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Fujifilm Fujinon XF 23mm F2 R WR Review

 & Jim Fisher Principal Writer, Cameras

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Fujifilm Fujinon XF 23mm F2 R WR Review - Lenses
4.5 Outstanding

The Bottom Line

The Fujifilm Fujinon XF 23mm F2 R WR is an extremely crisp, compact lens for X mirrorless cameras. It's a fine choice for any photographer looking for a weather-sealed wide-angle prime.
Best Deal£370

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£370

Pros & Cons

    • Very compact.
    • Crisp optics.
    • Minimal distortion.
    • Even illumination.
    • Weather-sealed design.
    • Physical aperture control.
    • Affordable.
    • Omits optical stabilization.
    • No focus clutch.

Fujifilm Fujinon XF 23mm F2 R WR Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 35
Dimensions 2.4 by 2 inches
Lens Mount Fujifilm X
Optical Zoom None x
Stabilization None
Type Lens
Weight 6.4

The Fujinon XF 23mm F2 R WR ($449) is the second in Fujifilm's new line of compact, weather-sealed f/2 prime lenses for its X mirrorless camera system. It's an excellent performer, delivering crisp images from edge to to edge, in a package that matches well with the company's premium cameras. It only captures half the light as the larger, premium XF 23mm F1.4 R ($799.00 at Amazon) at its maximum aperture, but it also comes in at half the price. If you don't lust after the more extreme depth of field control offered at f/1.4, the XF 23mm F2 R is an excellent optic, and one that's worthy of being called Editors' Choice.

Design

The XF 23mm F2 ($449.00 at Amazon) measures just 2.4 by 2.0 inches (HD), weighs a scant 6.4 ounces, and supports 43mm filters. The XF 23mm F1.4 is a larger, heavier optic, coming in at 2.8 by 2.5 inches and weighing 10.6 ounces. Neither 23mm lens has image stabilization, a feature that Fujifilm has, to date, reserved for zoom lenses.

Fujifilm Fujinon XF 23mm F2 R WR : Sample Image

The F2 lens is available in your choice of black or silver, and includes a small lens hood. The hood is plastic, in contrast with the metal barrel, and attaches or detaches quickly via bayonet. It's a big improvement over the screw-in hood used by the XF 35mm F2 R WR ($399.00 at Amazon) , which is a pain for photographers who change lens filters in the field.

Internal seals and a rubber gasket around the mount make the XF 23mm an all-weather lens—the F1.4 version isn't. Owners of the sealed X-T1, X-Pro2, and X-T2 who don't mind shooting in rain or snow will appreciate that.

Fujifilm Fujinon XF 23mm F2 R WR : Sample Image

The Fujifilm X system uses the APS-C image sensor size, which means the XF 23mm captures a field of view that's just about equal to a 35mm lens mounted to a full-frame camera. It's a popular focal length, a little wider than a standard angle, ideal for group portraits, candid shots in tight spaces, and urban landscapes.

The XF 23mm features a physical aperture control ring, adjustable from f/2 through f/16 in third-stop increments. It also has an A position to transfer aperture control to the camera body. The manual focus experience is a little disappointing. The knurled metal focus ring is comfortable, but offers no real tactile feedback. You can turn it to adjust the internal focus motor, but several full rotations are required to move from the minimum focus distance to infinity. This is in contrast with the XF 23mm F1.4—it still uses an electronic focus system, but has a mechanical focus clutch with hard stops at the minimum focus distance and infinity for a more traditional manual focus experience. Of course, if you're an autofocus fan, this isn't a concern—the autofocus motor is quite fast.

Fujifilm Fujinon XF 23mm F2 R WR : Sample Image

The lens locks focus as close as 8.7 inches (0.22-meter). That's not macro territory—at best it projects objects onto the sensor at 1:7.7 life-size—but it's a good working distance for most types of photography. You'll be able to get close enough to subjects to blur backgrounds if desired. If you prefer to hone in on tiny details, consider the XF 60mm Macro ($649.00 at Amazon) or Zeiss Touit 2.8/50M ($700.00 at Amazon) instead.

Image Quality

I tested the XF 23mm with the 24MP X-T2. It delivers excellent numbers on Imatest's standard center-weighted sharpness test, notching 2,822 lines per picture height at f/2. Image fidelity is almost dead even from edge to edge, with the outer third of the frame lagging behind the average by only about 100 lines. The score is a strong one for a 24MP camera, well exceeding the 1,800 lines we want to see at a bare minimum.

Fujifilm Fujinon XF 23mm F2 R WR : Sample Image

Image quality holds steady at f/2.8, with a slight improvement at f/4 (3,104 lines) and another at f/8 (3,205 lines). Peak resolution is achieved at f/11 (3,236 lines), with only a modest drop at f/16 (2,825 lines). You should feel comfortable using the lens at any f-stop.

Barrel distortion is absolutely nominal in field conditions, with the XF 23mm showing just 0.5 percent in the lab. Likewise, illumination is almost as strong at the edges of the frame as it is in the center, even at f/2. You do get some dimness at the extreme corners there, but only a difference of 1.3 stops (-1.3EV). It's cut to -1EV at f/2.8 and is within a half-stop at narrower settings. We consider any deficit less than 1EV to be negligible.

Fujifilm Fujinon XF 23mm F2 R WR : Sample Image

Conclusions

The Fujinon XF 23mm F2 R WR is another strong, well-designed lens from Fujifilm. It's compact, features very crisp optics, and is sealed against dust and moisture. It doesn't offer the same level of depth of field control or light-gathering capability as its larger sibling, the XF 23mm F1.4, nor does it provide as pleasant a manual focus experience. But it comes in at half the price, and can still deliver a good bit of background blur. Superb optics and an attractive price make it an Editors' Choice.

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Further Reading

Final Thoughts

Fujifilm Fujinon XF 23mm F2 R WR Review - Lenses

Fujifilm Fujinon XF 23mm F2 R WR Review

4.5 Outstanding

The Fujifilm Fujinon XF 23mm F2 R WR is an extremely crisp, compact lens for X mirrorless cameras. It's a fine choice for any photographer looking for a weather-sealed wide-angle prime.

Get It Now
Best Deal£370

Buy It Now

£370

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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