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Nikon Tips First 28-400mm Superzoom for Z Mount

The Nikkor Z 28-400mm F4-8 VR provides double the zoom power versus competing all-in-one zooms, making it a compelling option for Nikon photogs after an all-in-one zoom for travel.

 & Jim Fisher Principal Writer, Cameras

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(Credit: Nikon)

The all-in-one zoom concept has long been a favorite option for photographers who want to add a grab-and-go lens to their kit that can cover the unexpected photo ops that pop up during travel, walks around the neighborhood, and anything in between. Nikon is adding its second lens of this type to the Z mirrorless system today in the form of the Nikkor Z 28-400mm F4-8 VR.

The Z 28-400mm doubles the reach of the earlier Nikkor Z 24-200mm F4-6.3 VR, though it does sacrifice some wide angle coverage to get there. The trade-off is sure to be worthwhile for creators who want a lens that can make many types of images. You can go from taking a wide landscape scene to a tight angle to get a wildlife photo without having to swap lenses. Add strong macro performance, 7.9-inch focus for 1:2.9 life-size reproduction at the 28mm angle, and you've got an ideal one-lens solution for a trip to a national park.

(Credit: Nikon)

There's always some trade-off to be made, and here it's the aperture. At f/4-8 the 28-400mm is a lens that's ideally used in bright conditions. You won't want to use it to grab shots in a dimly lit room or after the sun sets below the horizon. It's a compromise that non-pros are willing to make, especially considering how good the latest smartphone cameras are for low-light scenarios.

If you strictly prefer to use a camera to take photos, the 28-400mm includes optical stabilization to eke out sharp long-exposure photos without a tripod, it's rated for 5.0 stops on its own and 5.5 stops when used with a camera that has a stabilized sensor. In theory this supports exposures of nearly a second at the wide end and around 1/13-second zoomed all the way in to 400mm, speeds long enough to blur moving subjects.

The zoom is fairly small considering its range and full-frame compatibility too. It measures only 5.6 by 3.4 inches (HD) at its 28mm setting, weighs 1.6 pounds, works with 77mm filters, and ships with a compact square lens hood. It includes dust and splash protection too, so you can use it comfortably outdoors.

(Credit: Nikon)

Nikon expects the Nikkor Z 28-400mm F4-8 VR to ship in mid-April at a suggested retail price of $1,299.95. The Nikkor Z 24-200mm F4-6.3 VR remains in the catalog for $899.95, in case you don't need quite as much zoom power or prefer an all-in-one that starts at a wider angle of view. For more on Z mount lenses, check out our top recommendations for the system.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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