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Samsung 16-50mm Power Zoom ED OIS Review

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Samsung 16-50mm Power Zoom ED OIS is one of the better kit zooms out there thanks to sharp images and a compact design. - Samsung 16-50mm Power Zoom ED OIS
4.0 Excellent

The Bottom Line

The Samsung 16-50mm Power Zoom ED OIS is one of the better kit zooms out there thanks to sharp images and a compact design.

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Pros & Cons

    • Compact.
    • Power zoom design.
    • Sharp throughout range.
    • Optically stabilized.
    • Distortion at 16mm.
    • Narrow aperture.

Samsung 16-50mm Power Zoom ED OIS Specs

35mm Equivalent (Telephoto) 75 mm
35mm Equivalent (Wide) 24
Dimensions 1.2 by 2.6 inches
Lens Mount Samsung NX
Optical Zoom 3.1 x
Stabilization Optical
Type Lens
Weight 3.9

The Samsung 16-50mm Power Zoom ED OIS ($349.99) is the first compact power zoom lens available for the NX mirrorless system. Its retractable design is similar to the 20-50mm f/3.5-5.6 ED , but that lens omits the power zoom mechanism and optical stabilization system. Its narrow aperture won't excite many photographers like the big, pricey Samsung 16-50mm f/2-2.8 S ED OIS ( at Amazon) , but it's a lot smaller and a lot less expensive. If you prefer a light kit and shoot with an NX mirrorless camera, the 16-50mm Power Zoom is the way to go.

The lens measures 1.2 by 2.6 inches (HD), weighs 3.9 ounces, and supports 43mm front filters. Its field of view is roughly equivalent to a 24-75mm lens on a full-frame camera, and its maximum aperture narrows from f/3.5 to f/5.6 at its longest focal length. The minimum focus distance is 9.4 inches, which can get you close enough to your subject to capture images with a shallow depth of field, even with the lens's modest aperture.

Samsung 16-50mm Power Zoom ED OIS : Sample Image

You can adjust the focal length or the focus using the front ring around the lens (its function changes depending on whether the camera is set to manual or autofocus), and there are also control buttons on the barrel to zoom in and out. The lens also has an iFn control button, which allows you to launch an on-screen control menu to adjust shooting settings when paired with a compatible NX body.

I used Imatest to check the quality of photos captured by the lens when paired with the 20-megapixel NX3000. At 16mm it records 2,327 lines per picture height on a center-weighted sharpness test, which is better than the 1,800 lines we use to mark an image as sharp. The outer edges of the image are often a problem area with compact zoom lenses like this, as we've seen with the Sony 16-50mm Retractable Zoom ($298.00 at Amazon) and Olympus M.Zuiko ED 14-42mm f3.5-5.6 EZ ($224.00 at Amazon) . But even at f/3.5 it scores 1,962 lines. There's a moderate improvement in sharpness at f/4 (2,402 lines) and resolution peaks at f/5.6 (2,552 lines).

Samsung 16-50mm Power Zoom ED OIS : Sample Image

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At the 24mm position the maximum aperture narrows to f/4 and the lens shows 2,422 lines on a center-weighted test, with edges that top 2,000 lines. There's moderate improvement at f/5.6 (2,516 lines). The story is about the same at 35mm f/5 (2,655 lines) and f/8 (2,794 lines). At 50mm f/5.6 the lens scores 2,636 lines and improves a bit at f/8 (2,755 lines). If you shoot in JPG mode distortion is automatically corrected, but if you work in Raw you'll have to contend with about 2.4 percent barrel distortion at 16mm. Lightroom doesn't yet include a profile for this lens, so you'll have to make corrections manually.

The Samsung 16-50mm Power Zoom ED OIS is one of the better kit lenses that you can buy. It's quite sharp, can capture wide-angle scenes and zoom to a classic field of view for portraits, and it's optically stabilized for sharper images and steady handheld video. But it's still a kit lens, and its narrow f/3.5-5.6 aperture doesn't capture as much light as a prime lens or the pro-level Samsung 16-50mm f/2-2.8. If you're starting out with a Samsung camera it's a better option than the 20-50mm zoom, which lacks optical stbailization, or the 18-55mm NX Standard Zoom ($499.00 at Amazon) , which is noticeably larger and doesn't cover as wide of an angle.

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Further Reading

Final Thoughts

The Samsung 16-50mm Power Zoom ED OIS is one of the better kit zooms out there thanks to sharp images and a compact design. - Samsung 16-50mm Power Zoom ED OIS

Samsung 16-50mm Power Zoom ED OIS Review

4.0 Excellent

The Samsung 16-50mm Power Zoom ED OIS is one of the better kit zooms out there thanks to sharp images and a compact design.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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