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Nikon AF-S Nikkor 20mm f/1.8G ED

 & Jim Fisher Principal Writer, Cameras

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Nikon AF-S Nikkor 20mm f/1.8G ED - Nikon AF-S Nikkor 20mm f/1.8G ED
4.0 Excellent

The Bottom Line

The Nikon AF-S Nikkor 20mm f/1.8G ED is an affordable lens for wide-angle lovers, but you'll want to stop it down for the best image quality.
Best Deal£799

Buy It Now

£799

Pros & Cons

    • Ultra-wide field of view.
    • Wide aperture.
    • 7.8-inch close focus.
    • Some edge softness unless stopped down.
    • Modest barrel distortion.
    • Lacks optical stabilization.

Nikon AF-S Nikkor 20mm f/1.8G ED Specs

35mm Equivalent (Wide) 20
Dimensions 3.1 by 3.2 inches
Lens Mount Nikon F
Stabilization None
Type Lens
Weight 12.6

The Nikon AF-S Nikkor 20mm f/1.8G ED ($799.95) is just one of many in the company's series of f/1.8 prime lenses. It's the widest of the bunch, but even when shot at its maximum aperture it is quite sharp in the center. Landscape shooters will want to stop down for edge-to-edge crispness, and the lack of image stabilization is really only a concern when recording handheld video. The lens is a solid performer, and a good choice for any Nikon shooter that wants an ultra-wide-angle prime lens. It can be used with both full-frame and APS-C Nikon cameras.

The 20mm ($716.95 at Amazon)  measures in at 3.1 by 3.2 inches (HD), weighs just 12.6 ounces, and uses large 77mm front filters. It can focus as close as 7.8 inches, which certainly doesn't qualify it as a macro lens, but does let you get up close and personal with subjects. When combined with the wide aperture, that allows for a very shallow depth of field. The only control switch on the lens toggles between manual and autofocus control; there's a large, ridged ring for manual focus adjustment. The lens barrel is a hard plastic, in black with gold accents, and the lens mount is metal.

Nikon AF-S Nikkor 20mm f/1.8G ED

I used Imatest to check the sharpness of the lens when paired with the full-frame D750 ($1,496.95 at Amazon) . At f/1.8 it does better than the 1,800 lines per picture height we like to see from a lens, scoring 1,903 lines on our center-weighted sharpness test. Image quality holds up through most of the frame, but the outer third is soft, showing just 1,326 lines.

Stopping down to f/2.8 improves the overall sharpness to 2,279 lines, but edges are still on the soft side at 1,612 lines. The lens is just about the same at f/4, but at f/5.6 both its center-weighted score (2,548 lines) and edges (2,124 lines) are better. There's another modest increase in sharpness at f/8, and at f/11 diffraction sets in and starts to hurt performance, but even there it's still 2,575 lines. There's a modest amount of barrel distortion, about 1.1 percent, which is just barely noticeable in field conditions. That's not out of line for a lens with this wide of a field of view.

Nikon AF-S Nikkor 20mm f/1.8G ED

If you love to capture images at wide angles, the Nikon AF-S Nikkor 20mm f/1.8G ED is an excellent lens to consider adding to your Nikon kit. Images are sharp throughout most of the frame, even at f/1.8, and the lens is sharp from edge-to-edge at f/5.6 and beyond. It's an affordable option, especially when compared with wide-aperture prime lenses like the Nikon AF-S Nikkor 24mm f/1.4G ED ($2,199.95), and zooms that cover the range like the AF-S Nikkor 16-35mm f/4G ED VR ($1,259.95). Video shooters may want to consider the 16-35mm, as its optical stabilization will help to smooth handheld shots, but at f/4 it captures only a quarter of the light as this 20mm f/1.8.

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Further Reading

Final Thoughts

Nikon AF-S Nikkor 20mm f/1.8G ED - Nikon AF-S Nikkor 20mm f/1.8G ED

Nikon AF-S Nikkor 20mm f/1.8G ED Review

4.0 Excellent

The Nikon AF-S Nikkor 20mm f/1.8G ED is an affordable lens for wide-angle lovers, but you'll want to stop it down for the best image quality.

Get It Now
Best Deal£799

Buy It Now

£799

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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