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Lumu Power Review

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Lumu Power Review - Lumu Power
4.0 Excellent

The Bottom Line

The Lumu Power is an accurate light meter with a clean, modern app interface, but it needs an iOS device with a Lightning port to work.
Best Deal£279

Buy It Now

£279

Pros & Cons

    • Compact.
    • Measures light and color.
    • Very accurate.
    • Less expensive than dedicated meters with similar capabilities.
    • Requires iOS device to work.
    • Lightning port might not be around forever.

We liked the first Lumu light meter. The Kicktarter success story—funded and delivered to backers as promised—was a compact incident light meter that used your smartphone's processing power and an app to take readings. When we reviewed it in early 2014 we couldn't predict that its seemingly eternal interface—the 3.5mm headphone jack—would disappear from phones so quickly. The new Lumu Power ($299) uses Lightning to connect to an iPhone (there's no Android version), and adds a lot of functionality you didn't get with the original Lumu. It costs more, but it also does more.

Design and Features

The new Lumu Power is similar in design to its predecessor. It's a small hemisphere with a flat back and a lone data connector—in this case, Lightning. Its diameter is about the size of a quarter, and a small black carrying case is included.

You'll need an iOS device with a Lightning connector and iOS 8 (or newer) installed. I tested the Power with both an iPhone 6 Plus and 8 Plus. It's easy enough to get started; just plug it into the phone and iOS prompts you to give it permission to use. If you grant it, the Lumu app opens automatically.

Lumu Power

The app shows you everything the Lumu can do. It can measure Illuminance (in Lux), take ambient or spot light readings (the latter using your phone's camera rather than the meter), work as a flash meter, and measure both color temperature and chromaticity.

Lumu PowerThe interface sets the Lumu apart from handheld meters. If you've used a light meter you know that they're not always intuitive devices. Instead of a small LCD, the app show information in large type, and the touch interface takes the guesswork out of what button does what.

Light measuring uses the domed side. To take an ambient reading you'll want to position the meter directly in front of the subject of your image, with the dome facing toward the camera lens. Photographers can use the Photo Ambient module to see the proper aperture, shutter speed, and ISO needed to get a good exposure.

You can change any one of these components and the others will adjust automatically. The meter also gives you the ability to take a reading to intentionally underexpose or overexpose a shot, and can adjust its output to compensate for any ND filters you may be using. There are also tools to calculate values for multiple exposure images and pinhole images.

Lumu PowerThe Cine/Video module is quite similar, with the same options for exposure compensation and ND. It adds frame rate, an essential component for cinematography.

For both video and imaging, I found the Lumu to deliver deadly accurate results. I dialed in its suggested exposure settings into a digital camera and netted properly exposed stills and video. This was done in a tricky exposure setting, with a white backdrop that tends to cause in-camera meters to underexpose by a third to two thirds of a stop.

Flash metering is new to the Lumu Power—it wasn't included with the original when we reviewed it. When this module is active it measures the exposure you'll want to use with studio strobes, and also shows duration of the flash output in a graph. We found that our group of studio strobes fired for 1/297-second. Dedicated meters with flash measurement capability start selling for around $200, a bit less than the Lumu Power.

Lumu Power

Color measurements are another new addition. I used the meter to measure the temperature of the LED lights we use in our studio testing scene to confirm a suspicion I had for some time—they are not truly 5600K as advertised, but actually a little warmer than daylight, 4470K, with a slight magenta cast. If you're using lights that output different temperatures the app includes a tool that lets you know which filters to use to balance them.

Finally there's Chromaticity. This measures the actual hue of colors and maps it on a graph. This isn't a tool I need for photography, but if you need it for you work, you'll be happy to know that it's there.

It's in the color measurement function that the Lumu shows up as a value proposition. The least expensive color meter I could find, the Kenko KCM-3100, sells for $800.

Conclusions

The Lumu Power is a strong follow-up to the original meter. It is just as accurate and useful when it comes to measuring light, but swaps out the now dated 3.5mm connector for a Lightning port. It's accurate, compact, and a fine tool for measuring the intensity and color of light. We have no hesitation recommending it on functionality alone—it's a modern meter and its app-based interface is easier to use and more intuitive than the buttons used to control standalone meters.

There is one caveat. Lumu itself has been around as a company for a few years, but there's no guarantee that it will update its app forever, and as much as Apple has invested in the Lightning connector, we don't know if it'll remain the standard for iOS devices in years to come. There's a chance that, at some point in the future, you'll have an excellent light meter, without a modern device with which to pair it. If the Lumu app stops getting updates, or if Apple ditches Lightning, you'll need to an old device around to keep running it.

Best Camera Accessory Picks

Further Reading

Final Thoughts

Lumu Power Review - Lumu Power

Lumu Power Review

4.0 Excellent

The Lumu Power is an accurate light meter with a clean, modern app interface, but it needs an iOS device with a Lightning port to work.

Get It Now
Best Deal£279

Buy It Now

£279

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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