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Sigma Adds 85mm F1.4 DG DN Art Lens for Mirrorless Camera Systems

The Sigma 85mm F1.4 DG DN Art is purpose-built for L-mount and Sony mirrorless camera systems.

 & Jim Fisher Principal Writer, Cameras

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(Image: Sigma)

The move from SLRs to mirrorless cameras marches on, and third-party lensmaker Sigma is fully on board with its latest release. The 85mm F1.4 DG DN Art is built from the ground up for full-frame mirrorless camera systems, and will be sold in an E-mount version for Sony cameras, as well as an L-mount edition for cameras from Leica, Panasonic, and Sigma itself.

It's a new optical design, not the older 85mm F1.4 DG HSM Art in a new package. (Sigma uses the HSM designation for most SLR lenses, and DN for mirrorless designs.) The physical benefits are palpable—at 1.4 pounds, the DG DN Art is more than a pound lighter than the SLR version of the lens, and an inch shorter.

Sigma 85mm F1.4 DG DN Art on Sony a7 III Series Camera Sigma 85mm F1.4 DG DN Art on Sony a7 III Series Camera

Optically, Sigma promises superior performance—its optical elements include Super Low Dispersion (SLD) and aspherical glass to improve resolution while at the same time minimizing chromatic aberration.

As an f/1.4 lens, it will blur backgrounds with ease, and maintain a pleasing bokeh even when stopped down a bit thanks to an 11-blade aperture design. The focal length is often thought of for portraits, and while it's not a macro lens, Sigma displayed some close-up flower shots to show the lens's prowess; it focuses close enough for 1:8.4 macro magnification.

Sample Image (Provided by Sigma) Sample Image (Provided by Sigma)

Autofocus is included too. The lens works with all of your camera's autofocus modes, regardless of brand, including face and eye detection. The focusing group is one of the lighter, smaller parts of the optics, and as such Sigma promises smooth, quiet focus by way of a stepping motor.

It's built for use in any type of weather. The lens is protected from dust and splashes, and its housing is made from aluminum and quality composite, finished with a brass bayonet mount to attach to your camera. A lens hood is included as well, protecting the front element and blocking light from entering at askew angles.

It includes a physical aperture ring with clicked and de-clicked operation to meet the needs of photographers and videographers alike. There's an assignable control button, as well as a feature we've not seen in other lenses: the Iris Ring Lock Switch. Locking the iris ensures that you won't accidentally change your f-stop.

If the lens has you excited, you won't have to wait too long to try it out. It's shipping later this month for $1,199.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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