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Leica Summarit-S 35mm f/2.5 ASPH.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Leica Summarit-S 35mm f/2.5 ASPH. - Digital Cameras
4.5 Outstanding

The Bottom Line

The Leica Summarit-S 35mm f/2.5 ASPH. has everything you'd want in a wide-angle lens, making it an easy pick for our Editors' Choice.
Best Deal£6976.15

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£6976.15

Pros & Cons

    • Extremely sharp.
    • Wide-angle field of view.
    • Very little distortion.
    • All-weather design.
    • Expensive.
    • Heavy.

Leica Summarit-S 35mm f/2.5 ASPH. Specs

35mm Equivalent (Wide) 28
Dimensions 4.8 by 3.5 inches
Lens Mount Leica S
Stabilization None
Type Lens
Weight 2.1

The Leica Summarit-S 35mm f/2.5 ASPH. ($7,250) is a must-have lens for Leica S system owners who prefer capturing images with a wide field of view. When paired with the large sensor of the S-E (Typ 006) ($3,999.00 at Amazon) and other S bodies, the Summarit records images with a field of view that's equivalent to a 28mm prime on a 35mm full-frame camera system, and it does so with a maximum f/2.5 aperture and minimal distortion. It's expensive—that's par for the course with both medium format photography and Leica—but its performance more than lives up to its price tag. It's a phenomenal lens that's worthy of being called our Editors' Choice.

But you don't get that type of image quality and sensor coverage out of a lightweight lens. The Summarit-S  measures 4.8 by 3.5 inches (HD) and is heavy at 2.1 pounds. Its 82mm front filter size is the same as several other S lenses, including the Summarit-S 70mm f/2.5 ASPH. ($2,499.00 at Amazon) , and its dust-proof and splash-proof design allows you to use it in all types of weather. The minimum focus distance is 21.7 inches (0.55-meter); you're not going to venture into macro territory with a wide lens, but it allows you to get pretty close to a subject and still capture quite a bit of the landscape behind it. The lens does have a depth-of-field indicator that changes as focus is adjusted, but there are no markings aside from the center point for f/2.5. Photographers who are used to using scale focus with wide-angle lenses at narrow apertures will likely miss that feature.

Leica Summarit-S 35mm f/2.5 ASPH. : Sample Image

The standard version of the lens relies on the focal plane shutter of the S camera with which it is paired, which limits the maximum flash sync speed to 1/125-second. Leica also sells a version of the lens with a central leaf shutter and identical optics, the Summarit-S 35mm f/2.5 ASPH. CS ($8,450), which allows you to sync at speeds as short as 1/1,000-second.

Related Story See How We Test Digital Cameras

I used Imatest to check the sharpness of the Summarit when paired with the 37.5-megapixel S-E (Typ 006). At f/2.5 the lens scores 3,273 lines per picture height on a center-weighted sharpness test. That's well in excess of the 1,800 lines we like to see from a photo, and even the very outer edges of the frame are crisp at 3,000 lines. Stopping down to f/4 improves the average score to 3,515 lines, and it's shaper still at f/8 (3,808 lines) and f/8 (3,828 lines). Diffraction robs some image quality at narrower apertures—the score drops to 3,603 lines at f/11, 3,113 lines at f/16, and 2,292 lines at f/22, but you should feel comfortable shooting all the way down to f/16 with a minimal drop-off in image quality. There's a little bit of barrel distortion, about 1.6 percent, but that's not a lot for a wide-angle design, and it's easily remedied with a 1-click correction in Lightroom.

Leica Summarit-S 35mm f/2.5 ASPH. : Sample Image

Simply put, the Leica Summarit-S 35mm f/2.5 ASPH. is a standout lens from a company that has built its reputation on top-notch optics. I'd have been happy if Leica had designed a lens that was this sharp and this wide, or was this wide and captured this much light, but doing all three at once is a feat. If you're a wide-angle shooter, especially one that feels at home with the 28mm-equivalent angle of view that this lens produces, the Summarit-S 35mm is good enough that you should consider the S system just to shoot with it. That's just about the strongest recommendation I can give to any lens, and it's why we're calling this one our Editors' Choice.

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Further Reading

Final Thoughts

Leica Summarit-S 35mm f/2.5 ASPH. - Digital Cameras

Leica Summarit-S 35mm f/2.5 ASPH. Review

4.5 Outstanding

The Leica Summarit-S 35mm f/2.5 ASPH. has everything you'd want in a wide-angle lens, making it an easy pick for our Editors' Choice.

Get It Now
Best Deal£6976.15

Buy It Now

£6976.15

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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