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Sigma, Tamron Introduce Lenses for Canon RF Mirrorless

The first autofocusing third-party lenses for Canon EOS R cameras are limited to APS-C sensors, but that's still good news for R10 and R7 owners.

 & Jim Fisher Principal Writer, Cameras

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(Credit: Jim Fisher)

Photographers who own, or are considering buying, a Canon EOS R mirrorless camera will have several new lens options to choose from later this year.

Sigma and Tamron are bringing selected lenses from their extensive catalogs to the RF mount, effectively ending Canon's embargo on autofocusing third-party lenses for its mirrorless cameras. Until now, Canon has allowed others to make manual focus add-ons for its cameras but prevented any third-party lenses with autofocus or electronic communication from going on sale.

Seven existing lenses are now slated for release for Canon cameras, six from Sigma and one from Tamron. They are the Sigma 10-18mm F2.8 DC DN Contemporary, 18-50mm F2.8 DC DN Contemporary, 16mm F1.4 DC DN Contemporary, 23mm F1.4 DC DN Contemporary, 30mm F1.4 DC DN Contemporary, 56mm F1.4 DC DN Contemporary, and Tamron 11-20mm F2.8 Di III-A RXD.

Tamron 11-20mm F2.8 DI III-A RXD on Sony camera
(Credit: Jim Fisher)

Sensor coverage is the unifying factor among these lenses. All are designed for use with APS-C sensor cameras like the EOS R50, R100, R10, and R7. None of the full-frame lenses from Sigma or Tamron are included. And none will be available today; Sigma says the 18-50mm F2.8 will go on sale this summer, with the remainder of its introductions set for the fourth quarter. The Tamron 11-20mm is slated for availability sometime this year. We also don't have pricing yet, and won't assume that they'll cost the same as the editions for other camera systems.


Great News for APS-C Camera Owners

The news comes a few months after Canon told PetaPixel it was working on licensing agreements for the previously closed-off RF mount. As we pointed out in a recent column, Canon's current APS-C lineup leaves a lot to be desired, so a good set of F2.8 zooms and F1.4 primes is great news for photographers who've picked up an EOS R10 or similar camera and are looking for a lens upgrade.

Sigma 23mm F1.4 Contemporary on Sony camera
(Credit: Jim Fisher)

Canon's native options for these cameras are limited to a set of low-cost zooms, and while there's nothing stopping system owners from using a full-frame lens on a camera with a smaller format APS-C sensor, it's not always a practical solution.

For instance, before today, the only wide-angle zoom options for the system were the competent but unexciting RF-S 10-18mm F4.5-5.6 IS STM ($329) and the luxury priced full-frame RF 10-20mm F4 L IS STM ($2,299). As mentioned, we don't know exactly where Sigma and Tamron will land on pricing, but the Sigma 10-18mm F2.8 sells for around $600 for other systems, so even if it costs a little bit more for Canon, it's clearly the lens to get as if you want a better quality wide zoom than the Canon RF-S 10-18mm.


Full Frame Remains a Walled Garden

Photographers with full-frame Canon bodies like the EOS R6 Mark II are still restricted to first-party glass for autofocus photography. I see this as a little disappointing as Canon doesn't yet have enough mid-priced lenses in RF mount. Its catalog has some strong value picks and a wide complement of high-end L series lenses.

There's no predicting the future, however. There's always the chance that third-party full-frame lenses will become a reality down the line. But for now, if you're considering a Canon full-frame camera, you'll need to make sure the lenses you want to use are available from Canon itself. Read our RF lens buying guide to check and see if the system has your lens needs covered before picking up an EOS R mirrorless camera.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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