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The Best Leica Rangefinder Lenses for 2026

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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65 EXPERTS
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(Credit: Jim Fisher)

Editors' Note, October 14, 2025: With this update, we have moved some lenses that are no longer available into the Used Market section and added the TTArtisan 28mm F5.6. The other picks have been vetted for currency and availability.

The Leica M camera system offers a different way to capture the world than most other digital cameras. M cameras use a bright optical viewfinder with a fixed angle of view and a central focusing square, called a rangefinder patch. I've been using Leica M cameras for more than 17 years and always enjoy picking one up and looking at the world through a bright optical viewfinder. The M system has been around for around even longer, since the 1950s, and Leica's legacy goes back further. The company literally invented the full-frame 35mm format, that is an industry standard to this day.

Leica M11 with Vintage Summicron Lens

With a few exceptions, a current-generation digital Leica M11 supports both M-mount and older Leica Thread Mount (LTM) lenses without any sacrifices in functionality, in large part thanks to their mechanical designs. Even better for longtime system owners, the M11, M11-P, and M11 Monochrom all look and handle just like the M3 film camera that kicked off the line back in 1954.


Which Brands Make M Lenses?

Leica, Voigtlander, and Zeiss are the oldest brands making M lenses today. They all share German roots, though a Japanese manufacturer, Cosina, now owns the Voigtlander imprint. Leica manufactures its M lenses in Europe, while Zeiss's ZM rangefinder lenses are made in Japan.

In recent years, a few boutique brands have joined them. Some, like the one-man shop MS Optics, concentrate on short production runs of lenses with ultra-slim designs or extra-bright apertures. Light Lens Lab also makes lenses with short production runs, but concentrates on remaking rare and collectible vintage lenses for reasonable prices.

Others concentrate on value alternatives to Leica. 7artisans, Kipon, TTArtisan, and Venus Laowa are newer names to photographers, but have all released M lens designs in recent memory. Their lenses tend to be less expensive than other brands. TTArtisan, for example, sells a 50mm F0.95 lens for $218—Leica's Noctilux-M 50mm F0.95, for comparison, costs $12,495.


Can You Use M Lenses on Mirrorless EVF Cameras?

Leica's M rangefinder cameras use specialized image sensors that are tuned to get the best results out of M-mount lenses. You can opt to use M lenses with mirrorless cameras from Canon, Nikon, Panasonic, and Sony if you want via a simple mechanical adapter. With some, you'll see false color and vignetting in the corners, but this is only a real concern for lenses that have recessed rear elements that sit very close to the sensor plane.

We've even seen some adapters that add autofocus to purely manual lenses. The first-generation Techart Pro Leica M adapter is an interesting product, but a bit of a pain to use in practice. Its second-generation effort is more pleasing to use and is available for more brands of mirrorless cameras; we tested the version for Nikon Z bodies.

This vintage Leica Summicron lens works with modern mirrorless cameras via an adapter

Although you can adapt almost any fully manual lens, M lenses are typically smaller and lighter than those for vintage SLRs, and adapters are shorter, too. These aspects and the Leica aesthetic make M rangefinder lenses more desirable for use on modern digitals compared with vintage SLR lenses.

Regardless of what type of camera you use, you have a wealth of M lenses to pick from, both new and old. We've highlighted some of our favorites that we've reviewed over the years here, along with some advice for shopping for vintage optics.

Leica Tri-Elmar-M 16-18-21mm f/4 ASPH.

4.0 Excellent
If you see in ultra-wide angles the Leica Tri-Elmar-M 16-18-21mm f/4 ASPH. is a solid lens for your rangefinder camera, but it needs to be stopped down for optimal performance.
Leica Tri-Elmar-M 16-18-21mm f/4 ASPH. review

Voigtlander 10mm F5.6 Hyper Wide Heliar

Voigtlander 10mm/1:5.6 Hyper Wide Heliar E

3.5 Good
The Voigtlander 10mm/1:5.6 Hyper Wide Heliar E is the widest rectilinear lens you can get for any full-frame camera, but its edges are soft and show a heavy vignette.
Voigtlander 10mm/1:5.6 Hyper Wide Heliar E review

Lomography Atoll Ultra-Wide 2.8/17 Art

4.0 Excellent
The Lomography Atoll Ultra-Wide 2.8/17 Art lens captures wide views on rangefinder and mirrorless cameras, with crisp results, lovely colors, and flare when you want it.
Lomography Atoll Ultra-Wide 2.8/17 Art review

Voigtlander Nokton 21mm F1.4 Aspherical VM

4.0 Excellent
The Voigtlander Nokton 21mm F1.4 lens marries modern optics to vintage aesthetics with much success, capturing serene images and delivering the true mechanical manual focus experience to which many still cling.
Voigtlander Nokton 21mm F1.4 Aspherical VM review

Zeiss Biogon T* 2,8/21 ZM

Carl Zeiss Biogon T* 2,8/21 ZM

3.5 Good
The Carl Zeiss Biogon T* 2,8/21 ZM is a solid alternative to Leica glass for rangefinder shooters, but it's not that sharp at the edges.
Carl Zeiss Biogon T* 2,8/21 ZM review

Leica Elmarit-M 28mm f/2.8 ASPH.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016)

