PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Canon PowerShot N

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
The Canon PowerShot N packs a neat Creative Shot mode, but it doesn't let you select your favorite filters and its design makes it a frustrating camera with which to shoot. - Canon PowerShot N
3.0 Average

The Bottom Line

The Canon PowerShot N packs a neat Creative Shot mode, but it doesn't let you select your favorite filters and its design makes it a frustrating camera with which to shoot.

Buy It Now

Pros & Cons

    • Sharp lens.
    • Excellent high ISO performance.
    • Wi-Fi.
    • Instagram-like image filters.
    • Touch screen display.
    • Difficult to hold and operate.
    • Few physical controls.
    • In-camera charging only.
    • Limited manual filter capability.
    • Weak flash.

Canon PowerShot N Specs

35mm Equivalent (Telephoto) 224 mm
35mm Equivalent (Wide) 28
Battery Type Lithium Ion
Dimensions 2.4 by 3.1 by 1.2 inches
Display Resolution 461000
Maximum ISO 6400
Maximum Waterproof Depth 0
Memory Card Format microSD
Optical Zoom 8 x
Sensor Resolution 12
Sensor Size 6.2 x 4.6 (1/2.3")
Sensor Type CMOS
Stabilization Optical
Touch Screen
Type Compact
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 6.9

The Canon PowerShot N ($299.99 direct) is an odd camera. Its square shape is different from traditional point-and-shoots. It packs a unique control scheme that, while different, makes it awkward to hold and difficult to operate, and it can be set to apply a series of filters and crops to each photo you take—think of it like Instagram in your camera. There's built-in Wi-Fi, so you can share your photos online with ease. If you aren't a filter fanatic, a more traditional Canon camera, our Editors' Choice Elph 330 HS, is a better buy if you're in want of a point-and-shoot with Wi-Fi. It's less money, and it's more comfortable to hold and use.

Design and Features

The N doesn't have a traditional shutter button or zoom rocker; instead you control both functions using a pair of rings around the lens. The camera itself measures 2.4 by 3.1 by 1.2 inches (HWD) and weighs 6.9 ounces. It's not quite square, but it is narrower than most cameras. The svelte Sony Cyber-shot DSC-WX80 feels smaller in your hand, but is actually wider—it measures 2.1 by 3.8 by 0.9 inches, and is lighter at 4.4 ounces. It's available in white or black. There is a flash, which doubles as the focus assist beam. It's an LED design, and as such its effective range is only about three feet.

The N's shape does not make the camera difficult to hold on its own. It's compounded by a touch-screen display that occupies the entirety of the rear of the camera. Typically I'd put my right thumb on the back of a camera to get a firm grip. Doing so virtually ensures that I'll accidentally trigger a function on the touch-sensitive display. The screen does tilt, so it's possible to angle it up and put my thumb behind it, but that introduces its own problems. The zoom function can only be controlled by a narrow ring around the 8x (28-224mm equivalent) lens. It's difficult to adjust this when holding the camera with your right hand, so I resorted to using my left hand to zoom.

But then when it comes time to take a photo, the shutter control gets in the way. It's another ring, directly in front of the zoom ring, and you have to push it down or up from the top or bottom in order to snap a photo. It's simply too narrow to comfortably actuate with my fingers. This led me to use the touch screen to snap photos—the camera can be set to fire the shutter when the screen is tapped. But it's so sensitive that I found myself rattling off accidental shots when picking up the camera or simply trying to adjust its position in my hands.

The display itself is 2.8 inches in size and features a 460k-dot resolution. It's not the sharpest we've seen in a compact; premium cameras like the Nikon Coolpix P310SEE IT often features 921k-dot displays. The touch input is quite responsive; menus come up instantly, and it's easy to scroll through photos in order to review them or get them ready for online sharing.

There are three buttons and a toggle switch on the camera, all located on the sides. The On/Off switch is by itself on the left. On the right you'll find a toggle switch to change between standard and Creative Shot shooting, as well as a button to activate Wi-Fi sharing and one to switch from shooting to image review.

While Canon doesn't advertise it as such, Creative Shot mode is the company's answer to Instagram filters. When it's enabled, the N rattles off three shots in rapid succession, and outputs the one that it considers the best in six distinct versions. One of those is untouched, but the others have each had a distinct crop and filter applied. The effects vary from shot to shot—the camera picks them based on the content of the photo—and can be either very effective or head-scratchingly odd. But you get multiple ones to choose from, so if you are into the filtered image look, there's a good chance that you'll like one. If you don't, you can add your own filter—but you can't do it from within the camera. You'll first need to download the photos to your computer, or, the more likely scenario for this type of camera, transfer them to your smartphone over Wi-Fi.

And that's a big problem for a camera that bills itself as delivering images with different filters. You have options for a handful of filters when you're not shooting in Creative Shot mode. You can choose from Toy Camera, Monochrome, Miniature Effect, Soft Focus, and Fish-Eye; but you'll have to do it before you take a photo.

The N should be designed so that you can apply any of the effects that it is capable of from within the camera itself. If there's a specific filter or look that you love, you're at the mercy of Creative Shot mode; it may apply it, it may not. This is where the Samsung Galaxy Camera has a huge leg up. It runs the Android operating system, so you can use Instagram, Paper Camera, or the filter app of your choice to take photos and apply filters as you see fit; and if you buy a version of the Galaxy Camera that has 4G connectivity you'll be able to post them online immediately, regardless of whether or not you're near a Wi-Fi hotspot.

The PowerShot N does have Wi-Fi, so you can post photos and videos directly to sharing sites, including Facebook, Twitter, and YouTube when connected to a hotspot. You'll need to set up a Canon Image Gateway account and plug the N into your computer via USB to set this up, but that's a one-time step. You can also transfer images directly to another Canon camera, print to a wireless printer, or transfer photos to your computer over Wi-Fi.

If you aren't near Wi-Fi but would still like to get a photo online, you can transfer photos directly to your iOS or Android device. Just download the free Canon Camera Window app from the iTunes store or Google Play store. The camera can set up a peer to peer connection to your phone, and once images are transferred over you'll be able to post them just as you would a photo you took with your phone's camera. This isn't as smooth as the always-on 4G connectivity that the Galaxy Camera offers, but it also doesn't add anything to your monthly phone bill.

Final Thoughts

The Canon PowerShot N packs a neat Creative Shot mode, but it doesn't let you select your favorite filters and its design makes it a frustrating camera with which to shoot. - Canon PowerShot N

Canon PowerShot N

3.0 Average

The Canon PowerShot N packs a neat Creative Shot mode, but it doesn't let you select your favorite filters and its design makes it a frustrating camera with which to shoot.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio