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Sony Shows Sensibly Sized FE 50mm F1.2 GM Lens

Sony bucks the recent trend of oversized, bulky prime lenses with its the FE 50mm F1.2 GM, a lens that's notably brighter than an F1.4, but without as much heft.

 & Jim Fisher Principal Writer, Cameras

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Sony's latest full-frame G Master lens is a fresh take on an extra-bright prime. The FE 50mm F1.2 GM sports an angle of view that's not really wide or telephoto, but it's versatile—good for snapshots, portraits, and day-to-day photography.

It's Sony's first prime that opens up to F1.2, but unlike recent entries from rivals Canon and Sony, the FE 50mm F1.2 GM isn't any bigger than an F1.4 prime. The barrel is a little wider than the current-generation FE 50mm F1.4 ZA, but the new lens is the same weight, about 1.7 pounds.

For comparison, look at the Canon RF 50mm F1.2 L USM and Nikkor Z 50mm F1.2 S, which are noticeably bigger and denser—the Nikon weighs 2.4 pounds.


G Master Optics

There's no magic pixie dust at play. Instead Sony is leveraging its optical prowess. It's using three extreme aspheric (XA) lens elements in the optical formula. These ultra-curved pieces of glass work to sharpen edges and reduce optical aberrations.

Sony's molding techniques also work to minimize the onion ring effect that aspheric elements can cause in defocused highlights. As a member of the G Master family, the lens promises to capture photos with strong detail and pleasing defocused backgrounds.

Sony FE 50mm F1.2 GM
Sony FE 50mm F1.2 GM (Image: Sony)

The lens barrel is polycarbonate and, like many of Sony's cameras, is protected from dust and splashes. Its front element is coated with Sony's Nano AR anti-reflective finish, and also sports anti-smudge fluorine.

An aperture ring is included for photographers who like to set the f-stop via the lens. It can be set to click in at third-stop increments or turn freely. The latter is a plus for quieter and smoother adjustment when recording video.

Focus promises to be quick and steady, enough to use for recording moving pictures too. Four motors drive two focusing groups, a design that's fast enough to track moving subjects at F1.2 and also reduces the focus breathing effect. The lens focuses pretty close, to about 15.8 inches, for a decent 1:5.8 macro rating.


Price and Availability

The FE 50mm F1.2 GM is a welcome addition to Sony's catalog. It's not the first F1.2 for the system—Sigma beat Sony to the punch with its wider angle 35mm F1.2 DG DN Art—but a sized-down build makes Sony's take a bit more practical to carry.

We're eager to put the lens through its paces, but it's not quite ready to ship. Sony expects it to go on sale around May 13 for $1,999.99 in the US and $2,599.99 in Canada.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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