4.0 Excellent
The Leica Elmarit-M 28mm f/2.8 ASPH. lens improves on the image quality and design of its predecessor.
Leica Elmarit-M 28mm f/2.8 ASPH. (2016) review

Funleader x Brightin Star XSlim-M 28mm F2.8

4.5 Outstanding
The remarkably compact Funleader x Brightin Star XSlim-M 28mm F2.8 lens matches sharp aesthetics with characterful image quality to delight photographers with an artistic eye.
Funleader x Brightin Star XSlim-M 28mm F2.8 review

Leica Summilux-M 28mm f/1.4 ASPH

4.0 Excellent
The Summilux-M 28mm f/1.4 ASPH. is a bright lens with no distortion and strong edge-to-edge sharpness, but as with all Leica gear, you'll pay a hefty price for it.
Leica Summilux-M 28mm f/1.4 ASPH review

Zeiss Biogon T* 2,8/28 ZM

Carl Zeiss Biogon T* 2,8/28 ZM

3.5 Good
The Carl Zeiss Biogon T* 2,8/28 ZM is half the price of its Leica counterpart, but its edge performance leaves something to be desired.
Carl Zeiss Biogon T* 2,8/28 ZM review

TTArtisan 28mm F5.6

3.5 Good
The TTArtisan 28mm F5.6 has appeal for Leica owners who want a lens that not only looks like a mid-century optic, but renders images like one, too.
TTArtisan 28mm F5.6 review

Leica Summilux-M 35mm F1.4 ASPH. (2022)

4.0 Excellent
The 2022 version of Leica's Summilux-M 35mm F1.4 ASPH. lens retains the distinct character of previous iterations, but stands out because of its close-up focus capabilities and integrated hood.
Leica Summilux-M 35mm F1.4 ASPH. (2022) review

Zeiss Distagon T* 1,4/35 ZM

4.5 Outstanding
The Zeiss Distagon T* 1,4/35 ZM is an incredibly sharp optic with a wide aperture, and an easy pick as Editors' Choice.
Zeiss Distagon T* 1,4/35 ZM review

Leica Summicron-M 35mm f/2 ASPH.

4.0 Excellent
The Leica Summicron-M 35mm f/2 ASPH. is a sharp, compact wide-angle lens for rangefinder cameras, and it comes with a Leica price tag.
Leica Summicron-M 35mm f/2 ASPH. review

Zeiss Biogon T* 2/35 ZM

Carl Zeiss Biogon T* 2/35 ZM

3.5 Good
The Carl Zeiss Biogon T* 2/35 ZM is a wide aperture rangefinder lens that delivers excellent sharpness near the middle of the frame, but image quality suffers at the edges.
Carl Zeiss Biogon T* 2/35 ZM review

Leica APO-Summicron-M 50mm f/2 ASPH

5.0 Exemplary
The Leica APO-Summicron-M 50mm f/2 ASPH. is as close to a perfect lens as I've ever used, but it costs more than the latest digital M.
Leica APO-Summicron-M 50mm f/2 ASPH review

Leica APO-Summicron-M 90mm f/2 ASPH.

4.5 Outstanding
The Leica APO-Summicron-M 90mm f/2 ASPH. is a nearly flawless telephoto lens for Leica rangefinder cameras. It's sharp from edge to edge and has a wide f/2 maximum aperture.
Leica APO-Summicron-M 90mm f/2 ASPH. review

Leica Summaron-M 28mm f/5.6

4.0 Excellent
The Leica Summaron-M 28mm f/5.6 lens captures images with a vintage look, setting your photos apart from a crowded modern landscape.
Leica Summaron-M 28mm f/5.6 review

Leica Noctilux-M 50mm F1.2 ASPH.

4.0 Excellent
The reintroduced Leica Noctilux-M 50mm F1.2 ASPH. lens maintains all the optical character and charm that made the original an heirloom.
Leica Noctilux-M 50mm F1.2 ASPH. review

Lomography LC-A Minitar-1 Art Lens 2.8/32 M

3.5 Good
The Lomography LC-A Minitar-1 Art Lens 2.8/32 M is absurdly small and produces images with a sharp center and blurry edges, but you have to love the low-fi look to love the lens.
Lomography LC-A Minitar-1 Art Lens 2.8/32 M review

Leica Summilux-M 50mm F1.4 ASPH.

3.5 Good
The Leica Summilux-M 50mm F1.4 ASPH. captures rich, detailed pictures and focuses closer than most M lenses, but it shows more false color than a high-end optic should.
Leica Summilux-M 50mm F1.4 ASPH. review

Zeiss Biogon T* 2,8/25 ZM

Carl Zeiss Biogon T* 2,8/25 ZM

4.0 Excellent
The Carl Zeiss Biogon T* 2,8/25 ZM is a sharp wide-angle rangefinder lens. It's not perfect, but it's a solid performer and good value when compared with Leica glass.
Carl Zeiss Biogon T* 2,8/25 ZM review

Zeiss C Biogon T* 2,8/35 ZM

Carl Zeiss C Biogon T* 2,8/35 ZM

4.5 Outstanding
The Carl Zeiss C Biogon T* 2,8/35 ZM is a compact lens for rangefinder cameras with a moderate wide-angle field of view. It's extremely sharp from edge to edge, and worthy of our Editors' Choice award.
Carl Zeiss C Biogon T* 2,8/35 ZM review

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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