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Carl Zeiss Biogon T* 2/35 ZM

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Carl Zeiss Biogon T* 2/35 ZM is a wide aperture rangefinder lens that delivers excellent sharpness near the middle of the frame, but image quality suffers at the edges. - Digital Cameras
3.5 Good

The Bottom Line

The Carl Zeiss Biogon T* 2/35 ZM is a wide aperture rangefinder lens that delivers excellent sharpness near the middle of the frame, but image quality suffers at the edges.

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Pros & Cons

    • Excellent center sharpness.
    • No distortion.
    • All-metal build.
    • Soft edges at wider apertures.
    • Hood not included.
    • Manual focus only.

Carl Zeiss Biogon T* 2/35 ZM Specs

35mm Equivalent (Wide) 35
Dimensions 2.7 by 2 inches
Type Lens
Weight 8.5

The Carl Zeiss Biogon T* 2/35 ZM ($1,087 list) is a relatively wide aperture lens for M-mount rangefinder cameras. The focal length is well-suited for use with rangefinders, as its field of view fills most of a standard 0.72x magnification viewfinder, but still leaves some room around the edges of the frame lines so the photographer can observe what's happening just outside the frame. Rangefinder lenses are also popular for use with mirrorless cameras via adapters thanks to their compact size; the Biogon can be paired with a full-frame model like the Sony Alpha 7 and retain its full field of view, or match with a Micro Four Thirds body like the Olympus PEN E-P5 to act like a short telephoto lens.

The lens measures in at 2.7 by 2 inches (HD), weighs 8.5 ounces, and supports 43mm front filters. It's not quite as small as Leica's 1.4-by-2 inch Summicron-M 35mm f/2 APSH. ($3,195), but it doesn't carry the premium price tag that comes with the Leica lens. Leica includes a hood with the Summicron, but you'll have to pay extra ($84) to get the vented metal hood that Zeiss sells for the Biogon. Like most rangefinder lenses, the minimum focus distance is limited to 0.7-meter.

Carl Zeiss Biogon T* 2/35 ZM : Sample Image

The Zeiss optic has a metal barrel with a focus ring that's tight enough that it won't move unexpectedly, but still manages to be smooth in operation.  There's a little nub on the ring to make adjusting it easier, and a physical aperture control that can be set from f/2 all the way down to f/22 in third-stop increments. The printed depth of field scale starts at f/4, and while scale focus is certainly possible at narrower apertures, it's not as easy to eyeball the distance between camera and subject and get an in-focus shot with a 35mm lens as it is with an ultra-wide angle optic like the Distagon T* 4/18 ZM.

I used Imatest to check sharpness and distortion when paired with the full-frame Leica M (Typ 240). There's no distortion to speak of and center sharpness is impressive even at f/2. The lens scores 2,240 lines per picture height using a center-weighted testing method, bettering the 1,800 lines we use to define a sharp photo. But at f/2 the edges are soft, recording just 1,107 lines. That's a low enough rating to make them appear visibly fuzzy at full resolution.

Narrowing the aperture to f/2.8 improves things a bit. The center-weighted score jumps all the way to 2,969 lines and the edges start to approach 1,600 lines. At f/4 the lens manages 3,127 lines with edges that are better than 2,000 lines. There's another marginal improvement at f/5.6 (3,313 lines across the frame with edges that hit 2,800 lines) and the sharpest performance comes at f/8 (3,352 lines using the center-weighted method with edges that hit 3,150 lines). As impressive as these numbers are, the smaller, less expensive C Biogon T* 2,8/35 actually offers sharper performance from edge to edge, but its maximum aperture is limited to f/2.8.

Carl Zeiss Biogon T* 2/35 ZM : Sample Image (Photo Credit: Elisa D. Keller)

If you need the extra light gathering that an f/2 lens provides, the Carl Zeiss Biogon T* 2/35 ZM is a solid budget alternative to the Leica Summicron-M 35mm f/2 ASPH. The Biogon is solidly built, and while the edges aren't that great at f/2, there's a good chance that they'll be out of focus at that aperture anyway, depending on the distance between your subject and camera. But it's not the only alternative you have to Leica glass; Voigtlander makes the Nokton 35mm f/1.2 rangefinder lens that is only a bit more expensive at $1,199, and also has a budget 35mm Nokton f/1.4 ($629) in its catalog. We've not yet had the opportunity to perform a formal test with either Voigtlander lens, but they are popular for rangefinder and mirrorless cameras alike due to their ambitious f-stops and aggressive price points.

Final Thoughts

The Carl Zeiss Biogon T* 2/35 ZM is a wide aperture rangefinder lens that delivers excellent sharpness near the middle of the frame, but image quality suffers at the edges. - Digital Cameras

Carl Zeiss Biogon T* 2/35 ZM

3.5 Good

The Carl Zeiss Biogon T* 2/35 ZM is a wide aperture rangefinder lens that delivers excellent sharpness near the middle of the frame, but image quality suffers at the edges.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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