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Olympus Body Cap Lens 15mm Review

 & Jim Fisher Principal Writer, Cameras

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Olympus Body Cap Lens 15mm Review - Lenses
4.0 Excellent

The Bottom Line

The Olympus Body Cap Lens 15mm is an ultra-slim optic with a low-fi look and a friendly price.
Best Deal£158.23

Buy It Now

£158.23

Pros & Cons

    • Very inexpensive.
    • Crisp center.
    • Super-slim design.
    • Blurry edges.
    • Heavy distortion.
    • Manual focus only.

Olympus Body Cap Lens 15mm Specs

35mm Equivalent (Wide) 30
Lens Mount Micro Four Thirds
Stabilization None
Type Lens

For just $49.99, the Olympus Body Cap Lens 15mm isn't going to go toe-to-toe with top-quality lenses like Olympus's own M.Zuiko Digital 17mm f1.8 ($349.00 at Amazon) . The purely manual 15mm is super slim, just a bit deeper than the protective body cap that ships with a Micro Four Thirds camera. It's an appealing choice for those times when you want to travel light, or for photographers who want to conserve as much space as possible in a gear bag. If you're looking for a fast lens with top-quality optics, look elsewhere. But if you don't mind the low-fi look, it doesn't cost much to give it a try.

Design
As its name implies, the 15mm is designed to be used in place of a body cap. If you've got a tight camera bag, you can easily slide a PEN, OM-D, or Panasonic Micro Four Thirds camera in with the lens installed. If the opportunity for a quick shot arises, it makes it easy to grab your camera and capture an image.

Olympus Body Cap Lens 15mm : Sample Image

The lens is available in a black or silver finish to match your camera. As for size, it extends from the body by about a half-inch and weighs less than an ounce. The manual focus lever also controls the in-lens lens cover. Sliding the cover away locks the focus at infinity, and you can move it further for variable focus down to 11.8 inches (0.3 meter).

Olympus Body Cap Lens 15mm : Sample Image

The lens itself is a 15mm focal length with a fixed f/8 aperture. In full-frame terms, it covers the same field of view as a 30mm prime, which puts it into wide-angle territory. If you love the idea of the lens, but crave an ultra-wide field of view, consider instead the Olympus Fisheye Body Cap Lens 9mm ($99.99)—it's twice the price, but will please fish-eye fans.

Image Quality
What can you expect from a $50 lens? Well, you definitely get images that are crisper than you'd get from a toy film camera like the Diana F+ . The center of images is actually quite sharp (when you nail focus), but edges are soft. There's also noticeable barrel distortion—three percent—so lines that are straight in reality will appear to have a distinct outward bow when captured in photos.

Related Story See How We Test Digital Cameras

I ran the lens through Imatest to see how that translated into numbers. When paired with the 20-megapixel Panasonic GX8, the lens scores 1,480 lines per picture height on a center-weighted sharpness test. That doesn't match the 1,800 lines we look for in an image, but the lens shows uneven crispness depending on which part of the frame you're viewing. At the center it's actually quite sharp, at 2,161 lines. But as you move away toward the edges image fidelity drops quickly. The middle third of the frame is blurry (1,007 lines), as are the outer edges (832 lines).

Olympus Body Cap Lens 15mm : Sample Image

Conclusions
At $50, we can't be too hard on the Olympus Body Cap Lens 15mm. It's not designed to match up with the best glass on the market—instead its survives on its size and price. It's super slim and light, and makes it so that your camera takes up the absolute minimum amount of space in a gear bag. Its look is distinctly low-fi, which isn't for everyone. But if you don't mind the toy camera visual quality, and are looking for a cheap, light lens for your Micro Four Thirds camera, give the 15mm a try.

Best Lens Picks

Further Reading

Final Thoughts

Olympus Body Cap Lens 15mm Review - Lenses

Olympus Body Cap Lens 15mm Review

4.0 Excellent

The Olympus Body Cap Lens 15mm is an ultra-slim optic with a low-fi look and a friendly price.

Get It Now
Best Deal£158.23

Buy It Now

£158.23

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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