PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Fujifilm Instax Square SQ1

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Fujifilm Instax Square SQ1 - Fujifilm Instax Square SQ1
4.0 Excellent

The Bottom Line

The Fujifilm Instax Square SQ1 is a square-format instant camera that's easy affordable and easy to use.
Best Deal£170

Buy It Now

£170

Pros & Cons

    • Fun, square instant prints
    • Very easy to use
    • Close focus and mirror for selfies
    • Color and black-and-white film available
    • No self timer, tripod socket, or double exposure support
    • Smaller photos than Polaroid cameras
    • CR2 batteries aren't always easy to find

Fujifilm Instax Square SQ1 Specs

35mm Equivalent (Wide) 35
Battery Type CR2
Dimensions 4.7 by 5.2 by 2.3 inches
Memory Card Format Fujifilm Instax Square
Type Analog
Viewfinder Magnification 0.4x
Viewfinder Type Optical
Weight 13.9

The Fujifilm Instax Square SQ1 ($119.95) is as simple—and fun—to use as any other Instax camera. It's a pure point-and-shoot, easy enough to pass off to a friend for a snapshot, and its wide-angle lens makes for solid selfies. If you're looking for a square format instant camera, and are more of a snapshooter than artiste, the SQ1 is an instant camera with loads of appeal, and our Editors' Choice.

Solid Color Aesthetics

The SQ1 drops the split two-tone design from the previous-generation SQ6 in favor of a mostly solid color in your choice of Chalk White, Glacier Blue, or Terracotta Orange. The camera itself is all plastic, and while there's certainly a blockiness to the overall look, edges are comfortably rounded off and the textured grip and wrist strap make it very easy to handhold.

SQ1 in Orange and White
The camera comes in different colors including Chalk White and Terracotta Orange

The camera itself is on the bulky side, at 4.7 by 5.2 by 2.3 inches (HWD), and it weighs a little shy of a pound with a full pack of film loaded. It's wide enough to sit upright when set on a flat surface, but Fujifilm didn't bother to include a tripod socket. There aren't any manual exposure options (for long exposure work), nor is there a self-timer. 

Film loads in a door at the rear and ejects from the top. Instax Square packs are a little tricky to load—you need to make sure you insert them at an angle to fit. There's a yellow strip on both the film pack and in the film compartment to guide you.

SQ1 film door

The SQ1 is powered by a pair of included CR2 batteries. They're long lasting, but not as readily available at retail as more common AA and AAA cells. You can get them easily enough via Amazon and at big-box store, but you're not as likely to find them at the corner bodega. Fujifilm expects the camera to snap about 300 photos before you need to swap them out for a new set.

You frame shots with an optical viewfinder. It's a small, fixed view of the world, but it's bright enough to use indoors. A pair of etched half circles almost meet at its center, making it a bit easier to keep the finder centered at your eye for the most accurate framing. It doesn't offer a precise through-the-lens view, but it's close enough to reality for snapshots.

Instax Square Film

Each pack of Instax Square film includes ten frames, with a square image area a bit smaller all around (2.4 by 2.4 inches) than the old-school Polaroid film (3.1 by 3.0 inches) used by competitors like the Polaroid Now.

Sample

The smaller photo is a bit less impactful, but Fujifilm's colors are truer, and the film cost is about half—figure about $1 a photo for color Instax Square, versus $2 per for Polaroid's film.

I've long lamented the lack of black-and-white materials in Instax Square. My days of complaining are over: Fujifilm is adding Instax Square Monochrome film to its catalog, priced at $14.99 per pack of 10 shots. It's a little bit more than you'll pay for the standard color film, but it's worth if you like to work in black and white.

I've not yet had a chance to try it, but its image quality should be identical to the current Instax Wide and Mini Monochrome film.

Sample

A Wide Lens With Selfie Mode

The SQ1's lens is the same one used by the SQ6. Plastic optics don't make for the sharpest images, but there's enough resolution here to make the 2.4-inch photos look good. You don't get macro focus, but with a twist the lens goes from standard focusing range to close focus for arm's-length selfie shots—it'll nail focus from about a foot (0.3m) to about 1.6 feet (0.5m). There's a small mirror next to the lens, helpful for framing up shots.

SQ1 selfie lens

The angle of view is similar to a 35mm lens on a full-frame camera—wide enough for single person selfies, but not group shots. The f-stop is very small, just f/12.6, so the SQ1's flash always fires—even when photographing outdoors on a bright day.

Other analog Instax Square cameras use decidedly different lenses. The funky Lomo'Instant Square is a folding camera with a slightly tighter 40mm-equivalent glass lens, and the Diana Instant goes the opposite direction, with a unique plastic lens famous for its imperfections.

Sample

Fujifilm also sells a digital Instax Square, now in its second generation. It's called the SQ20 and does some things an analog camera can't—its most compelling feature is the ability to print only shots you want. In-camera editing tools let you add filters and print off black-and-white shots, so you can use the less expensive color film and still get black-and-white prints.

The One-Button Instax Square

The SQ1 doesn't try to get fancy with digital features, menus, or a display. Instead, Fujifilm has done a good job here in terms of simplicity. The Instax Square SQ1 offers the ease of one-button operation, a mirror for selfies, and it gives you the spontaneous, unpredictable feeling that you only get with a true film camera.

Sample

Snapshooters who don't want to print every photo should look at the older SQ10, now selling for just a few dollars more than the SQ1. If you're not set on the square format, the smaller Instax Mini LiPlay is worth a look too, as is the purely analog Instax Mini 11.

Creators, meanwhile, may find the SQ1 to be a bit too basic. The Lomo'Instant Square, or the larger format Polaroid OneStep+, are better choices there—both offer more creative options, including double exposure support.

SQ1

For ease of use and fun factor, though, it's tough to argue with the Instax Square SQ1. It's a camera that will be a hit at parties, weddings, and the like (when we get back to having those), an affordable starter for kids just getting into photography, and one pros can pick up and use with ease when the full-frame kit is safely stowed away, so we have no hesitation recommending it as our Editors' Choice.

Final Thoughts

Fujifilm Instax Square SQ1 - Fujifilm Instax Square SQ1

Fujifilm Instax Square SQ1

4.0 Excellent

The Fujifilm Instax Square SQ1 is a square-format instant camera that's easy affordable and easy to use.

Get It Now
Best Deal£170

Buy It Now

£170

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio