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The Best Micro Four Thirds Lenses for 2026

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Creators using Micro Four Thirds mirrorless cameras have access to one of the largest, longest-running lens libraries, with more options than others since the system is backed by numerous brands, including OM System and Panasonic Lumix. I've been testing lenses at PCMag for well over a decade and have tried a lot of Micro Four Thirds glass along the way, so you can trust that my recommendations are based on actual use and years of experience. I've picked out some of the best performers and values for Micro Four Thirds cameras, so read on if you are trying to figure out what glass to get for the Editors' Choice-winning Panasonic Lumix DC-G9 II, the retro chic OM System OM-3, or any other Micro Four Thirds camera.

March 20, 2026: With this update, we added the OM System 50-200mm F2.8 to our list of recommended telephoto lenses for Micro Four Thirds. Our existing picks have been vetted for currency and availability. Since our last update, we reviewed and evaluated two new Micro Four Thirds lenses for potential inclusion in this roundup.


First in Mirrorless

Micro Four Thirds cameras first went on sale in 2008. At the time, the mirrorless concept was novel. Instead of using an optical viewfinder and mirror, like the Four Thirds SLR system that preceded it, M43 takes the view from the image sensor and sends it right to an electronic display. 

Olympus (now OM System) and Panasonic started things off, but several others have employed the mount over the years. Cameras in the Blackmagic Pocket Cinema line, DJI drones, and even some smartphones have all joined the platform.

Panasonic Lumix G100 with 12-32mm lens

Mirrorless technology has grown a lot in the time since. Today's models leapfrog SLRs in autofocus speed and video capabilities. Many, including those at the entry level, feature in-body image stabilization, too.

Currently, two manufacturers drive the platform forward. OM System carries the torch for the now-retired Olympus camera brand. Olympus is still around but no longer in the camera business. You might still find products with Olympus logos on store shelves, but new releases all have OM System branding.

OM System OM-1 Mark II

Panasonic continues to support M43 under its Lumix imprint, even though it has added a full-frame camera system to its catalog. It uses the Lumix G designation for its Micro Four Thirds cameras, which include mainstream models and specialty options like the tiny BGH1 video camera.


How to Choose the Right Micro Four Thirds Lens

Finding a lens for a Micro Four Thirds camera isn't difficult—there have been hundreds of different types over the years. But there are some things to take into account.

First up is the focal length. The millimeter number of every lens denotes its angle of view, and lenses with a smaller number capture a larger view.

Micro Four Thirds cameras use a different image sensor format than full-frame and APS-C cameras, so you need to do some math to match up focal lengths between the systems. Micro Four Thirds also uses a 4:3 aspect ratio. Compared with the 3:2 aspect sensors of competing systems, these sensors don't translate as nicely to wide screens and are smaller in surface area.

Panasonic G9 II with Leica 12-60mm lens

As such, expect to see lenses with smaller focal lengths than you might expect. A 12mm focal length on a full-frame system is ultra-wide, for instance, but captures a wide standard view on an M43 camera. That's about the same as the main lens on your smartphone or a 24mm lens on a full-frame camera. The rule of thumb is to double Micro Four Thirds focal lengths to directly compare them with full-frame.

You don't have to think too much about it when buying a native lens for the system. We've broken this guide up by type so you can jump down and pick out the best macro, telephoto, wide, or other type of lens for your camera.

If you're planning on using lenses originally made for SLRs, it's easy if you're willing to deal with manual focus and aperture control via a simple mechanical adapter. This guide applies to lenses made for M43, but we have a separate guide for photographers who want to use vintage glass with a new digital camera.

Olympus M.Zuiko Digital ED 12-45mm F4 Pro

4.0 Excellent
The Olympus M.Zuiko Digital ED 12-45mm F4 Pro is sized perfectly for Micro Four Thirds cameras and includes weather protection, strong optical performance, and a very useful macro capability.
Olympus M.Zuiko Digital ED 12-45mm F4 Pro review

Olympus M.Zuiko ED 12-100mm F4.0 IS Pro

Olympus M.Zuiko ED 12-100mm F4.0 IS PRO

4.0 Excellent
The Olympus M.Zuiko ED 12-100mm F4.0 IS PRO delivers top-notch optical performance at all but its widest angle, making it one of the best long zoom lenses we've tested.
Olympus M.Zuiko ED 12-100mm F4.0 IS PRO review

Panasonic Lumix G Leica DG Vario-Elmarit 12-60mmm F2.8-4.0 ASPH. Power O.I.S.

