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Nikon DX 24mm F1.7 Blurs Backgrounds on a Budget

The bright, close-focusing prime for DX sensor Nikon Z cameras is light and priced to own.

 & Jim Fisher Principal Writer, Cameras

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Nikon is turning its attention to the DX sensor format for the second lens release in a row. The compact Nikkor Z DX 24mm F1.7 prime follows the Z DX 12-28mm from last month, so it's more good news for creators who've picked up a stylish Z fc for photos or a Z 30 for video and vlogs. At least for those looking to add some lenses to their kit.

Photographer pulling Nikkor Z DX 24mm F1.7 and Z 30 camera out of a carrying case

The Z DX 24mm uses an optical formula made for the APS-C sensor size used in these cameras. It allows Nikon to realize a moderately wide angle F1.7 prime in a 4.8-ounce pancake form factor; the prime juts out a mere 1.6 inches from the mount.

Diagram of Nikkor Z 24mm F1.7's 8-group/9-element optical formula

Nikon squeezes an 8-group/9-element optical formula into the squat barrel. The front element supports 46mm filters, and the internal aperture features a common 7-blade design, though curiously limits control from f/1.7-11; most bright primes close down by an additional stop, to f/16.

The angle of view matches up with a full-frame 35mm prime, a favorite angle for everything from snapshots to landscapes to reportage. A 7-inch close-up focus distance adds some close-up versatility too, though the 1:5.3 reproduction ratio doesn't qualify as macro. Even so, the F1.7 optics are quite capable of blurring backgrounds, and are also beneficial in dim light.

Close-up of iris with defocused background captured with 24mm F1.7

An STM focus motor should provide quiet focus for video, and Nikon touts the optical formula as one that minimizes the distracting focus breathing effect. Optical stabilization isn't included, and Nikon has yet to release a camera with a stabilized DX format sensor. You'll still want to think about a tripod or gimbal for movies with this lens.

The 24mm F1.7 is Nikon's first made-for-DX Z prime, though not the first to go one sale. Sigma and Viltrox both make primes, with the $329 Viltrox 23mm F1.4 the closest in angle and aperture. Nikon prices its 24mm a little less, at $279.95, however, and is about half the weight. We'll have more when we have a chance to review the lens; Nikon expects it to be in stores in mid-June.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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