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Panasonic Lumix G Fisheye 8mm F3.5

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Panasonic Lumix G Fisheye 8mm F3.5 - Digital Cameras
4.0 Excellent

The Bottom Line

The Panasonic Lumix G Fisheye 8mm F3.5 captures everything in front of your camera in a unique curved perspective, but it's a love-it or hate-it lens.

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Pros & Cons

    • Quite sharp.
    • Offers a unique perspective.
    • Compact.
    • Not for everyone.
    • Expensive.

Panasonic Lumix G Fisheye 8mm F3.5 Specs

35mm Equivalent (Wide) 16
Dimensions 2 by 2.4" inches
Lens Mount Micro Four Thirds
Type Lens
Weight 5.8

Ask a photographer about fisheye lenses and you're likely not to get an apathetic response. Aficionados love the unique curved perspective that they bring to imagery, but there are some vocal detractors who wouldn't be caught dead using one. If you're in the former camp, and invested in the Micro Four Thirds camera system, the Panasonic Lumix G Fisheye 8mm F3.5 ($799.95) is an appealing, albeit expensive, lens. It's quite sharp, compact, and light, and it delivers a distorted view of the world that is in front of your camera—a full 180 degrees diagonally.

The lens($797.99 at Amazon) is compact at just 2 by 2.4 inches (HD), and it weighs a light 5.8 ounces. Its hood is built-in, and there's a rear filter holder that can house a 22mm gelatin filter if you have the need to use one. The minimum focus distance is just 4 inches; the closer you get to your subject, the more pronounced the fisheye distortion will appear. The focus motor is a stepping design, which is quiet for video use, but unless you're working very close to your subject changes in focus aren't going to be required due to huge depth of field that the lens captures.

Panasonic Lumix G Fisheye 8mm F3.5 : Sample Image

A standard SFRPlus test chart isn't ideal for evaluating a fisheye lens. Images shot in the field at f/3.5 looked great, even at a 100 percent magnification. I did run an Imatest check to confirm this; a center-weighted result of 1,800 lines per picture height is what we look for in a lens. The Fisheye 8mm records a center-weighted score of 2,179 lines at f/3.5, with midparts of the frame hitting 1,669 lines. Stopping down to f/5.6 improves the score to 2,221 lines, and the midparts hit 1,844 lines. We weren't able to measure the edges of the frame with our chart.

As far as barrel distortion goes, there's about 37 percent; but that's what the lens is all about. But it doesn't have to be—software like PTLens can "defish" images, which makes 8mm a more classic wide-angle. If that's your desire, however, the Panasonic 7-14mm zoom ($1,199.95) may be a better starting place—but it's a bigger, pricier optic.

Fisheye fans with Micro Four Thirds cameras will be happy with the results that the Panasonic Lumix G Fisheye 8mm F3.5 delivers, but perhaps not at its price. At close to $800, it's a bit much to pay for a lens that may not get a lot of use. I did find that the using the lens forced me to rethink some compositions, work closer to subjects, and find interesting backgrounds, and any piece of gear that helps you see the world in a new way is a worthy addition to your camera bag.

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Further Reading

Final Thoughts

Panasonic Lumix G Fisheye 8mm F3.5 - Digital Cameras

Panasonic Lumix G Fisheye 8mm F3.5 Review

4.0 Excellent

The Panasonic Lumix G Fisheye 8mm F3.5 captures everything in front of your camera in a unique curved perspective, but it's a love-it or hate-it lens.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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