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Nikon Coolpix S9700

 & Jim Fisher Principal Writer, Cameras

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The Nikon Coolpix S9700 camera packs a 30x zoom lens into a compact body with Wi-Fi. Its image quality earns Editors' Choice honors. - Digital Cameras
4.0 Excellent

The Bottom Line

The Nikon Coolpix S9700 camera packs a 30x zoom lens into a compact body with Wi-Fi. Its image quality earns Editors' Choice honors.

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Pros & Cons

    • Sharp lens.
    • Good image quality through ISO 800.
    • In-camera image filters.
    • 5.7fps burst capture mode.
    • 30x zoom range.
    • Sharp LCD.
    • GPS.
    • Wi-Fi.
    • Pricey.
    • Wi-Fi could be more functional.
    • External charger not included.

Nikon Coolpix S9700 Specs

35mm Equivalent (Telephoto) 750 mm
35mm Equivalent (Wide) 25
Battery Type Lithium Ion
Dimensions 2.5 by 4.3 by 1.4 inches
Display Resolution 921000
Maximum ISO 6400
Maximum Waterproof Depth 0
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 30 x
Sensor Resolution 16
Sensor Size 1/2.3" (6.2 x 4.6mm)
Sensor Type CMOS
Stabilization Optical
Touch Screen
Type Superzoom
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 8.2

If you're in want of a long zoom lens in a pocket-friendly form factor, the Nikon Coolpix S9700 ($349.95) is a serious contender for your dollar. The 16-megapixel compact packs a 30x zoom lens, full manual control options, integrated Wi-Fi, and a GPS. On paper it's very similar to the Canon PowerShot SX700 HS, but the Nikon delivers detailed images with less noise when you push its ISO to higher levels, and earns our Editors' Choice award for compact superzoom cameras.

Design and Features
The S9700 is slim enough for most pockets, measuring 2.5 by 4.3 by 1.5 inches (HWD), and weighing just 8.2 ounces. Its edges are rounded, and while there's a ridge on the front face to help you better hold it, it's not quite as comfortable in the hand as the Canon SX700, which features a more substantial hand grip. The lens is a 30x (25-750mm f/3.7-6.4 equivalent) design, which is very close to the field of view captured by the Panasonic Lumix DMC-ZS40's 24-720mm lens.

Nikon Coolpix S9700 : Sample Image

The camera's top plate houses a retractable flash (it raises automatically when it's enabled), as well as the power button, shutter release and zoom rocker, and a mode dial. The other controls are on the rear panel, to the right of the OLED display. There's a dedicated button for video recording, a flat control dial with four directional presses (they control the flash output, exposure compensation, macro focus mode, and self-timer) and a center OK button, a World Map button, and the standard playback, delete, and menu controls.

The mode dial houses the expected Manual, Aperture Priority, Shutter Priority, and Program modes, as well as a fully automatic setting (represented by a green camera icon), and positions for Scene modes, color filters, and a Smart Portrait setting. There's no fancy Creative Shot mode like you'll find on the Canon SX700 and SX600, but you do have the option of applying filters to any photo you've shot with the S9700. By default the camera prompts you after each picture to do so, but I quickly turned this feature off—you can always apply filters when reviewing images on the card.

Nikon Coolpix S9700 : Sample Image

Nikon opts for a full menu that obscures the Live View feed for settings adjustment. This is contrast to other cameras that opt for an translucent overlay menu. Exactly which settings are available vary based on the mode in which you're shooting; if you are in P, A, S, or M, you'll have the most control available to you. You can adjust the amount of compression applied to images (we set the camera to Fine mode—there's no Raw shooting available as there is with the Panasonic ZS40), the output resolution, white balance, the metering pattern, the burst shooting mode, ISO, the autofocus mode and area, whether or not you're prompted to apply Quick Effects to images, and what your Live View feed will look like in Manual mode. When the M Exposure Preview is set to On, you'll get a real time view of what your output image will look like, which is helpful for those times when you're shooting a scene with mixed lighting and want to nail the exposure perfectly.

The rear display is a 3-inch OLED with a 921k-dot resolution. It's very sharp and I had no issues using it outdoors on a bright day, but it lacks touch input. There are other cameras in this class that support touch, which is a useful tool for selecting a focus point, including the Samsung WB350F and the Panasonic ZS40.

Nikon Coolpix S9700 : Sample Image

Wi-Fi is built in, which is a welcome departure from other Nikon cameras that require the WU-1a add-on device. It's possible to transfer images to your iOS or Android device via the free Wireless Mobile Utility application, and to control the camera remotely using the same app. Options are limited when using your phone to control the camera—you can adjust the zoom, activate the self-timer, and fire the shutter. Other settings, such as the flash output, have to be set from the camera, but you can only do that prior to starting the remote shooting session. Nikon is a few steps behind the competition in its Wi-Fi implementation. I'd like to see a few more controls available when shooting remotely, including exposure compensation. There's also no way to post directly to social networks from the camera, as you can with Canon, Samsung, and Panasonic models.

The S9700 has an integrated GPS. When enabled it adds geographic coordinates to your photos—many photo sharing sites and workflow applications will recognize that data and display your photos on a map. The GPS locks onto a signal in about 40 seconds, and the camera has its own world map that displays nearby landmarks.

Final Thoughts

The Nikon Coolpix S9700 camera packs a 30x zoom lens into a compact body with Wi-Fi. Its image quality earns Editors' Choice honors. - Digital Cameras

Nikon Coolpix S9700

4.0 Excellent

The Nikon Coolpix S9700 camera packs a 30x zoom lens into a compact body with Wi-Fi. Its image quality earns Editors' Choice honors.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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