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Samsung 20-50mm f/3.5-5.6 ED II NX Lens

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Samsung 20-50mm f/3.5-5.6 ED II NX Lens is a sharp, compact zoom lens for the NX system. It's size is appealing, but the lens is fairly slow. - Samsung 20-50mm f/3.5-5.6 NX
3.5 Good

The Bottom Line

The Samsung 20-50mm f/3.5-5.6 ED II NX Lens is a sharp, compact zoom lens for the NX system. It's size is appealing, but the lens is fairly slow.

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Pros & Cons

    • Compact.
    • Sharp.
    • Very little distortion.
    • Slow aperture.
    • Plastic lens mount.
    • Limited zoom range.
    • Rotating front element.

Samsung 20-50mm f/3.5-5.6 NX Specs

Type Lens

The Samsung 20-50mm f/3.5-5.6 ED II NX Lens ($249 list)SEE IT is a kit lens for some Samsung NX cameras, including the NX1000SEE IT, but can also be purchased separately. At a mere 2.5 by 1.6 inches (HD), the 4.2-ounce lens is quite compact for an APS-C zoom, but it's not as small as a pancake prime like the Samsung NX 30mm Pancake Lens. It features a collapsible design, so part of the lens retracts into its barrel when not in use. The light weight is made possible in part by a plastic lens mount, which is no doubt less durable than traditional metal.

The small design does have some drawbacks. You'll have to remember to release the lock catch before collapsing it, and the front element rotates while focusing. The latter prevents you from effectively using a circular polarizer filter with the camera. These rotating filters are often used to minimize reflections and to boost the colors of the sky, and when the lens moves to focus, the effect of the filter changes.

The lens does do quite well in Imatest. Its sharpness is superb at all apertures and tested focal lengths, exceeding the 1,800 lines per picture height required for a sharp image at every turn. At its widest aperture and focal length it exceeds 2,100 lines, and betters to 2,300 lines at f/5.6—all while recording only 0.2 percent of pincushion distortion. At 35mm the sharpness is still above 2,100 lines at f/4.5, and again exceeds 2,300 lines at f/5.6, with only 0.25 percent pincushion distortion. Finally at 50mm, the lens tops 2,000 lines at the widest f/5.6 aperture, increasing again to just shy of 2,400 lines at f/8. Here distortion is at its worst at 0.5 percent, but this isn't that bad at all for a kit zoom. The collapsing Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH.£115.73 at Amazon UK notched 1.7 percent at its worst setting, but does have a longer 3x zoom ratio—the 20-50mm is a less ambitious 2.5x design.

If you're an NX camera owner looking for a smaller lens, the 20-50mm f/3.5-5.6 ED II NX is an appealing zoom option, but it's not the smallest lens you can get. Both the Samsung 16mm f/2.4  and the Samsung NX 30mm Pancake Lens are smaller and capture more light. Neither zooms, but both can be seen as a better lens to complement the larger 18-55mm kit zoom with which Samsung has paired many an NX camera.

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Final Thoughts

The Samsung 20-50mm f/3.5-5.6 ED II NX Lens is a sharp, compact zoom lens for the NX system. It's size is appealing, but the lens is fairly slow. - Samsung 20-50mm f/3.5-5.6 NX

Samsung 20-50mm f/3.5-5.6 ED II NX Lens

3.5 Good

The Samsung 20-50mm f/3.5-5.6 ED II NX Lens is a sharp, compact zoom lens for the NX system. It's size is appealing, but the lens is fairly slow.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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