Deeper Dive: Our Top Tested Picks

• Macro

  Sigma 17-70mm F2.8-4 DC Macro OS HSM

  4.0 Excellent

  Pros & Cons

  • • Sharp.
    • 4.1x zoom range.
    • 1:2.9 macro magnification.
    • Optical stabilization.
    • Wide aperture.
    • Compact and light.
    • Available for multiple camera systems.
    • Compatibility with Sigma USB dock and mount conversion service.
  • • Some distortion.
    • Edge softness at 70mm.

  Bottom Line:

  Bottom Line:

  The Sigma 17-70mm F2.8-4 DC Macro OS HSM lens is a solid replacement for the 18-55mm that shipped with your camera, but another Sigma zoom is our Editors' Choice.

  Specs & Configurations

  35mm Equivalent (Telephoto)	105 mm
  35mm Equivalent (Wide)	25.5
  Dimensions	3.1 by 3.2 inches
  Lens Mount	Canon EOS
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	4.1 x
  Stabilization	Optical
  Type	Lens
  Weight	1

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• Low Light

  Sigma 18-35mm F1.8 DC HSM

  4.5 Outstanding

  Pros & Cons

  • • Sharp.
    • Wide aperture.
    • Reasonable price tag.
    • Available for several camera systems.
  • • Big.
    • No optical stabilization.
    • Some wide-angle barrel distortion.
    • Modest zoom ratio.

  Bottom Line:

  Bottom Line:

  The Sigma 18-35mm F1.8 DC HSM delivers on its promise; it boasts the speed and sharpness of a prime lens, along with the convenience of a zoom.

  Specs & Configurations

  35mm Equivalent (Telephoto)	52.5 mm
  35mm Equivalent (Wide)	27
  Dimensions	4.5 by 3.1 inches
  Lens Mount	Canon EF-S
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	1.9 x
  Stabilization	None
  Type	Lens
  Weight	1.8

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• Canon EF-S 24mm f/2.8 STM

  4.0 Excellent

  Pros & Cons

  • • Quite sharp.
    • Very compact.
    • Classic wide-angle field of view.
    • Silent STM focus motor.
    • Affordable.
  • • Lacks image stabilization.
    • Disappointing manual focus experience.
    • Noticeable vignette at f/2.8.

  Bottom Line:

  Bottom Line:

  The Canon EF-S 24mm f/2.8 STM is the sharp, compact, and inexpensive lens that every Canon shooter should own.

  Specs & Configurations

  35mm Equivalent (Wide)	38
  Dimensions	0.9 by 2.7 inches
  Lens Mount	Canon EF-S
  Stabilization	None
  Type	Lens
  Weight	4.4

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• Canon EF-S 18-135mm f/3.5-5.6 IS USM

  4.0 Excellent

  Pros & Cons

  • • 7.5x zoom ratio.
    • Crisp optics.
    • Smooth Live View focus.
    • Optical stabilization.
    • Power Zoom accessory available.
  • • Shows some distortion.
    • Dim corners at widest aperture.

  Bottom Line:

  Bottom Line:

  The Canon EF-S 18-135mm f/3.5-5.6 IS USM is a sharp lens with a long zoom range and a fast USM motor that pairs well with Canon's Dual Pixel AF technology.

  Specs & Configurations

  35mm Equivalent (Telephoto)	216mm mm
  35mm Equivalent (Wide)	28.8
  Dimensions	3.8 by 3.1 inches
  Lens Mount	Canon EF-S
  Optical Zoom	7.5 x
  Stabilization	Optical
  Type	Lens
  Weight	1.1

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• Sigma 18-200mm F3.5-6.3 DC Macro OS HSM

  4.0 Excellent

  Pros & Cons

  • • Long 11.1x zoom range.
    • Compact.
    • Maximum 1:3 macro magnification.
    • Optically stabilized.
    • Compact.
    • Available for most APS-C camera systems.
    • Attractive price tag.
  • • Sharpness suffers at maximum aperture.
    • Distortion throughout zoom range.

  Bottom Line:

  Bottom Line:

  The Sigma 18-200mm F3.5-6.3 DC Macro OS HSM lens trades some optical quality for a compact design, low cost, and long zoom range.

  Specs & Configurations

  35mm Equivalent (Telephoto)	300 mm
  35mm Equivalent (Wide)	27
  Dimensions	3.4 by 2.8 inches
  Lens Mount	Canon EOS
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	11.1 x
  Stabilization	Optical
  Type	Lens
  Weight	15.2

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• Tamron 18-400mm f/3.5-6.3 Di II VC HLD

  4.0 Excellent

  Pros & Cons

  • • 22.2x zoom ratio.
    • Solid image quality.
    • Image stabilization.
    • Moisture-resistant design.
    • 1:2.9 macro magnification.
    • Available for Nikon and Canon SLRs.
  • • Wide-open performance suffers beyond 300mm.
    • Shows some chromatic aberration at longer focal lengths.
    • Visible distortion.
    • Focus ring rotates during AF.

  Bottom Line:

  Bottom Line:

  The Tamron 18-400mm f/3.5-6.3 Di II VC HLD covers an incredible zoom range, from wide angle to super telephoto, and while it doesn't match lenses with shorter ratios in image quality, it betters them in convenience.

  Specs & Configurations

  Dimensions	4.8 by 3.1 inches
  Full-Frame Equivalent (Telephoto)	600
  Full-Frame Equivalent (Wide)	27
  Mount	Canon EF-S
  Mount	Nikon F
  Optical Stabilization	Optical
  Weight	1.6
  Zoom Ratio	22.2 x

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• Canon EF-S 10-18mm f/4.5-5.6 IS STM

  4.0 Excellent

  Pros & Cons

  • • Sharp throughout range.
    • Affordably priced.
    • Ultra-wide angle field of view.
    • Optically stabilized.
    • STM focus motor.
  • • Plastic lens mount.
    • Lots of barrel distortion at 10mm.
    • Some color fringing.
    • Lens hood not included.
    • Narrow aperture.

  Bottom Line:

  Bottom Line:

  The Canon EF-S 10-18mm f/4.5-5.6 IS STM is an affordable ultra-wide lens that includes images stabilization and an STM focus motor, both useful for video.

  Specs & Configurations

  35mm Equivalent (Telephoto)	29 mm
  35mm Equivalent (Wide)	16
  Dimensions	2.8 by 2.9 inches
  Lens Mount	Canon EF-S
  Optical Zoom	1.8 x
  Stabilization	In-Lens
  Type	Lens
  Weight	8.5

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• Tamron 10-24mm F/3.5-4.5 Di II VC HLD

  3.5 Good

  Pros & Cons

  • • Ultra-wide coverage.
    • Image stabilization.
    • Strong center sharpness.
    • Dust and moisture resistant design.
    • Fluorine front coating.
  • • Edges suffer at wide apertures.
    • Wide-angle barrel distortion.
    • Dim corners.
    • Slow autofocus.
    • No option for in-camera corrections.

  Bottom Line:

  Bottom Line:

  The Tamron 10-24mm F/3.5-4.5 Di II VC HLD captures ultra-wide views and boasts a sturdy all-weather design, but doesn't deliver impeccable optics.

  Specs & Configurations

  35mm Equivalent (Telephoto)	36 mm
  35mm Equivalent (Wide)	15
  Dimensions	3.2 by 3.3 inches
  Lens Mount	Canon EF-S
  Lens Mount	Nikon F
  Optical Zoom	2.4 x
  Stabilization	Optical
  Type	Lens
  Weight	15.5

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• Sigma 50-100mm F1.8 DC HSM Art

  4.0 Excellent

  Pros & Cons

  • • Very sharp.
    • Bright maximum aperture.
    • Nominal distortion.
    • Rotating tripod collar.
    • Compatible with Sigma USB Dock.
    • Available for multiple systems.
  • • Heavy.
    • Short zoom range.
    • Omits image stabilization.
    • Focus may need adjustment.
    • Pricey.

  Bottom Line:

  Bottom Line:

  The Sigma 50-100mm F1.8 DC HSM Art is an appealing lens for APS-C SLR owners who want a bright telezoom, but it's on the pricey side.

  Specs & Configurations

  35mm Equivalent (Telephoto)	150 mm
  35mm Equivalent (Wide)	75
  Dimensions	6.7 by 3.7 inches
  Lens Mount	Canon EF-S
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	2 x
  Stabilization	None
  Type	Lens
  Weight	3.3

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• Canon EF-S 55-250mm f/4-5.6 IS STM

  4.0 Excellent

  Pros & Cons

  • • Impressive sharpness.
    • STM focus motor.
    • 4.5x zoom range.
    • Light and compact design.
  • • Modest aperture.
    • Plastic lens mount.
    • Lens hood not included.

  Bottom Line:

  Bottom Line:

  The Canon EF-S 55-250mm f/4-5.6 IS STM is a sharp telephoto zoom, but its aperture is anything but ambitious.

  Specs & Configurations

  35mm Equivalent (Telephoto)	400 mm
  35mm Equivalent (Wide)	88
  Dimensions	4.4 by 2.8 inches
  Optical Zoom	4.5 x
  Stabilization	In-Lens
  Type	Lens
  Weight	13.2

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• Canon EF-S 35mm f/2.8 Macro IS STM

  4.0 Excellent

  Pros & Cons

  • • Compact.
    • 1:1 magnification.
    • Image stabilization.
    • Quite sharp.
    • Integrated LED light.
    • Smooth, silent focus.
    • Inexpensive.
  • • Shows some barrel distortion.
    • Dimmed corners at wide apertures.
    • Manual focus-by-wire design takes some getting used to.

  Bottom Line:

  Bottom Line:

  The Canon EF-S 35mm f/2.8 Macro IS STM is an affordable, compact macro lens with stabilization and a built-in light. It shows some barrel distortion, but is otherwise an excellent performer.

  Specs & Configurations

  35mm Equivalent (Telephoto)	N/A mm
  35mm Equivalent (Wide)	56
  Dimensions	2.7 by 2.2 inches
  Lens Mount	Canon EF-S
  Stabilization	Optical
  Type	Lens
  Weight	6.7

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• Canon EF 24-70mm f/2.8L II USM

  4.0 Excellent

  Pros & Cons

  • • Sharp throughout zoom range.
    • Constant f/2.8 aperture.
    • Fairly compact.
  • • Pricey.
    • Not stabilized.
    • Some distortion.
    • Telescoping design.

  Bottom Line:

  Bottom Line:

  The Canon EF 24-70mm f/2.8L II USM lens is the company's top-end standard zoom; it's pricey, but a solid performer.

  Specs & Configurations

  35mm Equivalent (Telephoto)	70 mm
  35mm Equivalent (Wide)	24
  Dimensions	4.4 by 3.5 inches
  Lens Mount	Canon EOS
  Optical Zoom	2.9 x
  Stabilization	None
  Type	Lens
  Weight	1.8

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• Sigma 24-105mm F4 DG OS HSM

  4.0 Excellent

  Pros & Cons

  • • 4.4x zoom range.
    • Constant f/4 aperture.
    • Quite sharp.
    • Optically stabilized.
    • Full-frame coverage.
    • USB dock compatibility.
  • • Some distortion throughout zoom range.

  Bottom Line:

  Bottom Line:

  The Sigma 24-105mm F4 DG OS HSM lens is a great value for full-frame shooters who aren't in need of an f/2.8 zoom.

  Specs & Configurations

  35mm Equivalent (Telephoto)	105 mm
  35mm Equivalent (Wide)	24
  Dimensions	4.3 by 3.5 inches
  Lens Mount	Canon EOS
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	4.4 x
  Stabilization	Optical
  Type	Lens
  Weight	1.95

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• Canon EF 24-70mm f/4L IS USM

  4.0 Excellent

  Pros & Cons

  • • Optically stabilized.
    • Sharp throughout the zoom range.
    • Optically stabilized.
    • Macro mode at 70mm.
  • • Some distortion at 24mm.
    • Telescoping design.

  Bottom Line:

  Bottom Line:

  If your demands don't require a fixed f/2.8 zoom lens, the Canon EF 24-70mm f/4L IS USM will reward you with sharp images and a useful zoom range.

  Specs & Configurations

  Type

  Lens

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• Canon EF 24-105mm f/4L IS II USM

  3.5 Good

  Pros & Cons

  • • Constant f/4 aperture.
    • 4.4x zoom range.
    • Minimal vignette.
    • Optical image stabilization.
    • 1:4.3 macro magnification.
    • Solid construction.
    • Fluorine coating.
  • • Sharpness suffers at telephoto focal lengths.
    • Visible distortion.

  Bottom Line:

  Bottom Line:

  The EF 24-105mm f/4L IS II USM improves upon the first version of the lens, but isn't the best 24-105mm available for the Canon system.

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• Canon EF 24-105mm f/3.5-5.6 IS STM

  4.0 Excellent

  Pros & Cons

  • • Quite sharp.
    • Light and compact.
    • STM focus motor.
    • Optical stabilization system.
    • Full-frame coverage.
    • Attractive price point.
  • • Distortion throughout zoom range.
    • Narrow maximum aperture.
    • Lens hood not included.

  Bottom Line:

  Bottom Line:

  The Canon EF 24-105mm f/3.5-5.6 IS STM is an inexpensive zoom lens for full-frame Canon cameras. It's quite sharp, but requires some distortion correction to get the best results.

  Specs & Configurations

  35mm Equivalent (Telephoto)	105 mm
  35mm Equivalent (Wide)	24
  Dimensions	4.1 by 3.3 inches
  Lens Mount	Canon EF
  Optical Zoom	4.4 x
  Stabilization	Optical
  Type	Lens
  Weight	1.2

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• Sigma 24-70mm F2.8 DG OS HSM Art

  3.0 Average

  Pros & Cons

  • • Consistent performance through zoom range.
    • Optical stabilization.
    • Solid build.
    • Dust and splash protection.
    • Available for multiple systems.
    • Attractive price.
  • • Weak edge performance at f/2.8.
    • Dimmed corners.
    • Visible chromatic aberration.
    • Some distortion.

  Bottom Line:

  Bottom Line:

  The Sigma 24-70mm F2.8 DG OS HSM Art is a budget take on the 24-70mm design, but falls short of the marks we look for in a pro lens.

  Specs & Configurations

  Dimensions	4.2 by 3.5 inches
  Full-Frame Equivalent (Telephoto)	70
  Full-Frame Equivalent (Wide)	24
  Mount	Canon EF
  Mount	Nikon F
  Mount	Sigma SA
  Optical Stabilization	Optical
  Weight	2.2
  Zoom Ratio	2.9 x

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• Tamron SP 24-70mm f/2.8 Di VC USD G2

  3.0 Average

  Pros & Cons

  • • Sharp results at f/2.8 at wider angles.
    • Strong image stabilization system.
    • Excellent build.
    • Dust and splash protection.
    • Available for Canon and Nikon SLRs.
    • Low price.
  • • Image quality suffers beyond 50mm.
    • Noticeably dim corners.
    • Chromatic aberration at 24mm.
    • Some visible distortion.

  Bottom Line:

  Bottom Line:

  The Tamron SP 24-70mm f/2.8 Di VC USD G2 lens undercuts similar zooms on price and delivers strong image stabilization, but it makes some optical compromises to get there.

  Specs & Configurations

  Dimensions	4.4 by 3.5 inches
  Full-Frame Equivalent (Telephoto)	70
  Full-Frame Equivalent (Wide)	24
  Mount	Canon EF
  Mount	Nikon F
  Optical Stabilization	Optical
  Weight	2
  Zoom Ratio	2.9 x

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• Sigma 24-35mm F2 DG HSM Art

  4.0 Excellent

  Pros & Cons

  • • Very sharp.
    • Maximum f/2 aperture throughout zoom range.
    • 11-inch close focus.
    • Full-frame coverage.
    • Solid build quality.
  • • On the heavy side.
    • Distortion throughout range.
    • Fall off at wide apertures.
    • Very small zoom ratio.
    • Omits stabilization.

  Bottom Line:

  Bottom Line:

  The Sigma 24-35mm F2 DG HSM Art is the first f/2 zoom lens for full-frame cameras, and a very sharp one at that, but its range is limited.

