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Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS

 & Jim Fisher Principal Writer, Cameras

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Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS - Digital Cameras
4.0 Excellent

The Bottom Line

The Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS lens boasts a long 10x zoom range with surprisingly few compromises in optical quality.

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Pros & Cons

    • Optically stabilized.
    • 10x zoom range.
    • Very little distortion.
    • Good center sharpness through range.
    • Quiet, snappy focus motor.
    • Some edge and telephoto sharpness issues.
    • Pricey.

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS Specs

35mm Equivalent (Telephoto) 280 mm
35mm Equivalent (Wide) 28
Dimensions 3 by 2.6" inches
Lens Mount Micro Four Thirds
Optical Zoom 10 x
Stabilization In-Lens
Type Lens
Weight 9.4

The Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS ($699.99) features an ambitious 10x zoom range, but doesn't suffer from the extreme distortion issues that often plague similar designs. It is compatible with Micro Four Thirds cameras, and offers integrated optical stabilization. The stepping motor delivers quick, silent focus that can adjust a 240fps rate, which makes it an ideal choice for the video-centric cameras produced by Panasonic. Olympus shooters can disable the stabilization via a toggle switch and take advantage of the 5-axis in-body stabilization found in its E-M5($499.00 at Amazon) and E-M1($799.95 at Amazon) cameras.

Due to the size of the Micro Four Thirds sensor, the lens( at Amazon) acts like a 28-280mm in full-frame terms. It's a good wide-angle to telephoto range, making the lens an appealing option for traveling light or for outdoor use when you don't want to worry about changing lenses in the field. Its small size and weight (3 by 2.6 inches, 9.4 ounces) balances with compact Micro Four Thirds cameras, although it may be a bit big if you pair it with a body as small as the Panasonic GM1($660.00 at Amazon).

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS : Sample Image (Wide Angle)

It accepts 58mm front filters and ships with a reversible hood. It can focus to about a foot, which gives it a decent 1:4 magnification rating when zoomed all the way to 240mm. At that working distance you'll be able to create a shallow depth of field in shots if desired, despite the rather modest f/5.6 aperture. The build is solid; the zoom ring sits close to the base of the lens and has a textured finish and smooth operation. There's a manual focus ring directly in front of it; the focus ring is on the skinny side, but quite useable.

I used Imatest to check the sharpness of the 14-140mm when paired with the Panasonic Lumix DMC-GF6( at Amazon). At 14mm f/3.5 it exceeds the 1,800 lines per picture height we use to deem an image sharp, scoring 2,028 lines on a center-weighted test. That sharpness holds up at all but the very outer edges of the frame, where it drops off sharply to 1,213 lines. This is the only focal length at which distortion is an issue; there's 1.6 percent barrel distortion in photos, which will cause straight lines to render with a slight outward curve. This can be corrected using software, but will result in a slightly narrower field of view. The similar Olympus M.Zuiko ED 14-150mm f4.0-5.6($299.99 at Amazon) is a little sharper at 14mm (2,240 lines), but it shows more distortion (2.2 percent).

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS : Sample Image (Telephoto)

Zooming to 25mm eliminates the distortion, without hurting sharpness. It scores 2,046 lines at the maximum f/4.2 aperture that it manages there, with outer edges that are quite good at 1,808 lines. Stopping down to f/5.6 bumps the center-weighted score to 2,240 lines with edges that record more than 1,900 lines. At 46mm aperture narrows to f/4.9 and sharpness holds up (1,853 lines). The very outer edges soften here to 1,546 lines, but stopping down just a bit to f/5.6 improves performance (2,014 lines center-weighted, 1,677 lines at the edges), and at f/8 the lens is sharp from edge to edge.

Image quality starts to drop off a bit around 100mm. At 97mm f/5.4 its center-weighted score is 1,739 lines, and the performance dips to 1,584 lines as you move to the halfway point between the center and edges, and 1,389 lines at the outer edges. Stopping down to f/8 isn't a bad idea here, as it bumps the center-weighted score to 2,176 lines with edges that are quite good on their own—1,814 lines. At the maximum 140mm f/5.6 length the performance is just about the same as it was at 97mm f/5.4, but it tops 2,000 lines when set at f/8.

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS : Sample Image

The Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS is one of the better all-in-one zoom lenses we've seen for any camera system. It keeps distortion under control, and while it shows some of the edge performance issues that many zooms do, image quality is acceptable throughout the range. The Olympus 14-150mm is a little less expensive and sharper, but it lacks in-lens stabilization and isn't quite as quick to focus. If you've got a Panasonic camera without in-body stabilization you'll benefit greatly from optical stabilization, especially at longer focal lengths, and Olympus shooters may find that this long zoom is a better choice due to its quick, silent focus motor and slightly wider aperture at 14mm.

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Final Thoughts

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS - Digital Cameras

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS Review

4.0 Excellent

The Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH. Power OIS lens boasts a long 10x zoom range with surprisingly few compromises in optical quality.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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