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Fujifilm Fujinon XF 60mm F2.4 R Macro

 & Jim Fisher Principal Writer, Cameras

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Fujifilm Fujinon XF 60mm F2.4 R Macro - Fujifilm Fujinon XF 60mm F2.4 R Macro
3.5 Good

The Bottom Line

The Fujifilm Fujinon XF 60mm F2.4 R Macro is a sharp macro lens, but it doesn't offer 1:1 magnification and focus is on the slow side.

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Pros & Cons

    • Excellent sharpness.
    • No distortion.
    • Metal barrel and aperture ring.
    • Includes metal hood.
    • Compact.
    • Focus on the slow side.
    • Magnification limited to 1:2.
    • Omits image stabilization.
    • Electronic manual focus system.

Fujifilm Fujinon XF 60mm F2.4 R Macro Specs

35mm Equivalent (Wide) 90
Dimensions 2.8 by 2.5 inches
Lens Mount Fujifilm X
Stabilization None
Type Lens
Weight 7.6

The Fujifilm Fujinon XF 60mm F2.4 R Macro ($649.95) covers a short telephoto field of view and is capable of focusing close enough to reproduce objects with 1:2 magnification. It's one of the first lenses that Fuji released for the X camera system, and doesn't disappoint in terms of sharpness. It's not without some faults; the autofocus is on the slow side and the focus-by-wire manual focus can be frustrating when working at macro distances. We had similar complaints when we reviewed the Zeiss Touit 2.8/50M($700.00 at Amazon), which is more expensive, but can focus closer for 1:1 macro magnification.

The 60mm ($649.00 at Amazon)  is compact at just 2.8 by 2.5 inches (HD), and fairly light at 7.6 ounces. Its front element uses tiny 39mm filters, and a reversible metal lens hood is included. The hood is imposing; it almost doubles the length of the lens. But it's good idea to use it, as it does an effective job blocking stray light from hitting the front element. The lens barrel is also metal, with a physical aperture ring and a manual focus ring that are both textured for a comfortable grip. There's no optical stabilization system; if you want a macro lens with that feature, you'll have to look at another camera system entirely. Samsung's 60mm f/2.8 Macro ED OIS NX( at Amazon) is stabilized, and Olympus Micro Four Thirds cameras utilize in-body stabilization, so its M.Zuiko Digital ED 60mm f2.8 Macro($399.00 at Amazon) is steadied via the body.

Fujifilm Fujinon XF 60mm F2.4 R Macro : Sample Image

Macro magnification is limited to 1:2, which projects images onto the image sensor at half their actual size. The lens can lock onto subjects as close as 10.5 inches (measured from the sensor) to facilitate this. Fuji does build a focus limiter into its cameras—there's a macro button that can set the lens to cover its full range or only non-macro distances on X-series bodies—but the 60mm is on the pokey side when it comes to autofocus speed. The Zeiss Touit 2.8/50M is a little bit shorter in terms of focal length, but it focuses to 6 inches for 1:1 magnification.

Neither lens offers a pleasant manual focus experience. The focus motor is always used to move the lens elements, and it requires several long turns to move from infinity to the close focus distance. If you're serious about macro photography and want a lens with a better tactile feel, consider seeking out a manual focus lens like the Nikon Micro-Nikkor 55mm f/2.8 ($409.95) or the Zeiss Makro-Planar T* 2/50($1,283.00 at Amazon) to use via an adapter for macro work.

Fujifilm Fujinon XF 60mm F2.4 R Macro : Sample Image

I used Imatest to check the sharpness of the lens when paired with the 16-megapixel X-E2($449.95 at Amazon). It's quite sharp, bettering the 1,800 lines per picture height benchmark that we require for a lens to pass muster at every tested aperture. At f/2.4 it shows 2,322 lines using a center-weighted average score. Lenses often suffer at the edges of the frame, especially at a wide aperture, but the 60mm shows 1,958 lines at the edges at f/2.4. Narrowing the aperture improves the performance, with the lens showing 2,410 lines at f/4 and peaking at 2,553 lines at f/5.6. At f/8 the image quality starts to degrade due to diffraction, but it still manages 2,432 lines at that aperture. Distortion is a nonissue, as you would expect with a good macro lens.

The Fujifilm Fujinon XF 60mm F2.4 R Macro delivers excellent image quality and does a good job doubling as a short telephoto lens. Images are full of detail, even at the maximum aperture, so you only have to worry about stopping down if you desire a wider depth of field. Impeccable optics aside, the lens is not a perfect product. There's no optical stabilization, the autofocus is on the slow side, and the manual focus experience leaves a lot to be desired. It also doesn't provide 1:1 magnification, but you'll have to spend quite a bit more money to buy the Zeiss Touit 2.8/50M to get that in a native X-mount lens. The Touit is a stronger performer all around, but it also uses a focus-by-wire system for manual focus, which can be frustrating for serious macro work. Don't count out going with a third-party manual focus macro lens and an adapter, if you know that you prefer to work with manual focus at macro distances.

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Further Reading

Final Thoughts

Fujifilm Fujinon XF 60mm F2.4 R Macro - Fujifilm Fujinon XF 60mm F2.4 R Macro

Fujifilm Fujinon XF 60mm F2.4 R Macro Review

3.5 Good

The Fujifilm Fujinon XF 60mm F2.4 R Macro is a sharp macro lens, but it doesn't offer 1:1 magnification and focus is on the slow side.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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