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Sigma APO Macro 180mm F2.8 EX DG OS HSM

 & Jim Fisher Principal Writer, Cameras

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Sigma APO Macro 180mm F2.8 EX DG OS HSM - Sigma APO Macro 180mm F2.8 EX DG OS HSM
4.0 Excellent

The Bottom Line

The Sigma APO Macro 180mm F2.8 EX DG OS HSM is an extremely sharp macro lens. It's expensive, but its performance earns it our Editors' Choice award.
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Pros & Cons

    • Extremely sharp.
    • Minimal distortion.
    • Optically stabilized.
    • 1:1 magnification.
    • Includes lens hood, protective case, and tripod collar.
    • Full-frame coverage.
    • Big.
    • Heavy.
    • Expensive.

Sigma APO Macro 180mm F2.8 EX DG OS HSM Specs

Type Lens

The Sigma APO Macro 180mm F2.8 EX DG OS HSM ($1,699 direct)($1,799.00 at Amazon) is an impressive macro lens with a rather long focal length, fast aperture, and 1:1 magnification. It's available for Canon, Nikon, Sigma, and Sony/Minolta cameras, and can be used on both full-frame and APS-C bodies. It's a bit more expensive than Sigma's older 150mm F2.8 EX DG OS HSM APO Macro($1,099.00 at Amazon), a lens that impressed us when we tested it, but we feel that the extra sharpness it delivers makes it worthy of our Editors' Choice award.

It's a big lens. It measures 8 by 3.7 inches (HD) and if you'd like to use a filter you'll have to reach for one with an 86mm thread to fit into its huge front element. It's also heavy—just about 3.6 pounds. The reason for its size is its close focus capability; you can find standard lenses in this focal range that are smaller and lighter, but they won't focus on objects as close as 18.5 inches from your camera's image sensor. That allows for 1:1 magnification—when the lens is focused on objects that close, the image projected onto your camera's image sensor matches the real life object exactly in size. That's typical for a lens of this class; the Canon EF 180mm Macro f/3.5L USM($1,399.00 at Amazon) is capable of 1:1 magnification as well. It's smaller at 7.3 by 3.3 inches and lighter at 2.4 pounds, but it doesn't feature optical stabilization.

Most macro lenses that are 100mm or longer deliver 1:1 magnification, but having one this long allows you to work further away from your subjects. There are pluses and minuses to this. On the plus side, working a little further away helps if you don't want to cast a shadow on a flower or insect in the wild. On the minus side, you'll likely want to stop down your lens when working very close, depending on how much depth of field you want to get, and doing so with a longer lens requires a shorter shutter speed to get a crisp shot. If you think you'll prefer a shorter macro lens, consider the Carl Zeiss Makro-Planar T* 2/100($750.00 at Amazon) or Makro-Planar T* 2/50($1,283.00 at Amazon). Both are excellent lenses and can open up to f/2, but keep in mind they are manual focus only and only deliver 1:2 magnification. There are plenty of autofocus 1:2 macro lenses available in the 50 to 60mm focal range, but none that we've yet had a chance to review.

Sigma supplies a tripod collar, two lens hoods (one for full-frame, one for APS-C), and a carrying case with the lens, along with the standard front and rear caps. If you're planning on using the lens on a tripod or a monopod, it's a good idea to use the collar. It helps to better center the weight, which will lead to steadier shots. There are a couple of control switches on the lens itself. You can control the optical stabilization system via the OS switch. It has three settings—Off, 1, and 2. Turning it off is recommended when using a tripod, mode 1 is for standard shooting situations, and mode 2 is for those times when you plan on panning your camera to the left or right during a shot. There's also a switch to change between automatic and manual focus, and a focus limiter control. That lets you limit the distance over which the autofocus system will hunt; you can set it for the full range of the lens, from 0.67 meters to infinity, or from 0.47 meters to 0.67 meters.

I used Imatest to check the sharpness of the lens when mounted on the 36-megapixel Nikon D800. It's impeccably sharp. At f/2.8 it manages 2,956 lines per picture height, well in excess of the 1,800 lines we require of a sharp photo, and it performs well from edge to edge. Stopping down to f/4 delivers a slight improvement to 2,978 lines, and you'll get the best resolution at f/5.6—3,552 lines. Distortion is a negligible 0.2 percent, which is irrelevant in field conditions. Sigma's older 150mm Macro only managed 1,843 lines on the D800 at f/2.8, and did its best at f/8, notching just shy of 3,000 lines.

If you're in the market for a macro lens and want one with a longer focal length, you should give strong consideration to the Sigma APO Macro 180mm F2.8 EX DG OS HSM. It's extremely sharp, is optically stabilized, and the focus limiter function allows it to focus quickly enough to double as a standard telephoto optic. We like it better than the Canon EF 180mm Macro f/3.5L USM, which is priced in the same ballpark but lacks image stabilization. If you're on a budget you might want to look at the Sigma 150mm F2.8 EX DG OS HSM APO Macro; it's not as sharp at its maximum aperture, but improves when stopped down. It also offers stabilization, and sells for about $600 less. But our Editors' Choice award is for exemplary products and, even though the 180mm is a bit on the pricey side, we feel the extra sharpness it delivers is worth the cost.

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Final Thoughts

Sigma APO Macro 180mm F2.8 EX DG OS HSM - Sigma APO Macro 180mm F2.8 EX DG OS HSM

Sigma APO Macro 180mm F2.8 EX DG OS HSM Review

4.0 Excellent

The Sigma APO Macro 180mm F2.8 EX DG OS HSM is an extremely sharp macro lens. It's expensive, but its performance earns it our Editors' Choice award.

Get It Now
Best Deal£1499.99

Buy It Now

£1499.99

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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