  Specs & Configurations

  35mm Equivalent (Telephoto)	35 mm
  35mm Equivalent (Wide)	24
  Dimensions	4.8 by 3.4 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Optical Zoom	1.5 x
  Stabilization	None
  Type	Lens
  Weight	2.1

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• Canon EF 11-24mm f/4L USM

  4.0 Excellent

  Pros & Cons

  • • Ultra-wide field of view.
    • Maintains f/4 when zoomed.
    • Very sharp.
  • • Shows some barrel distortion.
    • Corner and edge dimness.
    • Omits filter support.
    • Big and heavy.
    • Expensive.

  Bottom Line:

  Bottom Line:

  The Canon EF 11-24mm f/4L USM is a unique lens that combines an incredibly wide field of view with a zooming design and constant aperture.

  Specs & Configurations

  35mm Equivalent (Telephoto)	24 mm
  35mm Equivalent (Wide)	11
  Dimensions	5.2 by 4.3 inches
  Lens Mount	Canon EF
  Optical Zoom	2.2 x
  Stabilization	None
  Type	Lens
  Weight	2.6

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• Sigma 12-24mm F4 DG HSM Art

  4.5 Outstanding

  Pros & Cons

  • • Ultra-wide lens with zoom capability.
    • Very sharp.
    • Solid edge performance.
    • Available for multiple camera systems.
  • • Big and heavy.
    • Doesn't support front filters.
    • Barrel distortion at wider angles.
    • Dimmed corners at 12mm.

  Bottom Line:

  Bottom Line:

  The Sigma 12-24mm F4 DG HSM Art is a full-frame zoom lens with an ultra-wide field of view and f/4 aperture. It's very sharp, and it's less expensive than competing lenses.

  Specs & Configurations

  35mm Equivalent (Telephoto)	24 mm
  35mm Equivalent (Wide)	12
  Dimensions	5.2 by 4 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Optical Zoom	2 x
  Stabilization	None
  Type	Lens
  Weight	2.5

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• Sigma 14-24mm F2.8 DG HSM Art

  4.5 Outstanding

  Pros & Cons

  • • Outstanding sharpness.
    • Ultra-wide field of view.
    • Bright aperture.
    • Dust and splash resistant.
    • Available for multiple systems.
  • • Doesn't support front filters.
    • Rear filter holder only available for Canon version.
    • Strong vignette at f/2.8.
    • Barrel distortion.

  Bottom Line:

  Bottom Line:

  The Sigma 14-24mm F2.8 DG HSM Art is an ultra-wide zoom lens with a bright aperture that's extremely sharp, especially when stopped down.

  Specs & Configurations

  Dimensions	5.3 by 3.8 inches
  Full-Frame Equivalent (Telephoto)	24
  Full-Frame Equivalent (Wide)	14
  Mount	Canon EF
  Mount	Nikon F
  Mount	Sigma SA
  Optical Stabilization	None
  Weight	2.5
  Zoom Ratio	1.7 x

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• Sigma 14mm F1.8 DG HSM Art

  4.0 Excellent

  Pros & Cons

  • • Ultra-wide field of view.
    • Very bright aperture.
    • Very sharp.
    • Solid build.
    • Dust and splash protection.
    • Available for multiple camera systems.
  • • Some barrel distortion.
    • Soft edges and corners at wide apertures.
    • Dim corners.
    • Doesn't support front filters.

  Bottom Line:

  Bottom Line:

  The Sigma 14mm F1.8 DG HSM Art is an ultra-wide prime lens with an extremely bright aperture and crisp optics.

  Specs & Configurations

  Dimensions	5 by 3.8 inches
  Full-Frame Equivalent (Wide)	14
  Mount	Canon EF
  Mount	Nikon F
  Mount	Sigma SA
  Optical Stabilization	None
  Weight	2.6

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• Wide Angle

  Tamron SP 15-30mm F2.8 Di VC USD G2

  3.5 Good

  Pros & Cons

  • • Bright f/2.8 aperture.
    • Optical stabilization.
    • Ultra-wide angle of view.
    • Full-frame compatibility.
    • Fluorine coating and all-weather build.
  • • Only sold in Canon and Nikon mount.
    • Bulky.
    • Image quality suffers on high-resolution sensors.
    • Heavy barrel distortion.
    • Nikon version doesn't support rear filters.

  Bottom Line:

  Bottom Line:

  The Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is a minor update to one of the rare, stabilized ultra-wide zooms, but it doesn't pair well with the highest-resolution cameras.

  Specs & Configurations

  Dimensions	5.7 by 3.9 inches
  Full-Frame Equivalent (Telephoto)	30
  Full-Frame Equivalent (Wide)	15
  Mount	Canon EF
  Mount	Nikon F
  Optical Stabilization	Optical
  Weight	2.4
  Zoom Ratio	2 x

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• Wide Angle

  Canon EF 16-35mm f/2.8L III USM

  4.0 Excellent

  Pros & Cons

  • • Wide-angle zoom.
    • Full-frame coverage.
    • Wide f/2.8 aperture.
    • Strong image quality.
    • Fluorine lens coating.
  • • Pricey.
    • Omits image stabilization.
    • Some distortion and vignetting visible in images.

  Bottom Line:

  Bottom Line:

  The latest version of the Canon EF 16-35mm f/2.8L III USM lens is its best take on an f/2.8 wide zoom yet.

  Specs & Configurations

  Dimensions	5.0 by 3.5 inches
  Full-Frame Equivalent (Telephoto)	35
  Full-Frame Equivalent (Wide)	16
  Mount	Canon EF
  Optical Stabilization	None
  Weight	1.7
  Zoom Ratio	2.2 x

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• Sigma 20mm F1.4 DG HSM Art

  4.5 Outstanding

  Pros & Cons

  • • Sharp from edge to edge.
    • Minimal distortion.
    • Short minimum focus distance.
    • Available for multiple systems.
  • • Heavy.
    • Dim corners and edges.
    • No support for filters.

  Bottom Line:

  Bottom Line:

  The Sigma 20mm F1.4 DG HSM Art lens captures fantastic images from an ultra-wide angle perspective at an f/1.4 maximum aperture.

  Specs & Configurations

  35mm Equivalent (Wide)	20
  Dimensions	5.1 by 3.6 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Stabilization	None
  Type	Lens
  Weight	2.1

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• Distant Subjects

  Canon EF 70-200mm f/2.8L IS III USM

  4.5 Outstanding

  Pros & Cons

  • • Strong sharpness from edge to edge.
    • Superb build quality.
    • Dust and moisture protection.
    • Fluorine lens coating.
    • Image stabilization.
  • • Not that different from previous edition.
    • Some distortion.
    • Modest vignette.

  Bottom Line:

  Bottom Line:

  The Canon EF 70-200mm f/2.8L IS III USM is a modest upgrade to the previous version, but remains the gold standard in its class.

  Specs & Configurations

  Dimensions	7.8 by 3.5 inches
  Full-Frame Equivalent (Telephoto)	200
  Full-Frame Equivalent (Wide)	70
  Mount	Canon EF
  Optical Stabilization	Optical
  Weight	3.3
  Zoom Ratio	2.9 x

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• Distant Subjects

  Sigma 70-200mm F2.8 DG OS HSM Sports

  4.0 Excellent

  Pros & Cons

  • • Pro-grade, all-weather build.
    • Good optical performance.
    • Integrated tripod collar with Arca foot.
    • Image stabilization.
    • Internal zoom.
    • Teleconverter compatibility.
  • • Not as sharp at 200mm as 70mm.
    • Some distortion.
    • Heavier than other lenses.

  Bottom Line:

  Bottom Line:

  The Sigma 70-200mm F2.8 DG OS HSM Sports lens is the best budget alternative to top-end zooms.

  Specs & Configurations

  Dimensions	8.0 x 3.7 inches
  Full-Frame Equivalent (Telephoto)	200
  Full-Frame Equivalent (Wide)	70
  Mount	Canon EF
  Mount	Nikon F
  Mount	Sigma SA
  Optical Stabilization	Optical
  Weight	4
  Zoom Ratio	2.9 x

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• Tamron SP 70-200mm F/2.8 Di VC USD G2

  4.0 Excellent

  Pros & Cons

  • • Excellent resolution through most of range.
    • Optical stabilization system.
    • Bright f/2.8 aperture.
    • Sturdy build quality.
    • Teleconverter compatibility.
    • Integrated tripod collar.
    • Available for Canon and Nikon cameras.
    • Affordable.
  • • Weak flare resistance.
    • Dimmed corners.
    • Sharpness drops off at 200mm.
    • Toggle switches prone to inadvertent changes.

