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CineStill TCS-1000 Brings Sous Vide Tech to Film Development

If you think the CineStill TCS-1000 looks like a sous vide cooker, you're not off-base. The device works similarly, but is designed for at-home film developing with temperature control.

 & Jim Fisher Principal Writer, Cameras

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Developing black-and-white film at home is an easier task than working with color materials. The reason is actually a simple one—most chemicals used for black-and-white processing work best right around room temperature, between 68 and 72-degrees Fahrenheit.

But working with color negative (C41) film is trickier. When working with color-negative materials, temperature is critical. The environment must be set at a decidedly not room temperature 100-degrees in order to net a 3.5-minute development time. Being off by a couple degrees is a major concern, since at 102 degrees the development time is about 15 seconds shorter.

Getting precise temperature control at home has been a challenge for a long time. Some innovative home developers recommend using sous vide cooking equipment to maintain precise temperature control of the water bath commonly used to heat chemicals before use.

CineStill, which makes a number of motion picture-style film stocks for 35mm and medium format cameras, has released its own sous vide device. Well, sort of. The TCS-1000 Temperature Control System shares a lot of the same technology, but it's tuned for film developing. So you won't have to worry about using the same device to process a roll of Portra and cook your pot roast.

The TCS-1000 features arms to keep your bottles of development chemicals in place in the water bath, and offers both customized and pre-set temperatures for different types of film. It can be set to display temperature in Celsius or Fahrenheit, and has both ground protection (to prevent electric shock) and an overheat protection sensor.

We live in a world where digital photography is the norm, but film has still has it devotees. The simple fact is, there simply aren't enough of them to ensure local film processing is available in all areas. The TCS-1000 will make developing color negative film a more practical at-home activity, and can also be used for E6 (color slide) and black-and-white development. It's priced at $99.95 and will start shipping around October 10th.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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