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Fujifilm Fujinon XF 27mm F2.8

 & Jim Fisher Principal Writer, Cameras

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Fujifilm Fujinon XF 27mm F2.8 - Fujifilm Fujinon XF 27mm F2.8
3.5 Good

The Bottom Line

The Fujifilm Fujinon XF 27mm F2.8 is a tiny prime lens for Fuji X cameras. It's very sharp in the center, but edge performance isn't the greatest.
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Pros & Cons

    • Very small and light.
    • Excellent center sharpness.
    • Classic 40mm-equivalent field of view.
    • No aperture ring.
    • Lacks optical stabilization and weather sealing.
    • Focus hunts in AF-C.

Fujifilm Fujinon XF 27mm F2.8 Specs

Type Lens

Fans of compact prime lenses are sure to be excited by the Fujifilm Fujinon XF 27mm F2.8 ($449.95). The slim lens is compatible with Fuji's X mirrorless system, making some of the smaller cameras available almost pocketable. It doesn't have an aperture ring, which will turn off some Fuji owners, but delivers strong image quality in a small package. It's a good lens, though not quite as good as the slightly larger XF 23mm F2 R WR, which is brighter and includes protection from dust and splashes for the same price.

Design

Let's talk about size—it's the XF 27mm's ($449.00 at Amazon) biggest draw. The lens measures 2.4 by 0.9 inches (HD) and weighs just 2.8 ounces. It almost feels like nothing when attached to your camera, and I was able to slide an X-E3 into the pocket of my winter coat with ease with the lens attached. There's no hood, although you can use 39mm front filters if desired. You can get it in black or silver.

The angle of view is about 40mm, in full-frame terms, when paired with an APS-C camera. It's a little wider than what you think of as standard angle, but not quite as wide as a 35mm or 28mm-equivalent prime. I like it as a focal length; I often struggle composing shots with a 35mm-equivalent lens, but find things to be a bit more natural with the 40mm frame. Your mileage may vary, of course.

Fujifilm Fujinon XF 27mm F2.8 : Sample Image

You don't get a physical aperture ring, a rarity for the Fujifilm system. Instead you'll need to change the f-stop using the camera body controls. Some older models may require a firmware update to make this work, but newer cameras will have no problem recognizing and controlling the lens. Optical stabilization is also omitted, but that's not surprising—it's something you don't typically find on lenses of this type.

There's also no weather sealing, which is included on the 23mm F2. If you use a body without seals this isn't a concern, but if you have an X-Pro2 or X-T2, be careful not to use it in rough weather with the 27mm attached.

Fujifilm Fujinon XF 27mm F2.8 : Sample Image

The 27mm focuses as close as 13.4 inches (0.34m), which is a bit limiting. Pancake designs often omit close focus capability, and the 27mm's meager 1:10 magnification ratio doesn't buck that trend. I found myself having to back up to get shots from time to time. It's one of the prices you pay for the design; the XF 23mm F2 gets you just a little bit closer to subjects, focusing to 8.7 inches for 1:7.7 magnification.

I found autofocus speed to be quite good when shooting with the X-E3. The 27mm locked onto a focus target quickly and reliably, in about 0.1-second. But it's only good for use in AF-S mode. Switching to continuous (AF-C) focus caused the lens to hunt back and forth eratically, delivering generally unreliable performance. AF-C is more often used for telephoto shooting, so this wasn't a big deal in practical terms, but it's something to be aware of. If you like to track moving subjects, use a different lens.

Image Quality

Fujifilm Fujinon XF 27mm F2.8 : Sample Image

I paired the 27mm wiht the 24MP X-E3 ($699.00 at Amazon) to see how it performs. Imatest's standard center-weighted sharpness test show that it does well, notching 2,659 lines per picture height at f/2.8, with strong performance right up to the edges of the frame. It's not as sharp as the 23mm F2 at f/2.8 (3,104 lines), but the 27mm is still in the very good range of quality wide open.

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At f/4 the resolution improves (2,904 lines), and it peaks at f/5.6 (3,218 lines) and f/8 (3,277 lines), both excellent results. There's a slight drop at f/11 (3,008 lines), and a more noticeable one at f/16 (2,562 lines).

Fujifilm Fujinon XF 27mm F2.8 : Sample Image

Distortion is controlled, there's only 0.8 percent visible, which is negligible in the real world. Likewise, corner illumination is strong. The lens doesn't cast a noticeable vignette, even shot wide open the corners lag behind the center by just 0.9EV.

Conclusions

The XF 27mm F2.8 doesn't have a sexy f/2 or f/1.4 maximum aperture, but its slim design is unmatched by other lenses available for the Fujifilm X system. It delivers sharp results, right up to the edge of the frame, and when stopped down can go toe to toe with the sharpest lenses available for the system. It's not without some issues—it doesn't focus that close, and you don't want to use it with tracking focus enabled. If you're willing to live with those compromises, you'll appreciate its size. We rate another small, although not pancake, lens higher—the XF 23mm F2 R WR ($449.00 at Amazon) captures twice the light at its widest setting, is sharper at f/2.8, and includes an aperture ring and protection from dust and splashes, all for the same price.

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Further Reading

Final Thoughts

Fujifilm Fujinon XF 27mm F2.8 - Fujifilm Fujinon XF 27mm F2.8

Fujifilm Fujinon XF 27mm F2.8 Review

3.5 Good

The Fujifilm Fujinon XF 27mm F2.8 is a tiny prime lens for Fuji X cameras. It's very sharp in the center, but edge performance isn't the greatest.

Get It Now
Best Deal£389

Buy It Now

£389

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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