4.0 Excellent
Panasonic's top-end 12-60mm zoom lens delivers image quality that lives up to its Leica branding.
Panasonic Lumix G Leica DG Vario-Elmarit 12-60mmm F2.8-4.0 ASPH. Power O.I.S. review

Olympus M.Zuiko ED 7-14mm F2.8 Pro

Olympus M.Zuiko ED 7-14mm f2.8 PRO

4.5 Outstanding
The Olympus M.Zuiko ED 7-14mm f2.8 PRO is a top-performing ultra-wide zoom lens for Micro Four Thirds cameras.
Olympus M.Zuiko ED 7-14mm f2.8 PRO review

Olympus M.Zuiko 8-25mm F4.0 Pro

4.0 Excellent
The Olympus M.Zuiko 8-25mm F4.0 Pro offers more zoom power than most wide lenses and is an excellent optical performer to boot.
Olympus M.Zuiko 8-25mm F4.0 Pro review

Olympus M.Zuiko ED 8mm F1.8 Fisheye Pro

Olympus M.Zuiko ED 8mm F1.8 Fisheye PRO

4.0 Excellent
The Olympus M.Zuiko ED 8mm F1.8 Fisheye PRO is a great choice for fish-eye fans, but it's expensive for a specialized lens.
Olympus M.Zuiko ED 8mm F1.8 Fisheye PRO review

Olympus Fisheye Body Cap Lens 9mm

4.0 Excellent
The Olympus Fisheye Body Cap Lens 9mm doesn't have the greatest optics, but it's a fine choice for photographers who want a fish-eye look that won't break the bank.
Olympus Fisheye Body Cap Lens 9mm review

Venus Optics Laowa 7.5mm F2

Venus Optics Laowa 7.5mm f/2

3.5 Good
The Venus Optics Laowa 7.5mm f/2 is a tiny ultra-wide lens for Micro Four Thirds cameras that minimizes distortion, but has a few optical drawbacks.
Venus Optics Laowa 7.5mm f/2 review

OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro

4.5 Outstanding
The pricey OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro is a truly fantastic telezoom for sports and wildlife photography that also focuses close for macro photos.
OM System M.Zuiko Digital ED 50-200mm F2.8 IS Pro review

Olympus M.Zuiko ED 300mm F4.0 IS Pro

Olympus M.Zuiko ED 300mm f4.0 IS PRO

4.5 Outstanding
The Olympus M.Zuiko ED 300mm f4.0 IS PRO is the best telephoto prime lens for Micro Four Thirds cameras, and it's priced accordingly.
Olympus M.Zuiko ED 300mm f4.0 IS PRO review

Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2

5.0 Exemplary
The Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2 is the best Micro Four Thirds lens we've seen for portraiture thanks to impeccable sharpness and a wide aperture. It's an easy Editors' Choice.
Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2 review

Olympus M.Zuiko ED 40-150mm F2.8 Pro

OM System M.Zuiko ED 40-150mm F2.8 Pro

4.0 Excellent
OM System's rebadge of the vintage Olympus M.Zuiko Digital ED 40-150mm F2.8 Pro remains one of the best lenses for Micro Four Thirds cameras thanks to its excellent picture quality, brisk autofocus, and lightweight build.
OM System M.Zuiko ED 40-150mm F2.8 Pro review

Olympus M.Zuiko Digital ED 17mm F1.2 Pro

Olympus M.Zuiko Digital ED 17mm f/1.2 Pro

4.0 Excellent
The Olympus M.Zuiko Digital ED 17mm f/1.2 Pro delivers top-end image quality and a bright aperture for the Micro Four Thirds system, but is a bit too big for smaller cameras.
Olympus M.Zuiko Digital ED 17mm f/1.2 Pro review

