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Mooch No More: Netflix's Password-Sharing Crackdown Could Ruin Streaming

The downsides of ending password sharing could be substantial for Netflix, and there isn't much of an upside for subscribers, either.

 & Eric Griffith Senior Editor, Features

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Have an in-law or know a student who doesn't live with you but wants use your Netflix login to watch Warrior Nun on their big-screen TV? They'll probably be out of luck: Netflix is putting an end to password sharing. Once it hits the accounts of US users, they can no longer access an account from outside the home of the main account holder (unless they're on a mobile device, among other workarounds). The ban is already in place in several other countries.

When a company as big as Netflix makes a change like this, the backlash is quick, even if it's seen only in polling. When Netflix announces a price increase, people say they'll quit the service—yet it has raised its rates almost yearly since 2014. When Netflix says it'll stop renting DVDs, people say they'll quit. (Qwikster, we never knew ye…but you'd be close to dead by now had you launched.)

The polling is, of course, always interesting. This year, CordCutting did a survey of 927 people who use streaming services to see how many were "moochers," logging into another person's account or accounts, and found the number to be 16% for Netflix. Same for Disney+. The percentage is lower for other streaming services.

PERCENTAGE

CordCutting claims that even with that low number of moochers, the cost of password sharing to the industry is around $2.3 billion annually. Thus, the belt-tightening. It's happening at all streaming services—Max is shedding content, Netflix is cutting its spending, and Paramount is experiencing huge losses thanks to the growth of Paramount+ and Pluto TV.

Netflix has no choice but to try to stop the password-sharing revenue killer. The bottom line and the shareholders must be appeased.

CordCutting also surveyed 752 Netflix-specific users and broke the news to the 10% of them who didn't know what would happen with the password-sharing crackdown—including the added $7.99 per month they'll have to pay to add someone outside the main household. This is no doubt a push to encourage moochers to move to Netflix's new $6.99-per-month, ad-supported plan, which really means they get the privilege of paying to see commercials on a tier that doesn't even carry all of Netflix's content.

Most people say they won't change their Netflix plan, but 23% plan to go nuclear: They claim they'll cancel. Only 5% said they intend to change their plan to pay for a moocher. That 23% of quitters could amount to 15.26 million lost subscribers, assuming people go through with it.

SUBSCRIBERS RESPOND

Why shouldn't they? Plenty of subscribers walk away from streamers between seasons of their favorite shows, because there are no early cancellation fees. Expect that shoe to drop next. Imagine being told you'll have to keep Netflix for a year or pay $60 or more.

Subscribers also need to be aware that as Netflix loses users and revenue, that might result in fewer shows. There are plenty of popular Netflix shows that people could resubscribe to see, but several won't be around much longer, including The Umbrella Academy, Sex Education, You, and Stranger Things. The ongoing WGA writers' strike could also lead to the death of some shows.

What will moochers do? CordCutting asked them.

MOOCHERS

Half of responding moochers would stop borrowing passwords—and would stop viewing Netflix altogether. Forty percent plan to keep the mooch alive (or will pay the account holder so they can afford the $7.99 price increase). Only 8% said they'd sign up for their own account.

So that's perhaps 1 million new subs for Netflix versus the possibility of 15 million canceled subs. It's a gamble the company feels it must make to keep a small segment of people (shareholders) happy. And that's a shame.

About Our Expert

Eric Griffith

Eric Griffith

Senior Editor, Features

My Experience

I've been writing about computers, the internet, and technology professionally since 1992, more than half of that time with PCMag. I arrived at the end of the print era of PC Magazine as a senior writer. I served for a time as managing editor of business coverage before settling back into the features team for the last decade and a half. I write features on all tech topics, plus I handle several special projects, including the Readers' Choice and Business Choice surveys and yearly coverage of the Best ISPs and Best Gaming ISPs, Best Products of the Year, and Best Brands (plus the Best Brands for Tech Support, Longevity, and Reliability).

I started in tech publishing right out of college, writing and editing stories about hardware and development tools. I migrated to software and hardware coverage for families, and I spent several years exclusively writing about the then-burgeoning technology called Wi-Fi. I was on the founding staff of several magazines, including Windows Sources, FamilyPC, and Access Internet Magazine. All of which are now defunct, and it's not my fault. I have freelanced for publications as diverse as Sony Style, Playboy.com, and Flux. I got my degree at Ithaca College in, of all things, television/radio. But I minored in writing so I'd have a future.

In my long-lost free time, I wrote some novels, a couple of which are not just on my hard drive: BETA TEST ("an unusually lighthearted apocalyptic tale," according to Publishers' Weekly) and a YA book called KALI: THE GHOSTING OF SEPULCHER BAY. Go get them on Kindle.

I work from my home in Ithaca, NY, and did it long before pandemics made it cool.

The Technology I Use

My first computer was a Laser 128, an Apple II-compatible clone with an integrated keyboard, matched with an eye-straining monochrome green monitor. I used it to type papers in college for other people for money...until I discovered the Mac SE in the college computer room. That changed my life. My first cellphone was a Samsung Uproar—the silver one with the built-in MP3 player from the Napster days (the pre-iPod era).

I use an iPhone 15 Pro hourly and an iPad Air infrequently (but I'm always in the market for a cheap Android tablet). I have a PlayStation 5 just to play Spider-Man, and several Windows machines, including a work-issued Lenovo ThinkPad. I talk to Alexa and Siri all day long. I do the majority of my computing on a 15-inch LG Gram laptop attached to a Thunderbolt hub to run a multi-monitor setup—I overdid it on the power needed to simply work from home.

I'm most at home in Microsoft Word after decades of writing there. More and more, I turn to services like Google Docs, using tools like Grammarly. I use Google's Chrome browser due to an addiction to several extensions I think I can't live without, but probably could. I use Excel extensively on data-intensive stories, but for chart creation, we've switched over entirely to using Infogram for interactive features that are hard to find elsewhere. I do a lot of graphics work for my stories, but limit myself to the free and amazing Paint.NET software to edit images.

I'm a firm evangelist for using the cloud for backup and syncing of files; I'm primarily using Dropbox, which has never failed me, but I also have redundant setups on Microsoft OneDrive, plus extra picture backups on Amazon Photos and iCloud. Why take chances? For entertainment, mine is a streaming-only household—my kid has never seen network TV and barely been exposed to commercials, thanks to Roku and Amazon Music. The house is peppered with smart speakers from Amazon for instant gratification and control of smart home devices like multiple Wyze cameras and Nest Protect smoke detectors. I've got accounts on all the major social networks, to my horror. I have a robot vacuum for each floor of the house. I want a 3D printer, but not sure what I'd use it for.

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