crisis may delay shipments, or restrict the number of lenses available at launch.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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