  Bottom Line:

  Bottom Line:

  The Tamron SP 70-200mm F/2.8 Di VC USD G2 costs much less than name-brand options. It's built tough and delivers crisp images, but is prone to flare.

  Specs & Configurations

  35mm Equivalent (Telephoto)	200 mm
  35mm Equivalent (Wide)	70
  Dimensions	3.5 by 7.6 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Optical Zoom	2.9 x
  Stabilization	Optical
  Type	Lens
  Weight	3.3

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• Distant Subjects

  Tamron 70-210mm f/4 Di VC USD

  4.0 Excellent

  Pros & Cons

  • • Light, compact build.
    • Internal zoom.
    • 1:3 macro reproduction.
    • Crisp optics.
    • Image stabilization.
    • Dust and splash resistant.
    • Fluorine protection.
    • Optional tripod collar available.
    • Teleconverter compatibility.
  • • Image quality dips at maximum zoom.
    • Some distortion and vignetting.
    • Manual focus ring omits rubberized grip.

  Bottom Line:

  Bottom Line:

  The Tamron 70-210mm f/4 Di VC USD is a light, compact telezoom lens that delivers a ton of value.

  Specs & Configurations

  Dimensions	6.9 by 3 inches
  Full-Frame Equivalent (Telephoto)	210
  Full-Frame Equivalent (Wide)	70
  Mount	Canon EF
  Mount	Nikon F
  Optical Stabilization	Optical
  Weight	1.9
  Zoom Ratio	3 x

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• Canon EF 100-400mm f/4.5-5.6L IS II USM

  4.5 Outstanding

  Pros & Cons

  • • Incredibly sharp throughout zoom range.
    • Optically stabilized.
    • Quick focus.
    • 1:3 magnification.
    • Relatively compact.
  • • Pricey.
    • Some barrel distortion at 100mm.

  Bottom Line:

  Bottom Line:

  The Canon EF 100-400mm f/4.5-5.6L IS II USM is a telezoom lens with a compact design and incredibly sharp optics.

  Specs & Configurations

  35mm Equivalent (Telephoto)	400 mm
  35mm Equivalent (Wide)	100
  Dimensions	7.6 by 3.7 inches
  Lens Mount	Canon EF
  Optical Zoom	4 x
  Stabilization	Optical
  Type	Lens
  Weight	3.5

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• Sigma 100-400mm F5-6.3 DG OS HSM Contemporary

  4.0 Excellent

  Pros & Cons

  • • Strong image quality.
    • Optical stabilization.
    • Full-frame coverage.
    • Available for multiple systems.
    • Compact and lightweight.
    • Inexpensive.
  • • Weak edge performance at 100mm.
    • Vignette at maximum aperture.
    • Some distortion.
    • No tripod collar option.

  Bottom Line:

  Bottom Line:

  The Sigma 100-400mm F5-6.3 DG OS HSM Contemporary is a solid option for anyone in the market for an affordable, lightweight telephoto lens.

  Specs & Configurations

  35mm Equivalent (Telephoto)	400 mm
  35mm Equivalent (Wide)	100
  Dimensions	7.2 by 3.4 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Optical Zoom	4 x
  Stabilization	Optical
  Type	Lens
  Weight	2.6

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• Tamron 100-400mm F/4.5-6.3 Di VC USD

  3.5 Good

  Pros & Cons

  • • Long telephoto reach.
    • Optical stabilization.
    • Fluorine lens coat.
    • Dust and moisture protection.
    • Optional tripod collar available.
    • Relatively light and compact.
    • Affordable.
  • • Soft edge performance at 100mm and 400mm.
    • Vignette at maximum aperture.
    • Some pincushion distortion.

  Bottom Line:

  Bottom Line:

  The Tamron 100-400mm f/4.5-6.3 Di VC USD is a light, affordable telezoom lens for full-frame SLRs, but image quality suffers toward the edge of the frame.

  Specs & Configurations

  Dimensions	8.3 by 3 inches
  Full-Frame Equivalent (Telephoto)	400
  Full-Frame Equivalent (Wide)	100
  Mount	Canon EF
  Mount	Nikon F
  Optical Stabilization	Optical
  Weight	2.5
  Zoom Ratio	4 x

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• Distant Subjects

  Sigma 60-600mm F4.5-6.3 DG OS HSM Sports

  3.5 Good

  Pros & Cons

  • • 10x zoom power.
    • Superb fit and finish.
    • Weather sealing and fluorine coating.
    • Strong optical stabilization.
    • Available for Canon, Nikon, and Sigma cameras.
  • • Heavy.
    • Big zoom sacrifices image quality versus shorter designs.
    • Requires adapter for use with mirrorless systems.

  Bottom Line:

  Bottom Line:

  The Sigma 60-600mm F4.5-6.3 DG OS HSM Sports is an appealing lens for photographers who want a telezoom with decent wide-angle coverage, but it makes some compromises to get there.

  Specs & Configurations

  Dimensions	10.6 by 4.7 inches
  Full-Frame Equivalent (Telephoto)	600
  Full-Frame Equivalent (Wide)	60
  Mount	Canon EF
  Mount	Nikon F
  Mount	Sigma SA
  Optical Stabilization	Optical
  Weight	5.95
  Zoom Ratio	10 x

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• Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary

  4.5 Outstanding

  Pros & Cons

  • • Excellent telephoto reach.
    • Very sharp.
    • Includes tripod collar and lens hood.
    • Focuses quickly.
    • Effective image stabilization system.
    • Zoom locking mechanism.
    • Affordable.
  • • Some chromatic aberration.
    • Moderate pincushion distortion.
    • Relatively narrow aperture.
    • Heavy.
    • Not fully dust- and splash-proof.

  Bottom Line:

  Bottom Line:

  The Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary offers incredible telephoto reach, fast focusing, and solid image stabilization at a reasonable price.

  Specs & Configurations

  35mm Equivalent (Telephoto)	600 mm
  35mm Equivalent (Wide)	150
  Dimensions	10.2 by 4.1 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Optical Zoom	4 x
  Stabilization	Optical
  Type	Lens
  Weight	4.3

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• Tamron SP 150-600mm F/5-6.3 Di VC USD G2

  4.0 Excellent

  Pros & Cons

  • • Strong sharpness through most of range.
    • Excellent stabilization system.
    • Quick autofocus.
    • Lockable zoom mechanism.
    • Rotating tripod collar.
    • Integrated Arca-Swiss foot.
    • Weather-sealed design.
    • Available for Canon, Nikon, and Sony SLRs.
  • • Weak edge performance at wide and telephoto extremes.
    • Teleconverter use limits autofocus operation.

  Bottom Line:

  Bottom Line:

  The Tamron SP 150-600mm F/5-6.3 Di VC USD G2 lens has some edge sharpness issues, but is an overall solid performer, especially when paired with an APS-C SLR.

  Specs & Configurations

  35mm Equivalent (Telephoto)	600 mm
  35mm Equivalent (Wide)	150
  Dimensions	10.2 by 4.3 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sony A
  Optical Zoom	4 x
  Stabilization	Optical
  Type	Lens
  Weight	4.4

  Get It Now

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• Sigma 150-600mm F5-6.3 DG OS HSM Sports

  4.0 Excellent

  Pros & Cons

  • • Very sharp.
    • Minimal distortion.
    • Built like a tank.
    • Weather-sealed design.
    • Includes tripod collar and lens hood.
    • Quick focus.
    • Image stabilization system.
    • Zoom locking mechanism.
    • Available for multiple camera systems.
  • • Expensive.
    • Very heavy.
    • Relatively narrow aperture.

  Bottom Line:

  Bottom Line:

  The pricey Sigma 150-600mm F5-6.3 DG OS HSM Sports is a pro-grade telezoom lens that is built to stand the test of time, but boy is it heavy.

