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Leica APO-Summicron-M 90mm f/2 ASPH.

 & Jim Fisher Principal Writer, Cameras

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Leica APO-Summicron-M 90mm f/2 ASPH. - Leica APO-Summicron-M 90mm f/2 ASPH.
4.5 Outstanding

The Bottom Line

The Leica APO-Summicron-M 90mm f/2 ASPH. is a nearly flawless telephoto lens for Leica rangefinder cameras. It's sharp from edge to edge and has a wide f/2 maximum aperture.

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Pros & Cons

    • Sharp from edge to edge.
    • Wide aperture.
    • No distortion.
    • Compact.
    • Smooth manual focus ring.
    • Integrated lens hood.
    • Expensive.
    • Close focus limited to 1 meter.
    • Lacks optical stabilization and autofocus.

Leica APO-Summicron-M 90mm f/2 ASPH. Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 90
Dimensions 3.1 by 2.5 inches
Lens Mount Leica M
Stabilization None
Type Lens
Weight 1.1

The Leica APO-Summicron-M 90mm f/2 ASPH. ($3,995) is a short telephoto lens for Leica M rangefinder cameras. It's quite sharp wide open, and enters into incredibly sharp territory when stopped down a bit. Its design is pretty compact when you consider its aperture and focal length, and the all-metal barrel with a convenient integrated hood is just what you'd expect from a Leica lens. Saying that it's not inexpensive is putting it lightly, but in this case you get what you pay for. If you're on a budget and want a lens in this focal range, consider the Zeiss Tele-Tessar T* 4/85 ZM ($987.00 at Amazon) . But, even at its asking price, the APO-Summicron is worthy of being called our Editors' Choice.

The Summicron  is finished in black anodized aluminum, measures 3.1 by 2.5 inches (HD), and weighs about 1.1 pounds. That's on the heavy side for a rangefinder lens, but positively tiny when compared with an SLR lens that delivers comparable performance, like the Zeiss Otus 1.4/85 ($4,490.00 at Amazon) for Nikon and Canon cameras. The Zeiss opens up to f/1.4, capturing twice the light as the Leica, but it measures 4.9 by 4 inches and weighs 2.7 pounds.

Leica APO-Summicron-M 90mm f/2 ASPH. : Sample Image

Like all M-mount lenses, the APO-Summicron 90mm is a pure manual focus lens without any fancy features like image stabilization. The focus ring occupies a good portion of the barrel, is finished with a ridged texture for better gripping, and is very smooth when turned. There's a printed depth of field scale with markings for f/2, f/5.6, f/11, and f/16. It's useful when shooting at narrower apertures, but the long focal length makes zone focusing a difficult prospect. The physical aperture ring has full-stop markings from f/2 through f/16, but can be set in half-stop increments. The aperture is an 11-blade design, which helps to maintain circular out-of-focus highlights when the lens is stopped down.

The minimum focus distance is 3.3-feet (1 meter), which is typical for a rangefinder lens of this focal length. Shorter lenses like the Summilux-M 50mm f/1.4 ASPH. ($4,395.00 at Amazon) can focus to 0.7-meter with rangefinder coupling. If you want to work closer, the Macro-Elmar-M 90mm f/4 ($3,650) is available—it can focus to about 0.8-meter on its own, and supports 1:2 magnification when paired with the Macro-Adapter-M ($690).

Leica APO-Summicron-M 90mm f/2 ASPH. : Sample Image

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I used Imatest to check the sharpness that the 90mm manages when paired with the full-frame 24-megpaixel Leica M-P ($5,447.16 at Amazon) . At f/2 the lens scores 2,449 lines per picture height on a center-weighted sharpness test. That's better than the 1,800 lines we use to call an image sharp. It maintains that level of detail through most of the frame, and even though the outer third is a bit weaker in resolution, it still shows 1,971 lines there.

At f/2.8 the score improves to 2,970 lines, and even the edges of the frame do better than 2,500 lines. At f/4 the resolution improves to 3,288 lines, and it peaks at 3,446 lines at f/5.6. Diffraction sets in at f/8 and the score dips to 3,350 lines, but the lens still resolves a lot of detail at f/11 (2,950 lines) and f/16 (2,408 lines). There's no visible distortion to speak of. The Zeiss Tele-Tessar is sharp in its own right, but it's never quite as sharp as the Leica lens—it peaks at 3,271 lines at f/8—and more importantly, it only captures a quarter of the light at its maximum f/4 aperture compared with the APO-Summicron's f/2 setting.

Leica APO-Summicron-M 90mm f/2 ASPH. : Sample Image

Aside from the money required to call the Leica APO-Summicron-M 90mm f/2 ASPH. your own, there's nothing to complain about with the lens. The maximum f/2 aperture provides excellent control over depth of field, and the lens is very sharp from edge to edge, even when shot wide open. The manual focus action is very smooth, to the point where the lens is a pleasure to use with any M camera, and the integrated retractable lens hood is always available when needed. There are budget alternatives available in this focal range, including the aforementioned Zeiss Tele-Tessar and Leica's own Summarit-M 90mm f/2.4 ($2,350), but if you can afford it, there's no reason not to choose the APO-Summicron, which is why we're making it our Editors' Choice.

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Further Reading

Final Thoughts

Leica APO-Summicron-M 90mm f/2 ASPH. - Leica APO-Summicron-M 90mm f/2 ASPH.

Leica APO-Summicron-M 90mm f/2 ASPH. Review

4.5 Outstanding

The Leica APO-Summicron-M 90mm f/2 ASPH. is a nearly flawless telephoto lens for Leica rangefinder cameras. It's sharp from edge to edge and has a wide f/2 maximum aperture.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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