OM System M.Zuiko ED 40-150mm F4.0 Pro

4.0 Excellent
The OM System M.Zuiko Digital ED 40-150mm F4.0 Pro lens covers the tight angles you want for telephoto imaging, and its tough, lightweight build makes it ideal for the outdoors.
OM System M.Zuiko ED 40-150mm F4.0 Pro review

OM System M.Zuiko 17mm F1.8 II

4.0 Excellent
The OM System M.Zuiko Digital 17mm F1.8 II is a tiny lens with a big feature set, including snappy autofocus, IPX1 drip resistance, and a useful moderately wide angle of view.
OM System M.Zuiko 17mm F1.8 II review

Olympus M.Zuiko ED 25mm F1.2 Pro

Olympus M.Zuiko ED 25mm f1.2 PRO

4.0 Excellent
The Olympus M.Zuiko ED 25mm f1.2 PRO is an exceptionally sharp, bright, standard-angle lens for Micro Four Thirds cameras.

Sigma 56mm F1.4 DC DN Contemporary

4.0 Excellent
Sigma's 56mm F1.4 DC DN Contemporary lens captures crisp images with a shallow depth of field and is a solid addition to your camera kit.
Sigma 56mm F1.4 DC DN Contemporary review

Olympus M.Zuiko 25mm F1.8

OM System M.Zuiko 25mm F1.8 II

4.0 Excellent
The OM System M.Zuiko 25mm F1.8 II lens renders crisp images with characterful bokeh, focuses quickly, and includes weather protection.
OM System M.Zuiko 25mm F1.8 II review

OM System M.Zuiko Digital ED 90mm F3.5 Macro IS PRO

4.5 Outstanding
The M.Zuiko Digital ED 90mm F3.5 Macro IS PRO lens hones in on the smallest details for otherworldly macros and comes with the all-weather construction we expect from OM System.
OM System M.Zuiko Digital ED 90mm F3.5 Macro IS PRO review

Olympus M.Zuiko ED 30mm F3.5 Macro

4.0 Excellent
The Olympus M.Zuiko Digital ED 30mm F3.5 Macro lens lets you lock on to the tiniest of details, but a short working distance casts a shadow on subjects.
Olympus M.Zuiko ED 30mm F3.5 Macro review

Panasonic Lumix G Leica DG Macro-Elmarit 45mm F2.8 ASPH.

3.5 Good
Panasonic Lumix G Leica DG Macro-Elmarit 45mm F2.8 ASPH. is a macro lens for the Micro Four Thirds system, but it doesn't get really sharp until you narrow its aperture.
Panasonic Lumix G Leica DG Macro-Elmarit 45mm F2.8 ASPH. review

Olympus M.Zuiko Digital ED 60mm F2.8 Macro

Olympus M.Zuiko Digital ED 60mm f2.8 Macro

4.0 Excellent
The Olympus M.Zuiko Digital ED 60mm f2.8 Macro is a compact lens that allows you to bring tiny objects into sharp focus.
Olympus M.Zuiko Digital ED 60mm f2.8 Macro review

Peak Design Travel Tripod (Carbon Fiber)

4.5 Outstanding
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

DJI Mic Mini

DJI Mic Mini (2x Transmitter, 1x Receiver, 1x Charging Case)

4.5 Outstanding
The DJI Mic Mini is a small, portable wireless microphone system that's simple to pair with your phone or camera and captures clean audio from just about anywhere.
DJI Mic Mini (2x Transmitter, 1x Receiver, 1x Charging Case) review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

Flashpoint Xplor 100 Pro TTL R2

4.0 Excellent
The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.
Flashpoint Xplor 100 Pro TTL R2 review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

DJI RS 4 Mini

4.0 Excellent
The DJI RS 4 Mini adds powered gimbal stabilization to smaller mirrorless cameras so vloggers and creators can enjoy the creative freedom handheld recording provides.
DJI RS 4 Mini review

OM System M.Zuiko Digital ED 100-400mm F5.0-6.3 IS II

4.0 Excellent
OM System's M.Zuiko Digital ED 100-400mm F5.0-6.3 IS II lens wins us over with its wildlife-friendly focal length, fully weather-sealed construction, and reasonable carry weight, all of which make it a worthwhile addition to a Micro Four Thirds kit.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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