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Lomography Lomo'Instant Automat Glass Review

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Lomography Lomo'Instant Automat Glass Review - Consumer Electronics
4.0 Excellent

The Bottom Line

The Lomography Lomo'Instant Automat Glass instant camera has a sharp glass lens with an ultra-wide view that makes it a great choice for landscape and travel.
Best Deal£357.9

Buy It Now

£357.9

Pros & Cons

    • Compact.
    • Sharp, ultra-wide lens.
    • Automatic exposure.
    • Built-in flash.
    • Selfie mirror.
    • Multiple exposure support.
    • Includes close-up filter and split frame mask.
    • Color and monochrome film options.
    • Uses CR2 batteries.
    • Instax Mini format is a little small.

Lomography Lomo'Instant Automat Glass Specs

35mm Equivalent (Wide) 21
Dimensions 4.8 by 3.9 by 2.9 inches
Type Analog
Viewfinder Type Optical
Weight 12.5

Fans of Fujifilm's Instax instant film format should pay attention to Lomography. The company has a growing library of cameras that use Instax, all of which offer more creative control than you get with models from Fujifilm. The Lomo'Instant Automat Glass is very much like the Lomo'Instant Automat—the difference is the lens. The Glass ($189) sports a, surprise, 38mm f/4.5 glass lens—for an ultra-wide field of view when paired with Instax Mini film. It captures the sharpest pictures I've seen in the format, and is a lot of fun to use. It costs a little bit more than the standard Automat ($149), but if you crave a wider perspective, it's the Instax Mini to get.

Design

The Automat Glass($189.00 at Adorama) is fairly small for an instant camera. It measures about 4.8 by 3.9 by 2.9 inches (HWD) and weighs in around 12.5 ounces. It won't fit in your pocket, but it's easy to stow in a small bag or carry with you when you're out and about. There are strap connectors, but you'll need to add your own strap, and a standard tripod socket.

In addition to the camera you get a close-up filter, a lens cap that doubles as a wireless shutter release, colored gel filters, a few stands and clips to display photos, some glue dots for mounting images, and a book of shooting tips. You also get the Splitzer, a fun accessory that can black out half or three quarters of the frame for additional creative control when shooting multiple exposures.

The glass lens is a 38mm f/4.5 design. On the Mini format it captures photos with a field of view that's roughly equal to a 21mm lens on a full-frame camera. It's manual focus, with three set positions to lock onto subjects at about 1 foot (0.3-meter), 2 feet (0.6-meter), or from 3 feet (1 meter) to infinity. You can use the included close-up filter to lock on subjects closer than a foot, but you'll have to do some guesswork for framing, as the parallax effect means the viewfinder won't be accurate at very close distances.

Lomography LomoInstant Automat Glass : Sample Image

To turn the camera on you need to press the lock button, which is next to the lens, and twist the focus ring. The shutter release is also on the front, and doubles as a selfie mirror. Rear controls include a button to toggle the flash output, an MX (multiple exposure) button, plus and minus buttons to adjust exposure compensation, and an A/B button to switch between automatic and bulb exposure modes. If you're not familiar with bulb, it keeps the shutter open for up to 30 seconds, you just need to keep holding the shutter button down. It's a useful setting for long exposures and light painting.

There's a small optical viewfinder positioned at the upper right corner. Film packs are loaded in the rear as well. You get 10 shots per pack, and images eject from a slot at the top. Images take about 30 seconds to start to emerge and a few minutes to develop fully. A bank of 10 lights, visible when looking down at the film eject slot, let you know how many images are left in your pack of film.

Lomography LomoInstant Automat Glass : Sample Image

The Glass is powered by two CR2 batteries. The small cells help keep the overall size down, but they aren't as readily available as the ubiquitous AA format. You can get them from Amazon, of course, and your local home supply superstore should have them, but don't expect to find them at a convenience store. Lomography doesn't state how long they'll last, but I used the same set of batteries with the Glass that I bought late last year to power the Lomo'Instant Automat—that's about six packs of film worth between the two reviews—and they're still going strong.

Film and Image Quality

Instax Mini is an established format, and is now available in your choice of color or black-and-white. Costs vary depending on how much you buy at a time—bulk purchases will reduce the cost per shot—but it's roughly $0.75 per image. Quality is quite high—the color film features natural, saturated colors, and the monochrome shows moderate contrast and strong detail.

Lomography LomoInstant Automat Glass : Sample Image

I find the Mini format to be a little small, with the image area around 2.4 by 1.8 inches. The Instax Wide format, which costs about the same to shoot, is about twice as big (2.4 by 3.9 inches), but with it comes a bigger camera. Our favorite, the Lomo'Instant Wide, is roughly 5.8 by 7.5 by 3.8 inches.

The glass lens delivers crisper results than I've seen from other Instax cameras—the scans of images in this review don't do it justice, but give you an idea of the camera's field of view and the general look of photos. The lens has a tendency to flare, creating a semi-circular ghost in photos shot on bright, clear days. Dim-light shots and images captured on an overcast day don't show this effect. There's also a noticeable vignette, darkening the corners of the frame, but that's not abnormal for a lens with such a wide field of view.

Lomography LomoInstant Automat Glass : Sample Image

The Glass is a stronger option than most Instax cameras for shooting in dim conditions. You'll still need to use a flash for indoor shots, but you can get better handheld shots at twilight thanks to the f/4.5 aperture. The standard Automat has a 28mm equivalent f/8 lens, and Fujifilm Instax Mini cameras all use a tighter 35mm equivalent f/12.7 lens. An f/4.5 lens gathers roughly four times as much light as an f/8 and about eight times that of an f/12.7.

Conclusions

Instant film fans should take a close look at the Lomography Lomo'Instant Automat Glass. For less than $200 it delivers the best Instax output I've seen, and its wide field of view is a great option for capturing landscapes, environmental portraits, and architecture. We're naming it an Editors' Choice, although it doesn't supplant the Lomo'Instant Wide. If you prefer a smaller camera, wider field of view, and are happy with the Mini film format, the Glass is an excellent instant camera. If you crave a larger image, and don't mind the bulkier camera that comes with it, the Lomo'Instant Wide is a better fit.

Lomography Lomo'Instant Automat Glass Specs

Dimensions 4.8 by 3.9 by 2.9 inches
Weight 12.5 oz
Type Analog
35mm Equivalent (Wide) 21 mm
Viewfinder Type Optical

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Further Reading

Final Thoughts

Lomography Lomo'Instant Automat Glass Review - Consumer Electronics

Lomography Lomo'Instant Automat Glass Review

4.0 Excellent

The Lomography Lomo'Instant Automat Glass instant camera has a sharp glass lens with an ultra-wide view that makes it a great choice for landscape and travel.

Get It Now
Best Deal£357.9

Buy It Now

£357.9

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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