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Fujifilm Fujinon XF 90mm F2 R LM WR

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Fujifilm Fujinon XF 90mm F2 R LM WR - Fujifilm Fujinon XF 90mm F2 R LM WR
4.5 Outstanding

The Bottom Line

The Fujifilm Fujinon XF 90mm F2 R LM WR is a short telephoto prime lens that delivers excellent image quality and has no significant weaknesses.
Best Deal£879

Buy It Now

£879

Pros & Cons

    • Sharp from edge to edge.
    • No distortion.
    • Even illumination across the frame.
    • Fast focus.
    • Wide aperture.
    • Weather-resistant design.
    • Aperture ring.
    • Manual focus by wire.
    • Omits image stabilization.

Fujifilm Fujinon XF 90mm F2 R LM WR Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 137
Dimensions 4.1 by 3 inches
Lens Mount Fujifilm X
Optical Zoom None x
Stabilization None
Type Lens
Weight 1.2

The Fujifilm mirrorless camera system is built around a strong library of lenses—we've yet to use one that could be considered a bad buy. But there are still lenses that stand out from the crowd, and the Fujifilm Fujinon XF 90mm F2 R LM WR ($949.95) is one. It's a short telephoto design, matching the field of view of a 135mm prime on a full-frame system, and captures images with edge-to-edge sharpness, even at its maximum f/2 aperture. It also focuses quickly, is sealed against dust and moisture, and has a physical aperture ring for f-stop adjustment—it's an easy pick for our Editors' Choice.

Design
The XF 90mm ($1,249.00 at Amazon)  isn't the smallest lens in the world, especially when paired with a mirrorless camera. It measures 4.1 by 3 inches (HD) without the included reversible lens hood—the hood adds about 3 inches to the height. It's on the heavy side at 1.2 pounds, and has a front element that supports 67mm filters. The lens is solidly built, with a metal barrel and a gasket around the lens mount—when paired with an all-weather body like the X-T1 ($318.00 at Amazon) you can shoot in inclement weather without worry.

Fujifilm Fujinon XF 90mm F2 R LM WR : Sample Image

The physical aperture ring sits just ahead of the lens mount. It can be set from f/2 through f/16 in third-stop increments, and also has an A setting for automatic control. The manual focus ring occupies the bulk of the barrel. It's metal, with a knurled texture. The manual focus experience is one disappointing aspect of handling. Turning the ring doesn't physically move the lens elements, as is the case with most SLR lenses. Instead, the focus by wire system activates the internal focus motor to adjust focus. There's a lag in response, and you don't have the tactile feedback that you get with mechanical manual focus. This is an issue with most mirrorless system lenses, and can be a turn-off for fans of manual focus. But if you're an autofocus fan, be happy to know that the XF 90mm is very quick to focus.

There's no image stabilization system. Fast prime lenses like this aren't often stabilized, but there are exceptions. The Zeiss Batis 85/1.8 ($1,199.00 at Amazon) , which is exclusively available for the Sony mirrorless system, does feature in-lens stabilization.

Fujifilm Fujinon XF 90mm F2 R LM WR : Sample Image

The Fujinon focuses to 23.6 inches (60cm). That will let you frame subjects tightly for portraits with ease, but doesn't let the 90mm do double-duty as a macro lens. At its closest focus distance it projects images at one-fifth life-size onto the image sensor. If you want a macro lens for the Fuji X system, consider the Zeiss Touit 2.8/50M ($700.00 at Amazon) , which supports 1:1 magnification, or the Fujifilm Fujinon XF 60mm F2.4 R Macro ($649.00 at Amazon) , which captures images at half life-size.

Image Quality
I tested the XF 90mm along with the 16-megapixel X-T10 ($269.99 at Amazon) . Imatest shows that it's an incredible performer. At f/2 the lens manages 2,607 per picture height on a center-weighted test, exceeding the 1,800 lines we look for in a photo by leaps and bounds. Impressively, image quality is very strong right up to the edge of the frame—the outer third shows a strong 2,450-line score. Stopping down offers modest improvements. The score improves to 2,725 lines at f/2.8, jumps to 2,861 lines at f/4, and peaks at 2,959 lines at f/5.6. There's a slight drop in resolution at f/8 due to diffraction, but the lens still shows 2,898 lines there.

Fujifilm Fujinon XF 90mm F2 R LM WR : Sample Image

Related Story See How We Test Digital Cameras

Distortion is a complete non-issue. The lens is also a strong performer in regards to even illumination. I used an ExpoDisc to capture a flat gray frame and analyzed it using Imatest's Uniformity tool. At f/2 there is just a half-stop decrease in brightness at the corners of the frame when compared with the center—that's barely noticeable in real-world conditions. Corner illumination drops by just a quarter-stop at f/2.8 and by less than one-tenth of a stop at f/4 and beyond.

Fujifilm Fujinon XF 90mm F2 R LM WR : Sample Image

Conclusions
The Fujifilm Fujinon XF 90mm F2 R LM WR delivers fantastic optical performance, a strong build with weather sealing, and a short telephoto reach that is a popular choice for portraiture. There aren't any major weakenesses here, aside from the lack of tactile feedback when focusing manually. That's going to be an issue for manual focus fans, but that's true of the other autofocus lenses available for the Fuji mirrorless system as well. In all, the XF 90mm is a standout lens, and an easy pick for Editors' Choice.

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Further Reading

Final Thoughts

Fujifilm Fujinon XF 90mm F2 R LM WR - Fujifilm Fujinon XF 90mm F2 R LM WR

Fujifilm Fujinon XF 90mm F2 R LM WR Review

4.5 Outstanding

The Fujifilm Fujinon XF 90mm F2 R LM WR is a short telephoto prime lens that delivers excellent image quality and has no significant weaknesses.

Get It Now
Best Deal£879

Buy It Now

£879

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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