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The Best Fujifilm Lenses for 2020

Fujifilm's mirrorless camera system launched with just three lenses, but there are now dozens available from Fuji and third-party manufacturers. Here are our favorites.

 & Jim Fisher Principal Writer, Cameras

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Deeper Dive: Our Top Tested Picks

    Buying Guide: The Best Fujifilm Lenses for 2020

    How to Choose the Right Lens

    The 2011 release of the X-Pro1 ($399.00 at Amazon) marked the birth of a new lens system—in prior years, Fuji SLRs had used Nikon lenses. Launching with just three primes, the system has matured to the point where there are nearly two dozen lenses available from Fujifilm alone.

    APS-C Sensor Format

    Fujfilm has two mirrorless systems, one APS-C and one medium format. We haven't reviewed enough lenses for the medium format GFX 50S to merit a roundup, so everything here is for the APS-C X-mount system.

    An APS-C sensor is the same size you'll find in consumer SLRs, but smaller than 35mm film and full-frame mirrorless offerings from Sony and Leica. As such, you'll want to multiply the focal length of a lens by 1.5 to get a feel for its field of view if your brain thinks about optics in full-frame terms. If you're used to shooting with APS-C lenses, that's not necessary.

    Fuji's native lenses range in coverage from 10mm all the way to 400mm. That range is equivalent to 15mm through 600mm in 135 format—basically, an ultra-wide angle through an extreme telephoto. You can stick to lenses from Fujifilm, but there's also third-party support from Zeiss (in its Touit line) and, if you don't mind manual focus, from Lensbaby and Samyang.

    Related Story See How We Test Digital Cameras

    Cameras tend to be a little pricier than competing mirrorless models from Olympus, Panasonic, and Sony—even the entry-level X-A3 is priced at $600 with a bundled lens. But they're also pretty solid performers in tests, and Fujifiilm has continued to provide firmware updates for older models. It's also the only autofocusing mirrorless system that offers models with an optical viewfinder—in the form of the X-Pro1 and its successor, the X-Pro2 ($799.95 at Amazon) .

    Non-Native Lenses

    Like other mirrorless systems, you can use manual focus SLR and rangefinder lenses via a simple mechanical adapter—Fuji even makes its own adapter for Leica lenses. The APS-C sensor size means that the lenses won't be quite as wide as you remember them being on film bodies, but the ability to use vintage glass expands the creative possibilities of the system.

    If you're interested in investing in the Fujifilm X system, or if you've already bought in and are shopping for a lens, be sure to peruse our favorites among the lenses that we've reviewed. We haven't managed to test every single one—but we've looked at most of them, and are working to update some older reviews. We started testing Fujifilm lenses on 16MP sensor bodies, but more recent models have moved to 24MP.

    If you're in the market for a new mirrorless body, you can check out the Best Mirrorless Cameras we've tested. And all of the cameras and lenses we've reviewed can be found in our Digital Cameras Product Guide.

    About Our Expert

    Jim Fisher

    Jim Fisher

    Principal Writer, Cameras

    My Experience

    Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

    The Technology I Use

    I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

    I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

    When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

    I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

    My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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