  Specs & Configurations

  35mm Equivalent (Telephoto)	600 mm
  35mm Equivalent (Wide)	150
  Dimensions	11.4 by 4.8 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	4 x
  Stabilization	Optical
  Type	Lens
  Weight	6.3

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• Sigma 120-300mm F2.8 DG OS HSM

  4.5 Outstanding

  Pros & Cons

  • • Wide f/2.8 aperture throughout zoom range.
    • Impressive telephoto reach.
    • Very sharp.
    • Minimal distortion.
    • Excellent build quality.
    • Compatible with USB dock.
  • • Expensive.
    • Very large and heavy.
    • Huge front element increases filter costs.

  Bottom Line:

  Bottom Line:

  Sigma's 120-300mm F2.8 DG OS HSM is the lens to get if a 70-200mm f/2.8 just isn't long enough, but you'll need a strong back to lug it.

  Specs & Configurations

  Type

  Lens

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• Canon EF 400mm f/4 DO IS II USM

  4.5 Outstanding

  Pros & Cons

  • • Impeccable optics.
    • Relatively compact and light design.
    • Superb build quality.
    • Rotating tripod collar.
    • Rear filter system.
    • Includes hard case.
  • • Very expensive.

  Bottom Line:

  Bottom Line:

  The Canon EF 400mm f/4 DO IS II USM lens delivers near-perfect optical performance, and is priced accordingly.

  Specs & Configurations

  35mm Equivalent (Wide)	400
  Dimensions	5 by 9.2 inches
  Lens Mount	Canon EF
  Stabilization	Optical
  Type	Lens
  Weight	4.6

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• Sigma 500mm F4 DG OS HSM Sports

  4.0 Excellent

  Pros & Cons

  • • Very sharp.
    • Large aperture.
    • Super telephoto reach.
    • Optical stabilization.
    • No visible distortion.
    • Sturdy, dust- and splash-resistant design.
    • Costs less than the competition.
    • Available for multiple camera systems.
  • • Huge.
    • Heavy.

  Bottom Line:

  Bottom Line:

  The Sigma 500mm F4 DG OS HSM Sports is a bright, super telephoto prime lens built for professional photographers, but boy is it heavy.

  Specs & Configurations

  35mm Equivalent (Wide)	500
  Dimensions	15 by 5.7 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Stabilization	Optical
  Type	Lens
  Weight	7.3

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• Sigma 24mm F1.4 DG HSM Art

  4.0 Excellent

  Pros & Cons

  • • Sharp from edge to edge.
    • Minimal distortion.
    • Wide aperture.
    • 9.8-inch close focus.
    • Full-frame coverage.
    • Available for multiple camera systems.
  • • Noticeable fall-off at f/1.4 and f/2.
    • May require focus adjustment via USB Dock.
    • Large and heavy.
    • Omits stabilization.

  Bottom Line:

  Bottom Line:

  The Sigma 24mm F1.4 DG HSM Art lens is the widest entry in the company's full-frame f/1.4 Art series. There's some fall-off at wide apertures, but it's extremely sharp and competitively priced.

  Specs & Configurations

  35mm Equivalent (Wide)	24
  Dimensions	3.6 by 3.4 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Stabilization	None
  Type	Lens
  Weight	1.5

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• Low Light

  Sigma 28mm F1.4 DG HSM Art

  4.0 Excellent

  Pros & Cons

  • • Excellent sharpness.
    • Bright f/1.4 design.
    • Minimal distortion.
    • Breathing optimized for video.
    • Weather protection and fluorine coat.
    • Available for multiple systems.
  • • Visible vignette at wide aperture.
    • Pricier than some other Sigma Art lenses.

  Bottom Line:

  Bottom Line:

  The Sigma 28mm F1.4 DG HSM Art has the f/1.4 aperture photographers want and captures sharp, lifelike images, but it isn't as strong a value as some other lenses in the Art series.

  Specs & Configurations

  Dimensions	4.2 x 3.3 inches
  Full-Frame Equivalent (Wide)	28
  Mount	Canon EF
  Mount	Leica L
  Mount	Nikon F
  Mount	Sigma SA
  Mount	Sony E
  Optical Stabilization	None
  Weight	1.9

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• Canon EF 35mm f/2 IS USM

  4.0 Excellent

  Pros & Cons

  • • Captures crisp images.
    • Optically stabilized.
    • Nominal distortion.
    • Compact.
  • • Dim corners at wide aperture.
    • Hood is not included.

  Bottom Line:

  Bottom Line:

  Canon photographers in need of a wide-angle prime lens should take a look at the EF 35mm f/2 IS USM—it's sharp, compact, and optically stabilized.

  Specs & Configurations

  35mm Equivalent (Wide)	35
  Dimensions	2.5 by 3.1 inches
  Lens Mount	Canon EF
  Stabilization	Optical
  Type	Lens
  Weight	11.8

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• Wide Angle

  Tamron SP 35mm f/1.4 Di USD

  4.0 Excellent

  Pros & Cons

  • • Exceptional resolution.
    • Bright aperture.
    • Available for Canon and Nikon SLRs.
    • Mirrorless compatibility with adapter.
    • Splash
    • resistance and fluorine protection.
  • • Vignette at wide apertures.
    • Not stabilized.

  Bottom Line:

  Bottom Line:

  The Tamron SP 35mm f/1.4 Di USD lens delivers exceptional image quality at a reasonable price, making it a better buy than first-party options.

  Specs & Configurations

  Dimensions	4.1 x 3.2 inches
  Full-Frame Equivalent (Wide)	35
  Mount	Canon EF
  Mount	Nikon F
  Optical Stabilization	None
  Weight	1.8

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• Sigma 35mm F1.4 DG HSM

  4.5 Outstanding

  Pros & Cons

  • • Very sharp.
    • Wide aperture.
    • Attractive price.
    • Available for multiple camera systems.
    • Solid build quality.
    • Eligible for mount conversion.
  • • Heavy vignette effect.
    • Omits image stabilization.
    • Not the best option for ultra-high-resolution cameras.

  Bottom Line:

  Bottom Line:

  The Sigma 35mm F1.4 DG HSM Art captures crisp images, opens up to f/1.4, and undercuts competing lenses on price.

  Specs & Configurations

  Type

  Lens

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• Canon EF 35mm f/1.4L II USM

  4.5 Outstanding

  Pros & Cons

  • • Extremely sharp.
    • BR Optics eliminate color fringing.
    • Close focus for 1:4.8 magnification.
    • Wide aperture.
    • Excellent build quality.
  • • Noticeable vignette at wide apertures.
    • Expensive.
    • Omits stabilization.

  Bottom Line:

  Bottom Line:

  The Canon EF 35mm f/1.4L II USM is an exceptionally sharp wide-angle prime lens that excels for low-light and shallow depth of field photography.

  Specs & Configurations

  35mm Equivalent (Wide)	35
  Dimensions	3.2 by 4.2 inches
  Lens Mount	Canon EF
  Stabilization	None
  Type	Lens
  Weight	1.7

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• Tamron SP 35mm F/1.8 Di VC USD

  4.5 Outstanding

  Pros & Cons

  • • Quite sharp.
    • Minimal distortion.
    • Wide aperture.
    • Optically stabilized design.
    • Very close focus capability.
    • Weather-sealed.
    • Available for Canon, Nikon, and Sony SLRs.
  • • Edge performance lags behind center at wide apertures.
    • Heavy for its size.

  Bottom Line:

  Bottom Line:

  The Tamron SP 35mm f/1.8 Di VC USD wide-angle prime lens sets itself apart from the crowd with its macro capability and image stabilization system.

  Specs & Configurations

  35mm Equivalent (Telephoto)	N/A mm
  35mm Equivalent (Wide)	35
  Dimensions	3.2 by 3.2 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sony A
  Optical Zoom	None x
  Stabilization	Optical
  Type	Lens
  Weight	16.9

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• Wide Angle

  Sigma 40mm F1.4 DG HSM Art

  4.0 Excellent

  Pros & Cons

  • • Excellent resolution.
    • Bright f/1.4 aperture.
    • Minimal focus breathing.
    • All-weather build.
    • Fluorine coating.
    • Available for multiple camera systems.
  • • Pricey.
    • Heavy.
    • Some barrel distortion and vignette.
    • Doesn't focus as close as some others.
    • No stabilization.

  Bottom Line:

  Bottom Line:

  The Sigma 40mm F1.4 DG HSM Art lens features a cinema-first design that will appeal to videographers, but photographers may want to opt for a lighter alternative.

