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Nikon 70-180mm and 180-600mm Strengthen Z Telephoto Lens Library

The mid-priced zooms appeal to anyone who doesn't want to spend thousands on telephoto glass.

 & Jim Fisher Principal Writer, Cameras

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Nikon is adding a pair of lenses to its growing Z mirrorless library. The Nikkor Z 70-180mm F2.8 and Nikkor Z 180-600mm F5.6-6.3 VR have loads of appeal to enthusiasts and other photographers shopping for mid-range photo gear to use for long-lens subjects like sports and wildlife. It's no coincidence that they come shortly after the Nikon Z 8, an aggressively priced (for the class) high-speed camera that's well suited for use with long lenses.


Z 70-180mm F2.8 Looks Familiar

The Z 70-180mm F2.8 is the third mid-priced F2.8 zoom for the Z system, following the 17-28mm and 28-75mm. Like the others its optical formula and feature set match up with lenses from third-party lens maker Tamron. So while Nikon doesn't advertise it, we expect its version to deliver the same level of performance as the Tamron 70-180mm F2.8, a lens that's exclusively available for Sony E cameras.

The Nikkor Z version costs a little bit more ($1,249.95) than the Tamron ($1,199.99), but is sold and supported by Nikon, and offers support for Z teleconverters, a feature missing from the for-Sony edition marketed by Tamron.

Nikkor Z 70-180mm F2.8 on Z 8
Nikkor Z 70-180mm F2.8 on Z 8

The Z 70-180mm F2.8 is built with a dust- and drip-resistant barrel, and has anti-smudge fluorine on its front element. It doesn't include the vibration reduction (VR) system from Nikon's higher-grade Z 70-200mm F2.8 VR S ($2,699.95), but the issue is lessened since all full-frame Z cameras include stabilized sensors. Owners of DX sensor models like the Z 30 will have to live without stabilization, however.

The lack of stabilization is a shame, because at around  6.0 by 3.3 inches (HD) and 1.8 pounds the Z 70-180mm is a good, lightweight telephoto for a crop-sensor camera, but skipping VR helps keep the size and weight of the lens down.

The Nikkor Z 70-180mm is scheduled for mid-July availability at the aforementioned $1,249.95 price point.


Internal Zoom Sets Z 180-600mm Apart

Nikon opted to create a fresh optical formula for the Nikkor Z 180-600mm F5.6-6.3 VR instead of relying on a partner. This zoom is made for photographers who want to capture scenes where you can't get too close to the action. It's a good pick for close-up shots of wildlife and for covering team sports from the sidelines or stands. Like most long telezooms, its aperture makes it a better match for outdoor use under the sun.

Nikkor Z 180-600mm F5.6-6.3 VR on Z 8
Nikkor Z 180-600mm F5.6-6.3 VR on Z 8

At $1,699.95 the Z 180-600mm is Nikon's most affordable long lens for the Z system, though to be fair the other options to date are primes with exotic features like a built-in teleconverter (the $14,000 Z 400mm F2.8 TC VR S is a good example) or ultra-light phase fresnel optics like the $2,999.95 Nikkor Z 400mm F4.5 VR S.

The Z 180-600mm includes some premium features, despite mid-tier pricing. It includes seals for dust, drip, and fluorine protection, along with an internal zoom action that offers fewer points of ingress. Internal zoom is a big plus for a decently heavy (4.3 pounds) lens as it helps keep the center of balance steady when changing focal lengths.

Nikkor Z 180-600mm F5.6-6.3 VR in use
Nikkor Z 180-600mm F5.6-6.3 VR in use

Stabilized optics are a must-have for this long lens, even with a camera with IBIS, and they are included here. The Z 180-600mm also works with teleconverters and can be paired with DX sensor cameras for longer effective reach.

Nikon expects August availability for the $1,699.95 Nikkor Z 180-600mm F5.6-6.3 VR.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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