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Canon PowerShot SX600 HS

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon PowerShot SX600 HS - Digital Cameras
3.5 Good

The Bottom Line

The Canon PowerShot SX600 HS is a slim camera with an 18x zoom lens and Wi-Fi, but its images are on the noisy side.

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Pros & Cons

    • Sharp lens.
    • Quick focus.
    • 18x zoom range.
    • Creative Shot function.
    • Wi-Fi.
    • Noisy images.
    • No high-speed burst shooting.
    • Limited control when using Creative Shot.

Canon PowerShot SX600 HS Specs

35mm Equivalent (Telephoto) 450 mm
35mm Equivalent (Wide) 25
Battery Type Lithium Ion
Dimensions 2.4 by 4.1 by 1 inches
Display Resolution 460000
Maximum ISO 3200
Maximum Waterproof Depth 0
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 18 x
Sensor Resolution 16
Sensor Size 1/2.3" (6.2 x 4.6mm)
Sensor Type CMOS
Stabilization Optical
Touch Screen
Type Superzoom
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 6.6

The Canon PowerShot SX600 ($249.99) is a slim camera that somehow manages to squeeze an 18x zoom lens into its svelte body. The 16-megapixel camera features Canon's unique Creative Shot mode, which adds color filters and unique crops to your images, and it's got Wi-Fi so you can share images as soon as you capture them. It's not quite an Editors' Choice winner; its images are a bit too noisy for it to earn that recommendation. Our current favorite compact zoom is the Nikon Coolpix S9700($249.95 at Adorama), which is more expensive, but has a longer 30x lens and does better in low light.

Design and Features
At 2.4 by 4.1 by 1 inch (HWD) and 6.6 ounces, the SX600($165.00 at Amazon) is one of the smaller and lighter long zoom cameras out there. The Samsung WB350F($134.96 at Amazon) (2.5 by 4.5 by 1 inch, 7.6 ounces) comes close, but it's just a little bit larger and heavier. Canon offers the camera in white, black, or red; regardless of color, the body has rounded edges and a modest, but comfortable, bump on the faceplate that serves as a modest handgrip. The 18x lens covers a 25-450mm f/3.8-6.9 (35mm equivalent) field of view, which is a bit less ambitious than the 21x (23-483mm f/2.8-5.9) range offered by the WB350F.

Canon PowerShot SX600 HS : Sample Image

The top plate houses a pop-up flash (raised via a mechanical release), the power button, the shutter release, and the zoom rocker. There's no mode dial like you'll find on the Canon PowerShot SX700 HS($94.95 at Amazon); instead, there's a toggle switch on the rear thumb rest that allows you to change between Creative Shot, Hybrid Auto, or Program shooting. There are no full manual modes; the best you can do is set a specific Scene mode (they include Snow, Fireworks, Portrait, and others) in the Program mode to match what you're shooting.

Rear controls include buttons to access the menu, play images, record movies, and connect to a device via Wi-Fi. There's a four-way directional pad with exposure compensation, flash, macro focus, and information display controls, and a center Func./Set button. Tapping it while shooting in Program mode launches an overlay menu that lets you adjust the metering pattern, white balance, ISO, self-timer, drive mode, and image quality settings. The overlay menu is also available in Creative Shot and Hybrid Auto, but it only allows you to set the self-timer and adjust the video output quality in those modes.

Canon PowerShot SX600 HS : Sample Image

Canon has put its Creative Shot mode, first seen in the PowerShot N($119.99 at Amazon), in its latest batch of PowerShots, the SX600 included. It captures a series of images with different color filters and crops; the final includes your original image and five filtered shots. Canon has tweaked Creative Shot to the point where I found myself actually preferring some of the cropped and filtered images to what I had originally framed. It does take some authorship out of the hands of the photographer, but it's worth playing around with. The biggest drawback is the lack of control; there's no way to set the focusing range to macro when in Creative Shot or to set the shutter speed, for example.

The 3-inch rear LCD features a 460k-dot resolution. It's perfectly adequate, and has a very wide viewing angle, but it's not quite as sharp or as punchy in terms of color as the 921k-dot OLED display that Nikon uses for the S9700. It also doesn't support touch input; I did find myself missing the tap-to-focus function that the Samsung WB350F's touch screen provides.

Canon PowerShot SX600 HS : Sample Image

Canon's built-in Wi-Fi is pretty functional. It goes beyond basic file transfer from camera to handheld device by adding remote shooting control and a location logger to the Canon CameraWindow app for iOS and Android. You can use the app to take remote control of the camera, but control is limited: It's possible to adjust the zoom, set the self-timer, enable or disable the flash, and fire the shutter, but that's it. If you want to add location data to photos, you'll need to turn on the GPS logger before you start shooting and confirm that your phone and camera clocks are in sync.

