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Nikon AF-S Nikkor 35mm f/1.8G

 & Jim Fisher Principal Writer, Cameras

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Nikon AF-S Nikkor 35mm f/1.8G - Nikon AF-S Nikkor 35mm f/1.8G
4.0 Excellent

The Bottom Line

The Nikon AF-S Nikkor 35mm f/1.8G is a solid lens if you want a lightweight 35mm for your Nikon SLR, but it's not the best one you can get.
Best Deal£529

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Pros & Cons

    • Quite sharp.
    • Compact and light.
    • Not that expensive.
    • Wide aperture.
    • Some barrel distortion.
    • Lacks optical stabilization.

Nikon AF-S Nikkor 35mm f/1.8G Specs

35mm Equivalent (Wide) 35
Dimensions 2.8 by 2.8 inches
Lens Mount Nikon F
Stabilization None
Type Lens
Weight 10.8

The Nikon AF-S Nikkor 35mm f/1.8G ($599.95) is a fairly inexpensive, lightweight 35mm f/1.8 lens for Nikon cameras. It works with both full-frame and APS-C bodies, boasts an internal focus motor, and captures images with excellent sharpness. There's no optical image stabilization, but the same can be said for most 35mm prime lenses, and there's just enough barrel distortion to talk about, but that's easily removed using software tools. It's not quite good enough to better our Editors' Choice Sigma 35mm F1.4 DG HSM ($642.78 at Amazon) , but if you don't want a lens that's quite as pricey or as heavy as the Sigma, and can live without an f/1.4 aperture, this 35mm won't let you down.

Nikon AF-S Nikkor 35mm f/1.8G : Sample Image

The lens measures 2.8 by 2.8 inches (HD), weighs 10.8 ounces, and supports 58mm front filters. It's a featherweight when you compare it with the Sigma, which weighs 1.5 pounds and is bigger at 3.7 by 3 inches. The Nikkor includes a reversible, petal-style lens hood and a carrying pouch. It focuses as close as 9.8 inches, which results in a meager 1:6 magnification ratio on a full-frame camera, but isn't likely to make you feel limited when shooting with non-macro subjects in mind. The f/1.8 aperture makes it possible to capture images with a shallow depth of field, even if you aren't that close to your subject. There's no image stabilization, but that's not a common feature on a wide-angle prime. The Canon EF 35mm f/2 IS USM ($599.99) has it, but that's an exception to the rule.

I used Imatest to check the sharpness and distortion characteristics of the 35mm when paired with the full-frame Nikon D800 . At f1/8 it scores 2,729 lines per picture height on a center-weighted sharpness test, with very even performance from edge to edge. Stopping down to f/2 offers nominal improvement, but at f/2.8 the resolution score jumps to 3,573 lines. At f/4 it hits 3,701 lines, and it peaks at 3,755 lines at f/5.6. Diffraction sets in at f/8 (3,683 lines) and there's another dip at f/11 (3,435 lines). There's about 1.8 percent barrel distortion, which is just barely noticeable when you're shooting in the field. The lens definitely keeps pace with the D800's 36-megapixel image sensor. We tested the Sigma lens on 20-megapixel Canon EOS 6D ($1,999.99 at Amazon) , so its resolution numbers don't climb as high when stopped down, but at f/1.4 it puts up a very respectable 2,438 lines, also with even performance from edge to edge, and shows no barrel distortion.

Nikon AF-S Nikkor 35mm f/1.8G : Sample Image

The Nikon AF-S Nikkor 35mm f/1.8G is an excellent choice if you're a fan of the 35mm focal length, and its small size will help save some weight if you're carrying a huge full-frame D-SLR. It will pair well with a smaller body like the D610 ($731.99 at Walmart) or D7100 ($329.99 at Amazon) . It captures a lot of detail wide open, and its resolution makes a huge leap when stopped down to f/2.8. The Sigma 35mm F1.4 DG HSM is still our favorite wide-angle prime, but if you don't want as heavy a lens, and you are happy losing half a stop of light gathering and depth of field control (and saving around $300), this Nikkor is a solid alternative.

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Further Reading

Final Thoughts

Nikon AF-S Nikkor 35mm f/1.8G - Nikon AF-S Nikkor 35mm f/1.8G

Nikon AF-S Nikkor 35mm f/1.8G Review

4.0 Excellent

The Nikon AF-S Nikkor 35mm f/1.8G is a solid lens if you want a lightweight 35mm for your Nikon SLR, but it's not the best one you can get.

Get It Now
Best Deal£529

Buy It Now

£529

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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