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Canon EF-S 35mm f/2.8 Macro IS STM Review

 & Jim Fisher Principal Writer, Cameras

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Canon EF-S 35mm f/2.8 Macro IS STM Review - Lenses
4.0 Excellent

The Bottom Line

The Canon EF-S 35mm f/2.8 Macro IS STM is an affordable, compact macro lens with stabilization and a built-in light. It shows some barrel distortion, but is otherwise an excellent performer.
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Pros & Cons

    • Compact.
    • 1:1 magnification.
    • Image stabilization.
    • Quite sharp.
    • Integrated LED light.
    • Smooth, silent focus.
    • Inexpensive.
    • Shows some barrel distortion.
    • Dimmed corners at wide apertures.
    • Manual focus-by-wire design takes some getting used to.

Canon EF-S 35mm f/2.8 Macro IS STM Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 56
Dimensions 2.7 by 2.2 inches
Lens Mount Canon EF-S
Stabilization Optical
Type Lens
Weight 6.7

Canon SLR owners in search of a low-cost macro lens are in for a treat. The EF-S 35mm f/2.8 Macro IS STM ($349.99), compatible with APS-C sensor cameras, focuses close enough to capture images at full life-size, and includes a built-in light so the shadow your camera casts when putting the lens right up to your subject is brightened. It does show a bit of barrel distortion, which is something you don't see in premium macro lenses. But as a budget option, it's a fine performer, even if it falls shy of being called Editors' Choice. Our favorite macro lens for Canon cameras is the Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD ($649), and our favorite low-cost prime lens is the Canon EF-S 24mm f/2.8 STM ($149.99).

Design

The EF-S 35mm is small and light. It measures 2.2 by 2.7 inches (HD), weighs 6.7 ounces, and supports 49mm front filters. The lens is finished in black, with a polycarbonate barrel, but it does sport a metal mount, which is not always the case with light, budget-friendly models.

Canon EF-S 35mm f/2.8 Macro IS STM : Sample Image

The front element is surround by a white ring that covers and diffuses the light emitted by dual LEDs. A button on the barrel turns them on with a short press, and toggles between both lights or only the left or right with a long press. Additional short presses toggle between two levels of brightness.

There's a switch to turn the image stabilization system on or off, and another to switch between manual and autofocus. The autofocus system uses an STM motor, which delivers smooth, silent focus, a big plus for video when paired with a recent SLR with Dual PIxel AF like the T7i. The downside is a lack of tactile response when focusing manually. The ring turns continuously in either direction, with not a lot of resistance. The motor response is immediate, but it's also quite sensitive. I found it a little difficult to make small, minute adjustments, especially at close distance. This is a lens that is best used with autofocus enabled.

Canon EF-S 35mm f/2.8 Macro IS STM : Sample Image

Minimum focus is set at 5.1 inches from the image sensor, so you've only got about 1.5 inches of working distance between lens and subject if you want to focus as closely as possible. The lights come in very handy here—if your camera is casting a shadow, they're strong enough to provide some fill. At the minimum working distance the lens projects objects onto the image sensor at full life-size.

Image stabilization is built in. That's a big plus for macro shooting, as you often have to narrow the aperture to increase depth of field when working close, and shooting a sharp image at a high magnification generally requires a short shutter speed. Videographers will also benefit, as the IS system does a good job removing the jittery look that can plague unstabilized handheld video.

Canon EF-S 35mm f/2.8 Macro IS STM : Sample Image

Image Quality

I tested the 35mm Macro with the 24MP EOS 77D. It's only compatible with APS-C like the 77D, 80D, 7D Mark II, and those in the Rebel series—it can't be mounted on a full-frame Canon. At f/2.8 it scores 2,275 lines per picture height on the Imatest center-weighted sharpness test, with performance at the edges of the frame that lags only slightly behind the average score. That's better than the 1,800 lines we want to see at a minimum from a 24MP sensor camera, putting image quality squarely in the very good category.

Canon EF-S 35mm f/2.8 Macro IS STM : Sample Image

At f/4 there's a very slight drop in resolution, 2,211 lines, and you get a similar 2,239-line result at f/5.6. Images are a little crisper at f/8 (2,408 lines), and not far off from that mark at f/11 (2,386 lines). Narrowing the aperture further reduces image fidelity—you get 2,132 lines at f/16, 1,601 lines at f/22, and just 955 lines at f/32. Narrow apertures are used to improve depth of field in macro shots, but if you need to stop down past f/11, you should consider taking multiple exposures and blending them using a focus stacking technique instead.

Related Story See How We Test Digital Cameras

There is some barrel distortion, about 2 percent. That's not something we want to see in a macro lens, as it can make it a pain to use for document reproduction. If you're just using it for casual imaging, you can remove it with software. Peripheral illumination is also correctible via software tools. Corners are noticeably dim (-2EV) when shooting at f/2.8 and right the edge of acceptability at f/4 (-1EV). At narrower apertures the frame is evenly illuminated from edge to edge. At press time in-camera corrections are not available for the lens, at least not when paired a 7D Mark II.

Canon EF-S 35mm f/2.8 Macro IS STM : Sample Image

Conclusions

The Canon EF-S 35mm f/2.8 Macro IS STM is a solid, low-cost add-on for owners of APS-C Canon SLRs. Its standard-angle field of view, wide f/2.8 aperture, and image stabilization make it a strong choice as an everyday lens for photographers who want to shoot in lower light and capture better images than you can get with an entry-level zoom lens. Its macro focusing capability is boosted by integrated lights, which help to fill in the shadows you'll end up casting when working very close to subjects.

It's not perfect—we don't like to see this much barrel distortion in a macro lens, but obviously a compromise had to be made in order to keep costs, size, and weight manageable. If you're more serious about getting a dedicated macro, you'll want to spend more on our Editors' Choice Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD, a $649 lens that captures some of the sharpest images we've seen. And if you just want a low-cost prime lens for your Canon, the EF-S 24mm f/2.8 STM is a bargain at $150, even though it omits image stabilization.

Best Lens Picks

Further Reading

Final Thoughts

Canon EF-S 35mm f/2.8 Macro IS STM Review - Lenses

Canon EF-S 35mm f/2.8 Macro IS STM Review

4.0 Excellent

The Canon EF-S 35mm f/2.8 Macro IS STM is an affordable, compact macro lens with stabilization and a built-in light. It shows some barrel distortion, but is otherwise an excellent performer.

Get It Now
Best Deal£357.84

Buy It Now

£357.84

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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