You can also post images and video to Web sites, but you'll have to configure a few things first. The SX600 uses the Canon Image Gateway service to push images to Twitter, Flickr, Facebook, and others, and the first step is setting up an account there. Once that's done you'll need to pair the camera with the service (it takes a couple of minutes) and set up your social accounts. It's not as elegant an implementation as you'll find on Samsung models like the WB350F—it posts to social sites directly, without requiring a separate account—but if you have multiple Canon cameras, this approach will save you from entering passwords and user accounts in multiple places.

Performance and Conclusions

Performance and ConclusionsCanon PowerShot SX600 HS : Benchmark Tests
The SX600 starts and shoots in about 1.6 seconds, and locks focus in 0.1-second. Continuous shooting is possible at 1.6fps, which is on the slow side of things. The next model up in Canon's lineup, the SX700, can fire off photos at 2.5fps, and matches the SX600 in startup and focus speed.

I used Imatest to check the sharpness that the SX600 was able to muster when put through our standard center-weighted test. A score of 1,800 lines per picture height is required for an image to be deemed acceptably sharp, and the SX600 betters that with a 2,173-line score. It does a bit better than the Panasonic Lumix DMC-ZS40( at Amazon) (1,955 lines), but it doesn't have the EVF or Raw shooting capability offered by that camera.

Canon PowerShot SX600 HS : Sample Image

Imatest also checks photos for noise, which is an area in which the SX600 falls a bit short. If an image has too much noise it can appear grainy, and detail can suffer—all compact cameras apply some sort of noise reduction to control this, but some are more aggressive than others, trading detail for a less grainy look. To its credit, the SX600 appears to take a less aggressive approach to noise control; it only manages to keep it under 1.5 percent at its base ISO 100 sensitivity, but detail does not suffer for it there. Noise jumps to 1.7 percent at ISO 200, and 1.9 percent at ISO 400 and 800, before increasing to 2.1 percent at ISO 1600 and 2.7 percent at ISO 3200. A close look at images from our ISO test sequence on a calibrated NEC MultiSync PA271W( at Amazon) display shows that, despite being on the noisy side, image detail holds up through ISO 400. There's some smudging at ISO 800, and by ISO 1600 details are gone. The Nikon Coolpix S9700 does a better job; it keeps noise under control through ISO 800, but also retains a good amount of detail at that setting.

Video tops out at 1080p30 quality in MP4 format. The footage is detailed, but it is on the grainy side, even under bright studio lighting. Even at 30 frames per second it's smooth, and the camera is quick to adjust focus as the scene changes. The rolling shutter effect only shows up during very quick pans when zoomed in a bit. The sound of the lens zooming in and out when recording footage is audible, but it's not overly distracting. You can review your footage on an HDTV thanks to a micro HDMI output port, and there's also a mini USB port to connect to a computer. Canon includes a wall charger for the battery, so if you opt to buy a second one for extended shooting you'll be able to charge it without sacrificing use of the camera. Standard SD, SDHC, and SDXC memory cards are supported.

Canon PowerShot SX600 HS : Sample Image

The Canon PowerShot SX600 HS isn't the best pocket superzoom on the market, but given its $250 asking price and feature set it's by no means a bad camera. The 18x zoom lens covers a lot of ground, and the Creative Shot mode is a feature unique to Canon cameras that can set your photos apart from the crowd. Its image (and video) are on the noisy side, but it holds its own in terms of detail at moderate ISOs. If you can afford it, you'll be better served with our Editors' Choice compact superzoom, the Nikon Coolpix S9700—it's $100 more, but delivers a 30x zoom lens, integrated GPS, and cleaner images for that price, but its Wi-Fi isn't as robust as the Canon. Canon also has a $350 long zoom compact, the SX700, that shares a lot of features in common with the SX600, but betters it in terms of image quality and zoom range. And if you're working with more of a budget, and willing to sacrifice some zoom to get a lower cost camera, don't count out the 10x Canon PowerShot Elph 330 HS($60.00 at Amazon)—it's our favorite inexpensive compact camera.

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Final Thoughts

Canon PowerShot SX600 HS - Digital Cameras

Canon PowerShot SX600 HS Review

3.5 Good

The Canon PowerShot SX600 HS is a slim camera with an 18x zoom lens and Wi-Fi, but its images are on the noisy side.

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Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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