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Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED - Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
4.5 Outstanding

The Bottom Line

The Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED captures sharp images and is capable of true 1:1 macro magnification, making it a clear Editors' Choice.
Best Deal£959.66

Buy It Now

£959.66

Pros & Cons

    • Very sharp.
    • 1:1 macro magnification.
    • No distortion.
    • Optically stabilized.
    • Compact.
    • Pricey.
    • Short working distance for 1:1 photography.

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 105
Dimensions 4.6 by 3.3 inches
Lens Mount Nikon F
Optical Zoom None x
Stabilization Optical
Type Lens
Weight 1.7

The Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED ($984.95) is a lens that macro photographers are sure to lust after. Its fairly compact, can focus close enough to project life-size images onto a full-frame image sensor, and its optical stabilization system and f/2.8 aperture make low-light use a reality. It's one of the sharpest lenses that we've seen for the Nikon camera system, and earns Editors' Choice honors.

The Micro-Nikkor measures 4.6 by 3.3 inches (HD), weighs 1.6 pounds, and supports 62mm front filters. It supports 1:1 magnification at its minimum (12-inch) focus distance, which means that the size of the object that the lens projects on the camera's image sensor matches the object's real-life size. Some shooters may prefer a macro lens with a longer working distance, like the Sigma APO Macro 180mm F2.8 EX DG OS HSM ($1,799.00 at Amazon) , which gives you about 6 extra inches from your subject at 1:1 magnification, but the Sigma lens is much larger and heavier (8 by 3.7 inches, 3.6 pounds) than the 105mm Micro-Nikkor.

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED : Sample Image

The lens has a few toggle switches—one to set the focus limiter for faster non-macro focusing, another to toggle between manual and autofocus, and a third to enable or disable the optical stabilization system. There is a distance scale that shows the current focus distance in feet and meters, as well as the magnification ratio at that distance. There is a depth-of-field scale, but it only has markings for f/32, which makes it more ornamental than practical to determine the depth of field for a shot—you're better off fusing your camera's depth-of-field preview function for that purpose. The lens barrel is fabricated from a hard black composite material, with a rubberized grip on the manual focus ring. Like most Nikkor lenses, text and accent colors are in gold. The Micro-Nikkor feels solid, but not as old-school as the all-metal Zeiss Makro-Planar T* 2/100 ($750.00 at Amazon) , a manual focus macro lens that captures twice the light as the Micro-Nikkor, but is only capable of 1:2 magnification.

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED : Sample Image

Related Story See How We Test Digital Cameras

I used Imatest to check the image quality of the Micro-Nikkor when paired with the full-frame Nikon D810 ($1,996.95 at Amazon) . When paired with the D810's 36-megapixel sensor, the lens is capable of capturing images that are tack sharp. At f/2.8 it scores 2,978 lines per picture height on our center-weighted sharpness test, well in excess of the 1,800 lines we use to mark a photo as sharp. Detail is excellent, even at the edges of the frame, which score 2,709 lines. At f/4 the lens improves to 3,160 lines, and it manages 3,453 lines at f/5.6 and 3,683 lines at f/8. Distortion is a nonissue and there is only a slight amount of purple color fringing evident in high contrast areas of the frame—it's barely noticeable and easily removed in Lightroom.

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED : Sample Image

If you're a Nikon shooter in the market for a macro lens, it doesn't get much better than the AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED. The lens is optically stabilized, very sharp, and focuses close enough to achieve 1:1 magnification. If you prefer a little more working distance between camera and subject, the Sigma 180mm Macro is worth consideration, and if you prefer an old-school manual focus lens, don't count out the Zeiss Makro-Planar. But the Sigma is a lot bigger, the Zeiss lacks image stabilization, and both are more expensive than the Micro-Nikkor. The 105mm is a top-notch optic, and as such earns Editors' Choice honors.

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Further Reading

Final Thoughts

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED - Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Review

4.5 Outstanding

The Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED captures sharp images and is capable of true 1:1 macro magnification, making it a clear Editors' Choice.

Get It Now
Best Deal£959.66

Buy It Now

£959.66

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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