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Leica Elmarit-M 28mm f/2.8 ASPH. (2016)

 & Jim Fisher Principal Writer, Cameras

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The Leica Elmarit-M 28mm f/2.8 ASPH. lens improves on the image quality and design of its predecessor. - Leica Elmarit-M 28mm f/2.8 ASPH. (2016)
4.0 Excellent

The Bottom Line

The Leica Elmarit-M 28mm f/2.8 ASPH. lens improves on the image quality and design of its predecessor.
Best Deal£2707.68

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Pros & Cons

    • Compact.
    • Sharp optics.
    • Superb build.
    • Not a lot of distortion.
    • Minimal viewfinder blockage.
    • Edge softness at f/2.8.
    • Noticeable vignette.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) Specs

Dimensions 1.2 by 2.0 inches
Full-Frame Equivalent (Wide) 28
Mount Leica M
Optical Stabilization None
Weight 6.2

Leica quietly updated its most affordable 28mm lens, the Elmarit-M 28mm f/2.8 ASPH. ($2,295) in 2016, improving its optical design and making some minor cosmetic changes, notably in the design of the lens hood. The new Elmarit-M is a better lens than the one that came before it, although the difference is not night and day. It doesn't have the sexy f/1.4 design of the larger, pricier Summilux-M 28mm f/1.4 ASPH., but it's an appealing option for Leica owners who value small, light lenses.

Not Quite Pancake

The Elmarit-M is one of the smaller lenses you can get for a Leica M system. It measures just 1.2 by 2.0 inches (HD), weighs 6.2 ounces, and supports 39mm front filters. When used without the included lens hood there is almost no blockage to the 28mm frame as seen through the viewfinder of the M10-D.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

The hood is changed from the previous version of the lens. Instead of clipping on at the sides, it screws onto an exterior thread around the front element. If you prefer to use the lens without the hood, Leica includes a beauty ring to cover and protect the threads used to mount it.

As with all M-mount lenses, the Elmarit is purely mechanical and manual in operation. The aperture control ring is positioned just behind the front element and can be set from f/2.8 through f/22 in half-stop increments. Leica tends to stick to half-stops with its lenses—if you want more precise aperture control, consider the more affordable Zeiss Biogon T* 2,8/28 ZM, which offers third-stop adjustment.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

Rangefinder coupling and focus are available to 2.3 feet (0.7-meter). The M system of lenses is not well-suited or designed for macro photography. There are some that are capable of focusing closer—the Zeiss Biogon works to 1.6 feet (0.5-meter)—but you'll need to switch to an EVF or your camera's rear LCD to confirm accurate focus. Modern rangefinder cameras can only confirm focus to 2.3 feet when using the optical viewfinder.

Build quality is what you'd expect from Leica. The barrel is aluminum, with a black finish—Leica doesn't currently offer it in silver. The focus ring turns smoothly and comfortably, with a small, concave tab to help you better find the focus ring by feel alone.

Optical Improvements

I tested the 28mm Elmarit-M using the 24MP M10-D. It's a different camera than the older M (Typ 240), but it does use the same resolution image sensor, and the two cameras are similar enough to allow for a direct comparison.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

The new version of the 28mm puts up better resolution numbers at f/2.8—2,497 lines using Imatest's center-weighted evaluation. This is an uptick versus the 2,311 lines the previous version of the lens delivered, although not one we consider to be significant. Where the improvement is apparent is at the edges of the frame. The newer Elmarit-M records 1,552 lines at the periphery, while the older lens shows 1,347 lines. Neither is a tack sharp result—we want to see 1,800 lines at minimum from a 24MP sensor—but it's good to see the improvements, even modest ones.

Stopping down to f/4 nets results that are sharp from center to edge. The average score at f/4 is 3,060 lines, and while the periphery isn't as sharp (2,382 lines), it still passes muster. Compare that with the older Elmarit ASPH., which shows a 2,376-line average, but still lags behind at the edges (1,897 lines).

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

The advantages of the updated lens are lessened at narrower apertures. It shows 3,304 lines on average at f/5.6, with edges that are strong at 3,140 lines. The older lens shows around 3,100 lines on average, with 2,700-line edges. You're not going to notice a difference unless you're taking a really close look at big prints.

Resolution peaks at f/8 (3,350 lines) and holds up at f/11 (3,167 lines). I'd recommend avoiding f/16 (2,725 lines) and f/22 (1,147 lines), as diffraction cuts into image quality quite a bit.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

There's just a little bit of barrel distortion, 1.2 percent. It's barely worth noting for a wide lens. There is a vignette, which isn't surprising given the wide-angle coverage and svelte build. At f/2.8 we see a -2.6EV drop in illumination at the corners of the frame, as compared with the center. The deficit drops to -2.1EV at f/4 and settles in a noticeable, but not extreme, -1.5EV at f/5.6 and narrower f-stops.

Wide, Compact, and Affordable (For Leica)

The Leica Elmarit-M 28mm f/2.8 ASPH. isn't part of Leica's official budget-friendly Summarit series of f/2.4 lenses, but it might as well be. Its price is reasonable—for a Leica. If you want a budget 28mm M lens, look at the Voigtlander Ultron 28mm f/2 ($599) or the Zeiss Biogon T* 2,8/28 ZM instead.

If you already own the first version of the Elmarit-M, my advice is to stay put. Yes, the new version of the lens shows some improvements, but not ones that are significant enough to merit an upgrade.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

Rangefinder photographers have several modern 28mm options. It's an appealing focal length as it's the widest you can use with most models without the need for an external viewfinder. The Elmarit-M is there for photographers who want a modern look, but don't want to deal with the size, weight, and cost that come with the 28mm Summicron-M or Summilux-M.

It's not my personal favorite 28mm for the Leica system. To me, the Summicron-M offers a better balance of depth of field control and size. I've not used the current version, but was very happy with the previous Summicron, aside from its hood design, which was one of the things Leica changed when it received a similar update to the Elmarit.

Leica Elmarit-M 28mm f/2.8 ASPH. (2016) : Sample Image

But personal preferences aside, the Elmarit-M 28mm f/2.8 ASPH. is no doubt the right 28mm for many photographers. It delivers the image quality and shooting experience you expect from Leica, and despite being a "budget" option, it sacrifices nothing in build quality. It's an excellent match with almost any M, whether it be your grandfather's dusty M3 or the modern, digital M10.

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Further Reading

Final Thoughts

The Leica Elmarit-M 28mm f/2.8 ASPH. lens improves on the image quality and design of its predecessor. - Leica Elmarit-M 28mm f/2.8 ASPH. (2016)

Leica Elmarit-M 28mm f/2.8 ASPH. (2016)

4.0 Excellent

The Leica Elmarit-M 28mm f/2.8 ASPH. lens improves on the image quality and design of its predecessor.

Get It Now
Best Deal£2707.68

Buy It Now

£2707.68

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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