  Specs & Configurations

  Dimensions	5.2 by 3.5 inches
  Full-Frame Equivalent (Wide)	40
  Mount	Canon EF
  Mount	Leica L
  Mount	Nikon F
  Mount	Sigma SA
  Mount	Sony E
  Optical Stabilization	None
  Weight	2.6

  Get It Now

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• Tamron SP 45mm F/1.8 Di VC USD

  4.0 Excellent

  Pros & Cons

  • • Very sharp.
    • Minimal distortion.
    • Wide maximum aperture.
    • Optically stabilized.
    • Good close focus capability.
    • Weather-sealed design.
    • Available for Canon, Nikon, and Sony SLRs.
  • • Shows color fringing.
    • Edge performance isn't as strong as center.
    • Heavy for its size.

  Bottom Line:

  Bottom Line:

  The Tamron SP 45mm f/1.8 Di VC USD is a sharp, stabilized standard-angle lens, but color fringing can be an issue at wide apertures.

  Specs & Configurations

  35mm Equivalent (Wide)	45
  Dimensions	3.6 by 3.2 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sony A
  Stabilization	Optical
  Type	Lens
  Weight	1.2

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• Sigma 50mm F1.4 DG HSM

  4.5 Outstanding

  Pros & Cons

  • • Incredibly sharp.
    • Minimal distortion.
    • 15.7-inch close focus.
    • Available for several camera systems.
  • • Big.
    • Depth of field scale isn't that useful.
    • No optical stabilization.
    • A little pricey.
    • Dim corners at wide apertures.

  Bottom Line:

  Bottom Line:

  The Sigma 50mm F1.4 DG HSM doesn't quite achieve the optical perfection of the $4,000 Zeiss Otus, but it gets close at a quarter of the price.

  Specs & Configurations

  35mm Equivalent (Telephoto)	N/A mm
  35mm Equivalent (Wide)	50
  Dimensions	3.9 by 3.4 inches
  Lens Mount	Canon EOS
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Lens Mount	Sony A
  Optical Zoom	None x
  Stabilization	None
  Type	Lens
  Weight	1.85

  Get It Now

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• Canon EF 50mm f/1.8 STM

  3.5 Good

  Pros & Cons

  • • Sharp at f/1.8.
    • Lightweight.
    • Silent, smooth video focus.
    • Very affordable.
  • • Modest barrel distortion.
    • Slower focus.
    • Can flare.
    • Some fall-off at wide aperture.
    • Omits stabilization.
    • Narrower field of view on APS-C cameras.
    • Hood not included.

  Bottom Line:

  Bottom Line:

  The Canon EF 50mm f/1.8 STM is the company's least expensive lens. It's an excellent value, even if it does have some flaws.

  Specs & Configurations

  35mm Equivalent (Wide)	50
  Dimensions	1.6 by 2.7 inches
  Lens Mount	Canon EF
  Stabilization	None
  Type	Lens
  Weight	5.7

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• Zeiss Milvus 2.8/21

  4.0 Excellent

  Pros & Cons

  • • Sharp.
    • Wide-angle field of view.
    • Minimal distortion.
    • Resistant to dust and splashes.
    • Excellent build quality.
    • Available for Canon and Nikon SLRs.
  • • Dim corners, even when stopped down.
    • Manual focus isn't for everyone.
    • Expensive.

  Bottom Line:

  Bottom Line:

  The Zeiss Milvus 2.8/21 is a gem of a wide-angle lens, combining crisp optics with minimal distortion in a solid, manual focus design.

  Specs & Configurations

  35mm Equivalent (Wide)	21
  Dimensions	3.8 by 3.6 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Stabilization	None
  Type	Lens
  Weight	1.6

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• Low Light

  Canon EF 85mm f/1.4L IS USM

  4.0 Excellent

  Pros & Cons

  • • Very sharp.
    • Optical stabilization.
    • Dust and splash resistant.
    • Fluorine lens coat.
    • Relatively light and compact.
  • • Pricey.
    • Dim corners at wide apertures.

  Bottom Line:

  Bottom Line:

  The Canon EF 85mm f/1.4L IS USM is a sharp lens with a sturdy build, a bright design, and an angle of view that's ideal for portraiture.

  Specs & Configurations

  Dimensions	4.2 by 3.5 inches
  Full-Frame Equivalent (Wide)	85
  Mount	Canon EF
  Optical Stabilization	Optical
  Weight	2.1

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• Canon EF 85mm f/1.2L II USM

  4.5 Outstanding

  Pros & Cons

  • • Insane light-gathering capability.
    • Capable of very shallow depth of field.
    • Superb center sharpness.
  • • Focus-by-wire design.
    • No stabilization.
    • Big.
    • Expensive.

  Bottom Line:

  Bottom Line:

  The Canon EF 85mm f/1.2L II USM is a specialty lens, perfect for portraits with a very shallow depth of field. Its unique view of the world earns it our Editors' Choice award.

  Specs & Configurations

  Type

  Lens

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• Sigma 85mm F1.4 DG HSM Art

  4.5 Outstanding

  Pros & Cons

  • • Extremely sharp.
    • Bright f/1.4 aperture.
    • No distortion.
    • Even illumination.
    • Available for multiple systems.
  • • Big and heavy.
    • Omits image stabilization.
    • Focus may require adjustment.

  Bottom Line:

  Bottom Line:

  The Sigma 85mm F1.4 DG HSM Art is a big prime lens with a bright f/1.4 design, a focal length perfect for portraiture, and exceptional image quality.

  Specs & Configurations

  35mm Equivalent (Wide)	85
  Dimensions	5 by 3.7 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sigma SA
  Stabilization	None
  Type	Lens
  Weight	2.5

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• Tamron SP 85mm f/1.8 Di VC USD

  4.5 Outstanding

  Pros & Cons

  • • Extremely sharp.
    • Minimal distortion.
    • Wide aperture.
    • Optical stabilization system.
    • Available for multiple camera systems.
    • Full-frame coverage.
  • • Dim corners at wide apertures.
    • Pricey.

  Bottom Line:

  Bottom Line:

  The Tamron SP 85mm f/1.8 Di VC USD is an incredibly sharp prime lens in a classic portrait focal length,featuring an image stabilization system that sets it apart from the competition.

  Specs & Configurations

  35mm Equivalent (Wide)	85
  Dimensions	3.3 by 3.5 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sony A
  Stabilization	Optical
  Type	Lens
  Weight	1.5

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• Low Light

  Sigma 105mm F1.4 DG HSM Art

  4.5 Outstanding

  Pros & Cons

  • • Bright f/1.4 aperture.
    • Razor sharp optics.
    • No distortion.
    • Dust and moisture protection.
    • Available for multiple systems.
  • • Omits image stabilization.
    • Visible vignette at f/1.4 and f/2.
    • Big and heavy.

  Bottom Line:

  Bottom Line:

  Sigma calls its 105mm F1.4 DG HSM Art lens the Bokeh Master, and it's an apt nickname—it blurs backgrounds like a champ.

  Specs & Configurations

  Dimensions	5.2 by 4.6 inches
  Full-Frame Equivalent (Wide)	105
  Mount	Canon EF
  Mount	Nikon F
  Mount	Sigma SA
  Mount	Sony E
  Optical Stabilization	None
  Weight	3.6

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• Sigma 135mm F1.8 DG HSM Art

  4.5 Outstanding

  Pros & Cons

  • • Razor sharp.
    • Wide aperture.
    • No distortion.
    • Minimal falloff.
    • Dust- and splash-proof design.
    • Focus limiter switch.
    • Available for Canon, Nikon, and Sigma systems.
  • • Quite heavy.
    • Expensive.
    • Omits optical stabilization.
    • May require focus adjustment.

  Bottom Line:

  Bottom Line:

  The Sigma 135mm F1.8 DG HSM Art is a lens that portrait photographers will adore: It blurs backgrounds with aplomb and is one of the sharpest we've ever tested.

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• Canon EF 135mm f/2L USM

  4.0 Excellent

  Pros & Cons

  • • Quite sharp.
    • Minimal distortion.
    • Wide aperture.
  • • Lacks optical stabilization.

