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Carl Zeiss Tele-Tessar T* 4/85 ZM

 & Jim Fisher Principal Writer, Cameras

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The Carl Zeiss Tele-Tessar T* 4/85 ZM is a sharp short telephoto lens for rangefinder cameras, but modern digital bodies don't have 85mm frame lines. - Digital Cameras
4.0 Excellent

The Bottom Line

The Carl Zeiss Tele-Tessar T* 4/85 ZM is a sharp short telephoto lens for rangefinder cameras, but modern digital bodies don't have 85mm frame lines.
Best Deal£365.85

Buy It Now

£365.85

Pros & Cons

    • Very sharp from edge to edge.
    • No distortion.
    • Light and compact.
    • All-metal build.
    • Non-standard focal length for modern rangefinders.
    • Hood not included.
    • Manual focus only.

Carl Zeiss Tele-Tessar T* 4/85 ZM Specs

35mm Equivalent (Wide) 85
Dimensions 3.7 by 2.1 inches
Type Lens
Weight 10.9

Rangefinders can be tricky cameras with which to work, especially if you're used to the precise framing that an SLR delivers. The Carl Zeiss Tele-Tessar T* 4/85 ZM ($940 list) pairs well with the compact bodies that Leica shooters are used to, and is a sharp performer to boot, but its focal length adds one more variable to the equation: it doesn't match the projected frame lines. Modern digital rangefinders like the M (Typ 240) omit 85mm lines in favor of a slightly tighter field of 90mm field of view. If you opt to pair this 85mm lens with a digital M you'll likely require some time to get used to this.

This is not a huge deal. Rangefinder framing is never perfectly precise; in fact it varies a bit based on the distance between lens and subject, even when the frame lines perfectly match the focal length of the attached lens. And if a shot requires it—and if your camera supports it—Live View is an option for precise framing. Mirrorless cameras like the full-frame Sony Alpha 7R will always present the actual field of view of the lens via the EVF or rear LCD. In a worst case, if you frame based on the 90mm lines, you'll have to crop your image a bit to get the shot you want.

Carl Zeiss Tele-Tessar T* 4/85 ZM : Sample Image

The Tele-Tessar is fairly compact when you consider its focal length. It measures just 3.7 by 2.1 inches (HD), weighs about 10.9 ounces, and supports 43mm front filters. There's no hood included; Zeiss sells a reversible metal one for $84. It's a worthwhile add-on; I didn't have access to one when reviewing the lens, and did notice that some of my shots lost contrast when shooting with a harsh overhead light between myself and my subject. The aperture ring can be set from f/4 all the way down to f/22 in third-stop increments. There's a depth of field scale that starts at f/8 and has markings down to f/22, but scale focusing a lens of this type isn't practical. It is useful for prefocusing the lens to the ballpark distance between you and your subject before bringing the camera to your eye, however. Like the rest of the ZM line, the physical quality of the lens is impeccable: Its barrel is all metal, and the focus ring is tight enough so that it won't unexpectedly drift.

The lens is able to achieve its compact size due to a rather modest f/4 maximum aperture. Shooting at f/4 isn't a huge deal with a wide-angle like the Distagon T* 4/18 ZM, but you'll need to use shorter shutter speeds to grab a steady shot with an 85mm lens. The general rule of thumb is a to shoot at the reciprocal of the focal length (1/85-second in this case), but I try and keep the camera set at 1/125-second when working with a lens this long. Leica cameras don't have in-body stabilization, and the all-mechanical lens has no stabilization system, so steady hands are required. An f/2.8 aperture would double the amount of light that the lens can gather, and also make a shallower depth of field possible.

Carl Zeiss Tele-Tessar T* 4/85 ZM : Sample Image

Thankfully, even though the Tele-Tessar is limited in its light gathering capability, it's extremely sharp at all apertures, with even sharpness from edge to edge. Imatest shows that it records 2,863 lines per picture height at f/4; we call an image that betters 1,800 lines sharp. At f/5.6 it jumps to 3,132 lines, and peaks at f/8 (3,271 lines). The lens shows absolutely no distortion. And while a wider aperture would allow for a shallower depth of field, it's easy enough to blur the background of photos with the Tele-Tessar, especially when working near the 0.9-meter minimum focus distance.

If you're looking for a short-telephoto lens for your rangefinder (or mirrorless) camera, the Carl Zeiss Tele-Tessar T* 4/85 ZM is worth careful consideration. It's absurdly sharp, but you may find the f/4 aperture to be a bit limiting, and spending close to $1,000 on an 85mm f/4 is a tough pill to swallow, even if it's a lens that is as good of a performer as this one. If you're in want of a similar lens with a wider aperture you can opt for the Leica Summarit-M 90mm f/2.5 ($2,150). Voigtlander, normally a good choice for shooters on a budget, only offers a 90mm f/3.5 APO Lanthar ($589) lens in Leica Thread Mount. That can easily be adapted to M-mount, but doesn't deliver much advantage in light gathering, only in price.

Final Thoughts

The Carl Zeiss Tele-Tessar T* 4/85 ZM is a sharp short telephoto lens for rangefinder cameras, but modern digital bodies don't have 85mm frame lines. - Digital Cameras

Carl Zeiss Tele-Tessar T* 4/85 ZM

4.0 Excellent

The Carl Zeiss Tele-Tessar T* 4/85 ZM is a sharp short telephoto lens for rangefinder cameras, but modern digital bodies don't have 85mm frame lines.

Get It Now
Best Deal£365.85

Buy It Now

£365.85

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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