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Nikon's $14,000 Nikkor Z 400mm F2.8 TC VR S Is the Biggest Lens You Can't Afford

The ultra-telephoto prime includes a built-in teleconverter and compatibility with Z system cameras, but its price is just as exotic as the wildlife it can capture.

 & Jim Fisher Principal Writer, Cameras

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Nikon is adding a big telephoto lens to its mirrorless Z system. The Nikkor Z 400mm F2.8 TC VR S matches a narrow angle of view with a wide aperture, perfect for bringing distant subjects into clear view and blurring out backgrounds. This big type of lens is a favorite choice for wildlife photographers who can't get close to skittish subjects and sports photographers working from the sidelines.

Photographer using 400mm F2.8
Nikkor Z 400mm F2.8 TC VR S in use

The lens works with Z system cameras, and is likely to be paired with the stacked sensor Z 9, the company's fastest focusing mirrorless. The Z 9 has an integrated grip, and can fire images at up to 120fps. The 400mm is a big lens, around 15 inches long, and has a newly developed Silky Swift Voice Coil Motor (SSVCM) focus that promises to move its focusing elements with both speed and precision.

An integrated teleconverter adds some versatility. The 400mm F2.8 turns into a 560mm F4 with the flick of a switch, and you can opt to add an external TC-1.4x or TC-2x to further extend its reach, as long as 784mm F5.6 or 1,120mm F8, respectively. The lens includes Nikon's VR image stabilization, good for about 5.5 stops of correction with most Z cameras. It supports the Z 9's Synchro VR function, one that uses both in-lens and in-body stabilization together for better results.

Athlete in the rain
End result sample image, provided by Nikon

Nikon Z cameras are built with magnesium chassis and weather protection. The 400mm F2.8 matches them, so you can take it out into the elements without worry. Its barrel is magnesium alloy and is fully weather sealed. Nikon has added anti-smudge fluorine to the exposed glass for a bit of extra protection. It's using the lens to introduce a new anti-reflective coating, Meso Amorphous, one that suppresses artifacts from light coming in from any angle.

The Nikkor Z 400mm uses a complex optical formula, 25 elements arranged in 19 groups, with loads of alphabet soup glass types—ED, Super ED, SR, and fluorite among them. Nobody will accuse the 6.5-pound lens of being a featherweight, and it does cut about 2 pounds from Nikon's 400mm F2.8 for SLRs, but you can find lighter lenses. The Canon RF 400mm F2.8 and Sony FE 400mm F2.8 are both around the same weight, but neither includes an integrated teleconverter.

Lion at sunset
End result sample image, provided by Nikon

It's a lot of lens, and one that is made just for professional photographers and serious hobbyists with money to spare. You'll need to budget $13,999.95 for the Nikkor Z 400mm F2.8 TC VR S when it goes on sale in late February.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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