  Bottom Line:

  Bottom Line:

  The Canon EF 135mm f/2L USM is a classic portrait lens with sharp optics and an impressive aperture, but it's not optically stabilized.

  Specs & Configurations

  Type

  Lens

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• Canon EF 200mm f/2L IS USM

  4.5 Outstanding

  Pros & Cons

  • • Incredibly sharp from edge-to-edge.
    • Wide aperture.
    • Supports drop-in filters.
    • Optically stabilized.
    • Built-in tripod collar.
  • • Very expensive.
    • Limited close focus ability.
    • Heavy.

  Bottom Line:

  Bottom Line:

  The Canon EF 200mm f/2L IS USM is an ultra-sharp telephoto lens with an ambitious aperture. It's absurdly expensive, but also a top-performing optic.

  Specs & Configurations

  Type

  Lens

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• Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD

  4.5 Outstanding

  Pros & Cons

  • • Extremely sharp.
    • No distortion.
    • 1:1 macro magnification.
    • Optically stabilized.
    • Available for multiple camera systems.
  • • Dim corners at wide apertures.

  Bottom Line:

  Bottom Line:

  The Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD is a fast-focusing, impeccably sharp macro lens for Canon, Nikon, and Sony SLRs.

  Specs & Configurations

  35mm Equivalent (Telephoto)	N/A mm
  35mm Equivalent (Wide)	90
  Dimensions	4.5 by 3.1 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sony A
  Optical Zoom	None x
  Stabilization	Optical
  Type	Lens
  Weight	1.3

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• Macro

  Sigma 70mm F2.8 DG Macro Art

  4.0 Excellent

  Pros & Cons

  • • Excellent resolution.
    • 1:1 macro magnification.
    • Minimal distortion.
    • Compact.
    • Affordable.
    • Available for multiple camera systems.
  • • Physically extends to focus, slowing performance.
    • Omits optical stabilization.
    • Not available in Nikon mount.

  Bottom Line:

  Bottom Line:

  The Sigma 70mm F2.8 DG Macro Art is a small, light 1:1 macro lens with sharp optics, but slow autofocus.

  Specs & Configurations

  Dimensions	4.2 by 2.8 inches
  Full-Frame Equivalent (Wide)	70
  Mount	Canon EF
  Mount	Sigma SA
  Mount	Sony E
  Optical Stabilization	None
  Weight	1.1

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• Sigma APO Macro 180mm F2.8 EX DG OS HSM

  4.0 Excellent

  Pros & Cons

  • • Extremely sharp.
    • Minimal distortion.
    • Optically stabilized.
    • 1:1 magnification.
    • Includes lens hood, protective case, and tripod collar.
    • Full-frame coverage.
  • • Big.
    • Heavy.
    • Expensive.

  Bottom Line:

  Bottom Line:

  The Sigma APO Macro 180mm F2.8 EX DG OS HSM is an extremely sharp macro lens. It's expensive, but its performance earns it our Editors' Choice award.

  Specs & Configurations

  Type

  Lens

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• Zeiss Milvus 2/50M

  4.0 Excellent

  Pros & Cons

  • • Very sharp, even at f/2.
    • Superb all-metal build.
    • Protected from dust and splashes.
    • 1:2 macro magnification.
    • Available for Canon and Nikon SLRs.
  • • Shows some barrel distortion.
    • Edges lag behind center in crispness.
    • Dim corners at wide apertures.
    • Manual focus isn't for everyone.
    • Pricey.

  Bottom Line:

  Bottom Line:

  The Zeiss Milvus 2/50M is a fast, compact macro lens with exceptional sharpness and a purely mechanical, manual focus design.

  Specs & Configurations

  35mm Equivalent (Wide)	50
  Dimensions	3.2 by 2.9 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Stabilization	None
  Type	Lens
  Weight	1.5

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• Zeiss Milvus 2/100M

  4.5 Outstanding

  Pros & Cons

  • • Sharp from edge to edge.
    • Minimal distortion.
    • Wide aperture design.
    • Resistant to dust and splashes.
    • Superb build.
    • Available for Canon and Nikon SLRs.
  • • Dim corners at f/2.
    • Magnification limited to 1:2.
    • Manual focus isn't for everyone.
    • Expensive.

  Bottom Line:

  Bottom Line:

  The Zeiss Milvus 2/100M is a unique f/2 macro lens that's capable of capturing incredibly sharp images.

  Specs & Configurations

  35mm Equivalent (Wide)	100
  Dimensions	3.2 by 4.1 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Stabilization	None
  Type	Lens
  Weight	1.8

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• Samyang 100mm F2.8 ED UMC Full Frame Telephoto Macro

  4.0 Excellent

  Pros & Cons

  • • Quite sharp when stopped down.
    • 1:1 magnification.
    • Internal focus design.
    • Compact.
    • Available for multiple systems.
    • Long focus throw.
    • Attractive price point.
  • • Some edge softness at wide apertures.
    • Manual focus design is not for everyone.
    • Omits optical stabilization.

  Bottom Line:

  Bottom Line:

  The Samyang 100mm F2.8 ED UMC Macro is a fine lens for macro shooters who prefer manual focus, but you'll have to give up optical stabilization.

  Specs & Configurations

  35mm Equivalent (Wide)	100
  Dimensions	4.8 by 2.9 inches
  Lens Mount	Canon EF
  Lens Mount	Canon EF-M
  Lens Mount	Four Thirds
  Lens Mount	Fujifilm X
  Lens Mount	Micro Four Thirds
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Samsung NX
  Lens Mount	Sony A
  Lens Mount	Sony E
  Stabilization	None
  Type	Lens
  Weight	1.6

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• Special Effects

  Lensbaby Composer Pro II

  4.0 Excellent

  Pros & Cons

  • • Ball-and-socket tilt mechanism.
    • Lockable design.
    • Expands creative options.
    • Compatible with Optic Swap system.
    • Available for multiple camera systems.
  • • Pricey.

  Bottom Line:

  Bottom Line:

  Lensbaby's Composer Pro II lens features a better build than the original and can be bought along with your choice of lens.

  Specs & Configurations

  35mm Equivalent (Telephoto)	N/A mm
  35mm Equivalent (Wide)	50
  Dimensions	3.3 by 2.5 inches
  Lens Mount	Canon EF
  Lens Mount	Fujifilm X
  Lens Mount	Micro Four Thirds
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Samsung NX
  Lens Mount	Sony A
  Lens Mount	Sony E
  Optical Zoom	None x
  Stabilization	None
  Type	Lens
  Weight	10

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• Lensbaby Twist 60

  4.0 Excellent

  Pros & Cons

  • • Compact.
    • Petzval optical design.
    • Sharp at center of frame.
    • Inexpensive.
    • Lensbaby Optic Swap system support.
    • Available for multiple camera systems.
  • • Signature look and manual focus design aren't for everyone.
    • Effect is lessened on APS-C cameras.

  Bottom Line:

  Bottom Line:

  The Lensbaby Twist 60 is the least expensive Petzval lens out there, but it doesn't swirl backgrounds with the same extreme effect as others.

  Specs & Configurations

  35mm Equivalent (Wide)	60
  Dimensions	2.5 by 2.2 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Sony E
  Stabilization	None
  Type	Lens
  Weight	7

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• Lomography Petzval 58 Bokeh Control

  4.0 Excellent

  Pros & Cons

  • • Throwback optical design.
    • Bokeh control system.
    • Metal construction.
    • Available for Canon and Nikon SLRs.
  • • Expensive.
    • Manual focus isn't for everyone.
    • Aperture plates fit loosely.

  Bottom Line:

  Bottom Line:

  The Lomography New Petzval 58 Bokeh Control lens is the second in a series based on an optical design from the 1840s. It adds a very modern twist—the ability to control just how extreme the swirled background behind your subject looks.

  Specs & Configurations

  35mm Equivalent (Wide)	58
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Stabilization	None
  Type	Lens

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• Portraiture

  Lomography Neptune Convertible Art Lens System

  3.0 Average

  Pros & Cons

  • • Includes three lenses and macro reversing ring.
    • Strong optical quality.
    • Special aperture effect plates.
    • Available for multiple camera systems.
  • • Questionable ergonomics.
    • Lenses not available a la carte.

