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D780 SLR Headlines Nikon's CES Slate

The company is showing off its new full-frame SLR, ultra-zoom bridge camera, and a pair of zoom lenses at CES this year.

 & Jim Fisher Principal Writer, Cameras

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Nikon is aiming to please a wide gamut of its customers at CES 2020, with product announcements for its SLR, mirrorless camera, and bridge camera fans. A full-frame SLR, the D780 is the headliner, and is joined by the P950 bridge camera, a new 70-200mm F2.8 zoom for the Z mirrorless system, and a 120-300mm F2.8 zoom, which can be used on both SLRs and Z cameras.

D780 Adds On-Sensor Phase Detection

It's slightly surprising to see Nikon introduce a new entry-level full-frame SLR, one that will certainly compete with its own Z 6 mirrorless camera for sales. Mirrorless cameras represent the future of interchangeable lens photography, but not everyone is ready to give up on the optical viewfinder.

CES 2020 Bug ArtThe D780 hopes to deliver the best of both worlds. It uses the same 51-point phase detection autofocus module as the previous model in the series, the D750, now powered by the same algorithm that drives the D5's more advanced focus system.

Nikon D780

When using Live View, you now get the same on-sensor phase detection (PDAF) system as found in Z 6. This provides a wider area of autofocus coverage, as well as features like eye-detection focus, and speedy focus for capturing video. With the addition of PDAF on the sensor, there's no performance penalty for switching to the rear LCD for framing a shot.

The image sensor, a full-frame 24MP chip with a BSI CMOS design, is also shared with the Z 6. It's among the best 24MP cameras we've seen in terms of image quality, so that's a good thing. In addition to Raw and JPG stills, the camera captures compressed 4K UHD video internally and offers clean 10-bit output via HDMI.

Other sundry features include a tilting rear LCD with touch support, dual UHS-II card slots, SnapBridge wireless connectivity, and in-camera charging via USB-C.

We'll take a closer look at the D780 soon. It is priced at $2,299.95 as a body only or at $2,799.95 when bundled with the AF-S Nikkor 24-120mm f/4G ED VR lens. Nikon expects to start shipping the camera later this month.

Coolpix P950 Offers Ultra Zoom Power

Nikon Coolpix P950

Pocket point-and-shoot cameras have given way to smartphones for the most part, but there's still a good amount of demand for bridge models—fixed-lens cameras with smartphone-sized image sensors and big lenses with lots of zoom power.

The P900 was Nikon's first head-turner in the category. Photographers were wowed by its 83x lens, which could zoom in and get tight shots of the surface of the moon from the comfort of your patio.

The new P950 is a refined version of its predecessor. It still uses a 16MP 1/2.3-inch BSI CMOS sensor and 24-2,000mm (full-frame equivalent) lens. But there are some updates, including support for Raw image capture, 4K video recording, and an electronic viewfinder with significantly more resolution. It also adds a hot shoe, so you can use a Speedlite flash, or add an external microphone.

The P950 will go on sale in February, priced at $799.95.

A Pair of Telezooms

Nikon AF-S Nikkor 120-300mm f/2.8E FL ED SR VR

Finally, Nikon is bringing two new lenses to market. The first is a high-end telezoom which works with both SLRs like the D780 and mirrorless cameras like the Z 6 with the addition of Nikon's autofocus FTZ lens adapter.

The AF-S Nikkor 120-300mm f/2.8E FL ED SR VR isn't a lens that many will buy. It's heavy for one, tipping the scales at more than seven pounds, and priced at $9,499.95. But photographers who cover indoor sports will see the appeal of its zoom range and f/2.8 aperture.

Nikon Nikkor Z 70-200mm f/2.8 VR S

Conversely, the Nikkor Z 70-200mm f/2.8 VR S is one that every pro photographer with a Nikon Z kit will want to add to the their kit. It's the go-to focal range for events, reportage, and portraiture, after all. This version, which works exclusively with Nikon Z mirrorless cameras, you get five stops of stabilization, anti-reflective and fluorine optical coatings, and 1:5 reproduction at its closest focus distance.

The 70-200mm is priced at $2,599.95. Both it and the 120-300mm will ship in February.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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