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Lumu

 & Jim Fisher Principal Writer, Cameras

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The Lumu is a compact incident light meter that works in conjunction with a smartphone. It's impressively accurate, but doesn't work as a flash meter. - Digital Cameras
4.0 Excellent

The Bottom Line

The Lumu is a compact incident light meter that works in conjunction with a smartphone. It's impressively accurate, but doesn't work as a flash meter.

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Pros & Cons

    • Accurate incident light meter.
    • Android and iOS compatibility.
    • Very compact.
    • No batteries required.
    • May require removal of phone case for use.
    • Limited Android device support.
    • No flash metering support.

The Lumu ($129 direct) is a compact light meter that works in conjunction with a smartphone. It works with Apple devices running iOS 6 or higher, as well as select Android phones, via a free app that is simple and straightforward to use. If you regularly shoot with older cameras that lack built-in light meters, the Lumu is worth consideration. It's a lot more portable—and less expensive—than some handheld meters, although it lacks advanced capabilities like flash metering.

The device first gained attention as a Kickstarter project last June. It's made its way into the hands of the backers who pre-ordered the device (myself included), and is now available for pre-order for those who missed the Kickstarter. It's essentially a covered dome, no bigger in diameter than a quarter, with a connector that plugs into your phone's headphone jack. It plugs into the phone with ease, but its design may require you to remove your phone's case prior to use. A small leather pouch and a lanyard are included with the Lumu, which itself is available in silver or black.

To take a light reading, simply plug the Lumu into your phone and launch the app. Its measurement screen shows three variables: the f-stop, shutter speed, and ISO. Set the ISO and desired aperture, tap "Measure," and the proper shutter speed will display. From there you can swipe to see the other shutter speed/aperture combinations that will result in a proper exposure. To take another reading, just tap on Measure again.

Lumu : iPhone App

Using an incident meter is a bit different than working with the reflective meters that are built into modern digital cameras. Instead of measuring the light that is reflected back from your subject through the camera's lens, you'll want to place the Lumu right up against your subject, with the white dome pointed toward the location from which you'll be photographing it. This measures the light that's actually falling on the subject, rather than the subject itself. Because you're measuring the light itself, you won't need to apply exposure compensation for especially dark or light subjects as you will with a reflective meter.

I ran a roll of film through my 1950 Rolleiflex Automat using the Lumu as my sole meter. I opted for Kodak Ektar 100, as it has a fairly narrow exposure latitude for a color negative film. I was working with a lot of snow on the ground, which would have required exposure compensation when using an in-camera meter. The exposures were quite accurate, requiring very little adjustment to brightness when scanning the developed roll. The Lumu app has a neat extra feature that lets you take notes for each exposure, so you can later match up the shutter speed and aperture—and if you're using an interchangeable lens camera you can also add a memo recording lens was used for which shot.

The Lumu works with iOS devices running version 6 or later, but Android compatibility is more limited. You'll need to own a Samsung Galaxy S4, Samsung Galaxy Note 2, or HTC One in order to use the device. This limited compatibility is a shame, as it does call into question the long term viability of the Lumu—will the software be updated to work with the phone you use a few years from now?

Aside from that hypothetical worry, the Lumu is an accurate meter that should appeal to shooters who still use older meterless cameras. At $129 it's not an impulse purchase, but it's less expensive than most incident meters on the market, and its size is quite appealing. Old school shooters may prefer something like the Sekonic L-398A ($218), an analog incident meter that doesn't require batteries to operate. But if you've got a compatible phone, and are happy to save some money and space when compared to a traditional meter, the Lumu is a solid option. The only question mark is future compatibility, and that's more of a concern for Android users—if you've got an iPhone you can expect a bit more continuity in hardware and software.

Final Thoughts

The Lumu is a compact incident light meter that works in conjunction with a smartphone. It's impressively accurate, but doesn't work as a flash meter. - Digital Cameras

Lumu

4.0 Excellent

The Lumu is a compact incident light meter that works in conjunction with a smartphone. It's impressively accurate, but doesn't work as a flash meter.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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