  Bottom Line:

  Bottom Line:

  The Lomography Neptune Convertible Art Lens System includes a trio of modular SLR lenses, but it could use some ergonomic improvements.

  Specs & Configurations

  Mount	Canon EF
  Mount	Fujifilm X
  Mount	Micro Four Thirds
  Mount	Nikon F
  Mount	Pentax K
  Mount	Sony E
  Optical Stabilization	None

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• Wide Angle

  Lomography Naiad 15mm Neptune System Front Lens

  3.5 Good

  Pros & Cons

  • • Ultra-wide field of view.
    • Full-frame coverage.
    • Extreme close focus.
    • Includes filter holder.
  • • Noticeable barrel distortion.
    • Some color fringing visible.

  Bottom Line:

  Bottom Line:

  The Lomography Naiad 15mm is an ultra-wide lens for the Neptune lens system. It suffers from some distortion, but is an overall strong performer.

  Specs & Configurations

  Dimensions	3.5 by 4.5 inches
  Full-Frame Equivalent (Wide)	15
  Mount	Canon EF
  Mount	Fujifilm X
  Mount	Micro Four Thirds
  Mount	Nikon F
  Mount	Pentax K
  Mount	Sony E
  Optical Stabilization	None

  Learn More Lomography Naiad 15mm Neptune System Front Lens Review
• Special Effects

  Lensbaby Sol 45

  4.0 Excellent

  Pros & Cons

  • • Sweet spot Lensbaby effect.
    • Tilt adjusts sharp area of photo.
    • Bokeh Blades add texture to backgrounds.
    • Compact, lightweight design.
    • Compatible with multiple camera systems.
  • • Focus ring is a little narrow.
    • Bokeh Blades effect reduced when capturing distant subjects.

  Bottom Line:

  Bottom Line:

  The Lensbaby Sol 45 is an affordable art lens that draws images with a small, sharp area of focus, surrounded by blur, with adjustable blades to add texture.

  Specs & Configurations

  Dimensions	1.5 by 2.9 inches
  Full-Frame Equivalent (Wide)	45
  Mount	Canon EF
  Mount	Fujifilm X
  Mount	Nikon F
  Mount	Pentax K
  Mount	Sony A
  Mount	Sony E
  Optical Stabilization	None
  Weight	5.3

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• Lensbaby Velvet 56

  4.0 Excellent

  Pros & Cons

  • • Unique design.
    • Wide aperture.
    • 1:2 macro magnification.
    • Available for multiple systems.
  • • Dims viewfinder at narrow apertures.
    • Soft focus look not for everyone.
    • Manual focus only.

  Bottom Line:

  Bottom Line:

  The Lensbaby Velvet 56 is a macro lens that delivers a soft focus look when shot at wide apertures, but sharpens when stopped down. Its one-of-a-kind design earns it Editors' Choice honors.

  Specs & Configurations

  35mm Equivalent (Wide)	56
  Dimensions	3.4 by 2.8 inches
  Lens Mount	Canon EF
  Lens Mount	Fujifilm X
  Lens Mount	Micro Four Thirds
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Samsung NX
  Lens Mount	Sony A
  Lens Mount	Sony E
  Stabilization	None
  Type	Lens
  Weight	14.1

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• Best for Soft Focus Macro

  Lensbaby Velvet 28

  3.5 Good

  Pros & Cons

  • • Wide angle of view
    • Full-frame sensor coverage
    • 1:2 macro focus
    • Sturdy, all-metal build
    • Available for multiple systems
  • • Manual focus isn't for everyone
    • Soft focus effect disappears at narrower f-stops

  Bottom Line:

  Bottom Line:

  The Lensbaby Velvet 28 lens has a distinctive soft focus look for ethereal environmental images and macro shots.

  Specs & Configurations

  Dimensions	3.3 by 3.0 inches
  Filter Thread	67
  Focal Length (Wide)	28
  Focus Type	Manual
  Mount	Canon EF
  Mount	Canon RF
  Mount	Fujifilm X
  Mount	Micro Four Thirds
  Mount	Nikon F
  Mount	Nikon Z
  Mount	Sony E
  Optical Stabilization	None
  Weight	1.3

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• Lensbaby Velvet 85

  4.0 Excellent

  Pros & Cons

  • • 1:2 macro lens with soft focus design.
    • Crisp center when stopped down.
    • Classic focal length for portraiture.
    • High-quality all-metal build.
    • Available for multiple camera systems.
  • • Omits autofocus and stabilization.
    • Uncoupled aperture.
    • Heavy.
    • Soft focus is an acquired taste.

  Bottom Line:

  Bottom Line:

  The Lensbaby Velvet 85 is an old-school manual lens with a soft focus look that's lovely for portraits and macro shots, but isn't for everyone.

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• Samyang T-S 24mm F/3.5 ED AS UMC Tilt / Shift

  4.0 Excellent

  Pros & Cons

  • • Wide-angle field of view.
    • Full-frame coverage.
    • Very affordable.
    • Shift, tilt, and rotation adjustment.
  • • Some barrel distortion.
    • Should be stopped down for best image quality.
    • Flare can be an issue.

  Bottom Line:

  Bottom Line:

  The Samyang T-S 24mm F3.5 ED AS UMC is an affordable tilt-shift lens that's available in several mounts. It's an excellent value when compared with others of its type.

  Specs & Configurations

  35mm Equivalent (Telephoto)	N/A mm
  35mm Equivalent (Wide)	24
  Dimensions	4.4 by 3.4 inches
  Lens Mount	Canon EF
  Lens Mount	Nikon F
  Lens Mount	Pentax K
  Lens Mount	Sony A
  Optical Zoom	None x
  Stabilization	None
  Type	Lens
  Weight	1.5

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• Architecture

  Canon TS-E 135mm f/4L Macro

  4.0 Excellent

  Pros & Cons

  • • Sharp.
    • Tilt, shift, and rotation adjustments.
    • No distortion.
    • Very little vignette.
    • 1:2 macro magnification.
  • • Manual focus isn't for everyone.
    • Extreme shift detracts from image quality.

  Bottom Line:

  Bottom Line:

  The Canon TS-E 135mm f/4L Macro is a fantastic lens for product, technical, and fine art photography.

  Specs & Configurations

  Dimensions	3.5 by 5.5 inches
  Full-Frame Equivalent (Wide)	135
  Mount	Canon EF
  Optical Stabilization	None
  Weight	2.4

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• Best for On and Off Camera Flash

  Godox V1

  4.0 Excellent

  Pros & Cons

  • • TTL support for multiple systems
    • Round flash head
    • Articulating head for indirect illumination
    • Rechargeable battery
    • Works on camera and off (with transmitter)
    • 1/8000-second High Speed Sync
    • Upgradeable firmware
  • • Charger doesn't work with all USB-C cables
    • Wireless transmitter sold separately
    • Less than pro-grade fit and finish

  Bottom Line:

  Bottom Line:

  The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.

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• Canon Speedlite 90EX

  3.5 Good

  Pros & Cons

  • • Compact.
    • Inexpensive.
    • 24mm wide-angle coverage.
  • • No tilt or bounce.
    • Slow recycle time.
    • Inconsistent output depending on camera settings.

  Bottom Line:

  Bottom Line:

  The Canon Speedlite 90EX is an impressively compact flash. It pairs well with the compact EOS M, but can be used with any Canon camera that supports Speedlites.

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• Perfectly Sized for Travel

  Flashpoint Xplor 100 Pro TTL R2

  4.0 Excellent

  Pros & Cons

  • • Light and compact
    • Long-lasting battery
    • Wireless TTL for popular systems
    • Snap-on magnetic modifiers
    • Works with Flashpoint R2 and Godox X
  • • Wireless transmitter sold separately
    • Small, bright modeling lamp

  Bottom Line:

  Bottom Line:

  The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.

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• Peak Design Travel Tripod (Carbon Fiber)

  4.5 Outstanding

  Pros & Cons

  • • Fits inside many bags when folded
    • Innovative industrial design
    • Arca-style quick release
    • Onboard storage for hex key and smartphone clip
    • Reversible center column for low-angle shots
  • • Unusual ball head design may turn some off
    • Carbon fiber version priced at a premium
    • Included quick release plate requires hex key

  Bottom Line:

  Bottom Line:

  The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.

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