PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

GoPro Returns to Drone Market With Ultralight Hero10 Bones Camera

The company's latest action cam is a bare-bones version of the Hero10 Black for FPV drone pilots, but it's one just for the DIY crowd

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS

GoPro is getting back into drones, but in a much different way than it did with its doomed Karma quadcopter, a project it abandoned in early 2018. Instead of making an aircraft, a task that proved to be a bit outside the company's wheelhouse, it's going for a camera this time, a stripped-down version of the Hero10 Black called the Hero10 Black Bones.

It may seem like an odd choice for those not in-tune with the drone world. After all, the integrated cameras on drones like the crowd-pleasing favorite DJI Air 2 are quite capable in their own right, and purpose-built for aerial imaging and video.


Bare Bones for Drones

GoPro Hero10 Black versus Hero10 Black Bones
The Hero10 Black Bones (right) is a stripped-down version of the regular Hero10 Black (left).

But there's more to drones than cinema and landscape imaging. A healthy market of hobbyists build and fly do-it-yourself models. These ultralight, handspun drones are the ones behind viral long-take videos that go well beyond what the most famous of famous filmmakers have done with oners—it's not out of hand to compare the head-turning bowling alley video tour or a recent flight through the Tesla Gigafactory with the oner that opens Touch of Evil.

The GoPro Bones is made for these types of drones. It includes all of the same imaging and video tools as you find in the Hero10 Black, but in a much lighter, pared-down package. The name itself, Bones, is in reference to the trimmed design, not an homage to doctors Leonard McCoy or Temperance Brennan. Bones weighs just 54g, a full 99g lighter than the Hero10 Black.

GoPro Hero10 Black Bones, rear view
You'll need to be comfortable with a soldering iron to connect the Bones' power cord to your FPV drone.

To make weight, the Bones removes many features we think of as necessary for a camera—the rear screen is gone, a throwback to older GoPros that didn't include a screen at all, and the Bones is not waterproof or ruggedized. And, to really let you know this one is just for drones, the Bones doesn't have a battery. It draws power instead from a DC power connection; a three-wire cable is included to connect to an FPV drone—you'll need to be comfortable with a soldering iron for installation. The Bones works with the batteries most commonly used in FPV—it supports 26-6S batteries with a voltage range of 5-27VDC. 

There's not much else going on with the camera itself. There are two control buttons on the back, Record and Mode. You can use the on-camera controls, or connect to the GoPro smartphone app. Mounting clips are included for GoPro accessories, and is an adjustable clip. You'll need a Torx T9 screwdriver to attach it—this is a camera for folks who own a toolbox. Media is saved on microSDXC cards, there's a small card slot on the side of the camera.

GoPro Hero10 Black Bones, memory card slot
Bones includes a memory card slot for microSDXC media.

The lens cover is removable, so drone pilots can add neutral density filters for daytime flights, or opt to add the ultra-wide Max Lens mod for an extreme perspective. GoPro cautions pilots to take the weight of the Max Lens into account; it's front-heavy compared with Bones, to keep your FPV drone balanced.

Hero10 Black Under the Hood

GoPro sent us a Hero10 Black Bones to test, but we weren't able to secure an FPV drone to use with it ahead of the announcement. Because of its battery-free design, I've not been able to turn the Bones on to try it out, but inside it promises to have all of the same features as the Hero10 Black—5.3K video capture at up to 60fps, 120fps 4K slow-motion, 20MP stills, and Hyperlapse. You can read our Hero10 Black review for a full account of its performance. The Bones omits an in-camera GPS, but its internals are the same otherwise.

GoPro Hero10 Black Bones, profile view

The Hero10 Black has the best digital stabilization we've seen in an action camera, HyperSmooth. But FPV drone pilots don't want a stabilized feed when flying. These aircraft are made to navigate through tight spaces, and a digitally stabilized view means the camera view doesn't match perfectly with a drone's flight path. A stabilized feed can make for mid-air accidents.

But nobody wants to publish a shaky drone video. GoPro's solution for FPV pilots is stabilization after the fact, not in-camera. It's including a license for its Player + ReelSteady Go desktop stabilization software with Bones; if you own a different GoPro you can add the software for $99 if it's useful for your video work.

Hero10 Black vs Bones, profile view
The Hero10 Black Bones (right) has a slimmer profile than the Hero10 Black (left).

Player + ReelSteady leverages the same gyroscope data as HyperSmooth to steady video, and can also remove lens distortions from video. This lets pilots film with the widest view available and remove barrel distortion in post. It also includes reframing tools for owners of the GoPro Max 360-degree camera, and basic trim, frame grab, and batch export tools.

GoPro Returns to the Sky

The Hero10 Black Bones isn't a drone, but it's a sign that, despite the well-publicized struggles with Karma, GoPro is paying attention to creators using its cameras for FPV drone videos. The ultralight Bones is likely to be used for other types of projects and videos too.

GoPro Hero10 Black Bones, front view

The camera is available today and is bundled with the Player + ReelSteady app. GoPro sells Bones for $499.99 to non-subscribers, but you can get it for less if you pay for an annual GoPro subscription—$349.99. There is also a bundle with Bones and a one-year GoPro subscription for $399.99. 

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio