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Leica Summicron-M 35mm f/2 ASPH. Review

 & Jim Fisher Principal Writer, Cameras

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The Leica Summicron-M 35mm f/2 ASPH. is a sharp, compact wide-angle lens for rangefinder cameras, and it comes with a Leica price tag. - Leica Summicron-M 35mm f/2 ASPH.
4.0 Excellent

The Bottom Line

The Leica Summicron-M 35mm f/2 ASPH. is a sharp, compact wide-angle lens for rangefinder cameras, and it comes with a Leica price tag.
Best Deal£3599.89

Buy It Now

£3599.89

Pros & Cons

    • Compact.
    • Very, very sharp from f/2.8.
    • Edge-to-edge clarity when stopped down.
    • Minimal distortion.
    • Expensive.
    • Soft edges at f/2.
    • Manual focus only.

Leica Summicron-M 35mm f/2 ASPH. Specs

35mm Equivalent (Wide) 35
Dimensions 1.4 by 2 inches
Lens Mount Leica M
Stabilization None
Type Lens
Weight 9

The Leica Summicron-M 35mm f/2 ASPH. ($3,195) is a wide-angle lens for Leica and other M-mount rangefinder cameras. It covers a classic field of view when paired with a full-frame body, and is quite compact, especially when you consider its f/2 aperture. It lives up to a stellar reputation and is the go-to lens for many a Leica shooter, but it doesn't quite match the pure optical perfection of the APO-Summicron-M 50mm f/2 ASPH. ($8,795.00 at Amazon) . Still, it's a top-notch lens that won't disappoint, if you can work it into your budget. The Zeiss C Biogon T* 2,8/35 ZM ($749.00 at Amazon) is still our Editors' Choice 35mm rangefinder lens as it represents a stellar value and captures images that are very sharp, but its maximum aperture isn't as great as the Summicron.

The 35mm Summicron ($500.00 at Amazon)  measures just 1.4 by 2 inches (HD), and includes a compact hood and rubber lens cap. Weight varies based on whether you buy the lens in black or chrome. The black version is 9 ounces, but the chrome version is 12.8 ounces. The chrome lens features a brass barrel, which is heavier than the aluminum used in the black version. In addition to the extra weight, the chrome lens carries a higher price of $3,350.

Leica Summicron-M 35mm f/2 ASPH. : Sample Image

The lens uses small 39mm front filters, and has a physical aperture ring that can be adjusted from f/2 down to f/16 in half-stop increments. The manual focus ring has a small finger grip for more comfortable adjustments. The Summicron can focus down to 0.7 meter, which is the limit for coupled focus for most rangefinder cameras. There's a printed depth of field scale on the barrel with full stop markings from f/2 all the way through f/16.

I used Imatest to check the sharpness and distortion characteristics of the 35mm Summicron when paired with the full-frame Leica M (Typ 240) ($2,969.00 at Amazon) . At f/2 it exceeds the 1,800 lines per picture height we use to deem an image sharp, scoring 1,907 lines. The sharpness starts to drop as you move away from the center of the frame, showing just 1,200 lines at the edges. The Zeiss Biogon T* 2/35 ZM delivers similar performance at f/2; its center-weighted score is 2,240 lines, but edges are weaker at 1,100 lines.

Leica Summicron-M 35mm f/2 ASPH. : Sample Image

Related Story See How We Test Digital Cameras

Stopping down to f/2.8 improves things dramatically. The center-weighted sharpness score is 2,613 lines, and edges exceed 2,300 lines. At f/4 the lens manages 3,277 lines, and resolution peaks at 3,385 lines at f/5.6. At these narrower aperture sharpness is very even across the frame. The Zeiss Biogon 35mm f/2 also improves when stopped down, but its edges aren't tack sharp until f/4. There's basically no distortion, which is no small feat when you consider the maximum aperture and size of the lens.

The Leica Summicron-M 35mm f/2 ASPH. is small, sharp, and gathers a lot of light. Its edges aren't the best at f/2, but stopped down to f/2.8 and beyond the images that the lens captures are razor sharp from edge to edge. Like anything made by Leica, the Summicron comes with a high price tag. It's up to you if it's worth spending three times as much on it as the Zeiss Biogon T* 2/35 ZM or C Biogon T* 2,8/35, but if you do, you won't be disappointed by its construction, optics, or the look of the images you'll get with it.

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Further Reading

Final Thoughts

The Leica Summicron-M 35mm f/2 ASPH. is a sharp, compact wide-angle lens for rangefinder cameras, and it comes with a Leica price tag. - Leica Summicron-M 35mm f/2 ASPH.

Leica Summicron-M 35mm f/2 ASPH. Review

4.0 Excellent

The Leica Summicron-M 35mm f/2 ASPH. is a sharp, compact wide-angle lens for rangefinder cameras, and it comes with a Leica price tag.

Get It Now
Best Deal£3599.89

Buy It Now

£3599.89

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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